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47 pages 1 hour read

Woman of Light

Fiction | Novel | Adult | Published in 2022

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Part 2Chapter Summaries & Analyses

Part 2, Chapter 8 Summary: “The Inner Self”

Three years after Pidre moves to the mining town of Animas, he saves up enough money to invest in his own business. His business partner Mickey takes him to a distant section of town where they meet a man named Otto. Otto shows Pidre a red-rock natural structure surrounding a beautiful meadow. Pidre agrees to buy the property. Later, he and Mickey attend a traveling Wild West show. In addition to reenactments of western battles and a horrific show in which a man fights a starving, toothless bear to death, Pidre watches the performance of a woman sharpshooter named Simodecea. She gained notoriety for accidentally killing her husband when a bear attacked her during a past performance, breaking both her legs. Pidre goes to her dressing room after the show, introduces himself, and says, “I have a theater made of red stone. I need my star attraction, and I want you” (79). Simodecea agrees, so long as there are no bears involved.

Part 2, Chapter 9 Summary: “Women Without Men”

Working side by side at the laundry, Luz and Lizette discuss how difficult it is to be a parent. Luz remembers her mother Sara, which often causes her to cry. She remembers her and Diego’s displacement to Denver, when a stranger looked at her and said to her brother, “Your elders are in the little one” (83). With Diego gone, Maria Josie seeks a man to live in the apartment for security and help with rent. The family eventually takes in a woman, who steals from them and is evicted. When they receive a letter from Diego in which he says he has sent cash, they find the envelope torn. Luz wakes one night, aware that the apartment is cold, and even the capable Maria Josie cannot fix the broken radiator.

Part 2, Chapter 10 Summary: “Heat”

A handyman named Avel comes to the apartment to determine what is wrong with the radiator. He is tall and handsome, and notices how attractive Luz is. After some negotiation, Maria Josie leaves him to fix the radiator and takes Luz with her to her workplace, a mirror factory, as she does not want her home alone with a man. Luz complains that she is not a child, and that she detests her life and lack of independence. Maria Josie tells her, “you don’t feel it now, but someday you’ll know. You have very much, Luz” (94).

Part 2, Chapter 11 Summary: “We Should All Be as Happy as Kings”

Needing additional work to help Maria Josie with expenses, Luz travels to the Denver Public Library to look at the job bulletin board. Despite her repeated requests, several librarians refuse to let her near the board. One says, “I apologize, again, but we don’t have a community board for you” (98). Afterward, as Luz eats with Lizette and Alfonso at the restaurant where he works, Alfonso suggests she approach David, who needs assistance in his law firm.

Part 2, Chapter 12 Summary: “I Heard You Need a Girl”

Luz approaches David about becoming his assistant. He points out that she has no qualifications or training. In a moment of inspiration, she tells him that Maria Josie sent her to ask for a job, causing him to relent. It is soon revealed that Maria Josie saved David when he was young.

Part 2, Chapter 13 Summary: “La Llorona”

When Maria Josie arrives in Denver in 1922, she lives in a boarding house. The amenities are sparse, and she has no place to wash her clothes unless she takes them to a stream. While washing her clothes, she sees a man and his young son fishing. When a flash flood occurs, the boy falls into the water. Maria Josie jumps in, swimming after the boy and pulling him to safety. The boy is David, and his grateful father is Papa Tikas.

Part 2, Chapter 14 Summary: “The Body Snatchers of Bakersfield, California”

Avel arrives at Maria Josie’s apartment to collect his pay for fixing the radiator. He also invites Luz to go with him to hear his old band at the Teatro Oso. Maria Josie encourages her to go, but warns both of them not to do anything foolish. At the theater, Luz notices several of Diego’s ex-girlfriends. She is surprised when a woman, Mrs. Montoya, approaches her for a reading. Avel expresses interest in the fact that Luz reads tea leaves. They talk about their family histories, both coming from broken homes in which their parents separated. For the first time, Luz reads coffee grounds for Avel: She describes a citrus orchard in which white people appear and begin to arrest workers, taking them from their wives. This stuns Avel, because Latinx workers are being deported in favor of white people seeking work.

Part 2, Chapter 15 Summary: “The Red Streets”

On her first day working for David, Luz receives a tour of the law firm and a list of expectations. He says he will give her an allowance to buy more conservative clothes because he does not want her to look too pretty. He also wants her to learn how to type. Through one of David’s visitors, Luz learns about the case of Estevan Ruiz, a worker who was apparently beaten to death and thrown into a railroad car by a police officer.

