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52 pages 1 hour read

When Nietzsche Wept: A Novel Of Obsession

Fiction | Novel | Adult | Published in 1992

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Chapters 1-4Chapter Summaries & Analyses

Chapter 1 Summary

It is 1882, and Dr. Joseph Breuer is on vacation in Venice, sitting at a café and daydreaming about one of his patients. He glances at a letter he received the day before from a person named Lou Salome, urgently requesting a meeting. It is in answer to this letter that he finds himself here, at the Café Sorrento at nine o’ clock as requested, despite being somewhat put out by the impertinence of this stranger. As Breuer considers how his mind is always occupied by Bertha, Lou comes walking in and sits down with Breuer. She immediately mentions that she is meeting with him because her friend, Friedrich Nietzsche, is very ill and no doctor has been able to determine the cause of his sickness. Salome hands Breuer a letter written by the famed composer Richard Wagner, who vouches for Nietzsche, his friend. Salome then lists all of Nietzsche’s symptoms, which include insomnia and impending blindness. Breuer points out that since Nietzsche has seen 24 other doctors, there probably will not be much he can do for the man. With this disclaimer, Breuer agrees to meet with Nietzsche, but in his office in Vienna and not in Venice. Salome then reveals to Breuer her real purpose in seeking his help: She asks him to help cure Nietzsche’s despair, not his physical health. At first, Doctor Breuer refuses to acknowledge that he can help Nietzsche, but Lou insists that he is indeed “a doctor for despair” (9), and she mentions a treatment Breuer gave to a woman