Part 2, Chapter 16 Summary: “Three Sisters”

To learn how to type, Luz begins to attend classes at the Opportunity School. The teacher gives each student a diagram of a typewriter keyboard. Luz sits with three Italian sisters who say they are from the north side. Though of Italian descent, they were born in the US and say they are Americans like Luz: In response, “Luz laughed. She had never been called an American before” (134).

Part 2, Chapter 17 Summary: “Words into Words”

Swiftly, Luz becomes proficient in typing. David asks her to translate a Spanish letter written by Celia Ruiz, the sister of Estevan Ruiz. She finds the letter wrenching and has difficulty not weeping after reading it. After work, Luz goes with Avel to the theater, where he plays his trumpet, attempting to find a band to join. A woman approaches her and ask for a reading. She ends up giving several readings and learns that David is in the theater with a date as well. Luz asks him why he has Eleanor Anne as a client, but he cannot give her any information.

Part 2, Chapter 18 Summary: “The Love Story of Eleanor Ann”

This chapter records the visit of Diego and Eleanor Anne to a house of curanderos, healers. They see a woman, who gives Eleanor Anne a potion intended to cause her to miscarry. As they leave, she begins to feel sick and bleed. Diego wants to care for her, but realizes he cannot because a crowd of white people has seen them together. They shout at him, “What have you done to her!” (148).

Part 2, Chapter 19 Summary: “Justice Cannot See, But Can She Hear”

Luz remembers meeting David not long after she came to Denver. White people spat on her from a vehicle, and Diego took her into Tikas Market to wipe her face. David showed her how to tell the different directions in Denver, then encouraged her to shout loudly, “This is my city” (151). In the present, he takes Luz to the courthouse for a hearing regarding Estevan’s death. He wants to sue the city because they will not remove the police officer who killed Estevan and continues to brutalize BIPOC groups. When the judge refuses to allow the case, David takes Luz to the radio station of Leon Jacob, a social activist. David gives her the letter written by Celia and asks her to read it over the air in English and Spanish. When she finishes, Leon shouts, “You’re a natural, a natural!” (159).

Part 2, Chapter 20 Summary: “The Dressmaker”

In the spring of 1934, as Luz walks to work, she notices many people face eviction from their apartments, with all their possessions dumped onto the streets. She writes Diego every week, not talking about the difficulties that the family face, instead describing Avel and their relationship. On a Saturday, she and Lizette go to see the Russian dressmaker Natalya, the best wedding gown seamstress in Denver. Lizette shows Natalya the pattern that she has chosen and describes the material she wants. Natalya says the fabric for the dress will cost up to 10 dollars. As they talk, Natalya realizes Lizette is also a good seamstress. She offers to hire her on the weekends to offset the cost of sewing her wedding gown.

That night, Avel and Luz walk together and encounter an iceman’s horse. He encourages her not to be afraid to touch the horse. He kisses her and, after a moment of hesitation, she kisses him in return.

Part 2, Chapter 21 Summary: “Invitation Only”

As Luz finishes her work on a Thursday evening, David approaches her, insisting she go with him to a private supper club, Suville’s. She realizes once they are there that it is a establishment for white people only. As they walk to a table, the Denver district attorney, Steelman, insists they sit with him and his companion. Luz deduces that this woman is Steelman’s consort. She finds Steelman’s sexual comments about her disconcerting. When she searches for the ladies’ room, she enters an indoor shooting gallery, and finds herself overwhelmed by the sound, smell, and motions of men firing guns. As David drives Luz home, he casually asks if she has ever had sex.

Part 2, Chapter 22 Summary: “A Game of Cards”

Lizette’s family throws an 18th birthday party for Luz. Many friends arrive with large platters of food. Avel is present and brings Monica, the new singer for his band. A number of participants drink heavily, and several of the men engage in a poker game, with Avel emerging as the winner. David encourages Avel to drink ouzo, a Greek liquor to which he is not accustomed. When he gets ill, Luz leads him outside, where he vomits. As she stands with him in the bushes, she hears David and his date pass by, complaining about the lack of promised music.

Part 2, Chapter 23 Summary: “A New Vision”

On the morning of her 18th birthday, Luz receives a gift from Maria Josie—a quartz rosary that belonged to Luz’s grandmother Simodecea. Milli, a brief resident of the apartment, had stolen it, but Maria Josie found it in a pawn shop and brought it home as a gift. Luz also receives a letter from Diego, who tells her that he has seen the ocean and has a new female rattlesnake. She later realizes her clairvoyance is growing in power.

Part 2 Analysis

Part 2 begins with a chapter that is chronologically disconnected from the other chapters of the section: Chapter 8, set in 1892. In this chapter, Pidre, the father of Maria Josie and grandfather of Luz and Diego, decides to establish an amphitheater. In choosing his main performer, he passes over military reenactments and the cruel bear-baiting act. Rather, he chooses Simodecea, a woman sharpshooter. Stunned at his offer, she asks, “I am Death, haven’t you heard?” (79). It is precisely because of her history, her journey of loss and recovery, that Pidre wants her. Overall, this chapter introduces The Arduous Journey of Women. While Pidre’s choice of performer could be read as dehumanizing, he appears to genuinely admire Simodecea’s strength rather than fetishizing it. Chapter 9 (“Women Without Men”) expands on the consequences of women having men in their lives. Lizette dismisses an obnoxious boy as she and Luz discuss domestic violence and pregnancy, issues which disproportionately affect women. Maria Josie recognizes this imbalance but knows male security is often required, and thus struggles to find a man to fill Diego’s vacancy. The chapter ends when a broken radiator stymies Maria Josie’s repair skills. Despite her framing as masculine, a trait often linked to strength and stability, the novel shows the realistic limitations of women regardless of self-actualization. Maria Josie’s inability to repair the radiator does not reflect her as a person or woman, but rather her family’s circumstances: No matter how hard women work in this setting and time, the world actively works against them. The same can be said for Simodecea, whose gunmanship frames her as masculine, but fails to save her husband and legs.

This section further explores women’s struggles through Maria Josie’s dangerous mirror factory work, which often leaves her with hand and skin injuries. Overall, women perform the same work that men do for lesser wages. Maria Josie takes Luz with her to the factory while Avel fixes their broken radiator, implying the potential threat of sexual violence. When Luz searches for a job, there are noticeably fewer opportunities available to women than men, particularly women of Chicano and Indigenous descent like her. Before she wrangles a job from David, he comments on her lack of education and training—a point he reiterates later. Luz silently reflects on all the practical skills she has learned that do not count as formal education. She later reads coffee grounds for Avel, describing a scene in which white officers arrest and deport male workers. She describes the impact of this on the wives of those arrested, echoing Teresita’s lesson as she treated an injured Diego in Chapter 5: Women have no control over the capricious things their husbands do or what others do to them. In typing class, Luz receives a warning not to fall in love with her boss—particularly pertinent as she does adore David. However, women are historically vulnerable to sexual harassment in the workplace. Chapter 18 expands on the topic of women in questionable relationships by flashbacking to Diego and Eleanor Anne’s own. Romance conceives a number of potential issues for women, including health, pregnancy, and social acceptance. In Chapter 20, Avel kisses Luz, and she hesitates before kissing him back—raising the issue of imbalance of affection. Luz faces this imbalance in two ways: Avel is more passionate about her than she him, and while she adores David, she is only one of many women to him. Speaking of David, Chapter 21 highlights his and other men’s objectification of women. Invited to a establishment reserved for white people by David, Luz meets objectified women in the form of a lounge singer and server, but most importantly, Steelman’s companion—who does not speak and seemingly searches for an exit. David himself goes so far as to ask Luz if she has ever had sex, despite her being 17 and under his employment.

Despite being nonlinear, the novel uses interspersing chapters to provide context. In Chapter 12, Luz convinces David to give her a job despite her lack of education and experience by mentioning Maria Josie. Chapter 13 reveals Maria Josie saved young David from a flash flood; however, the profound grief and rage that push her to save him aren’t revealed until Chapter 31, in which she buries her stillborn son by a river. Her rescue also explains Papa Tikas’s gift of meat in Chapter 3. Likewise, in Chapter 17, Luz questions David about taking Eleanor Anne on as a client. She detests Eleanor Anne as the woman responsible for Diego’s beating and expulsion from Denver. However, Chapter 18 contextualizes his and Eleanor Anne’s relationship, revealing they visited a curandera to procure medicine to end her pregnancy. The question of maternity isn’t revealed until the end of the novel, when Diego unites with a daughter he did not know he had.

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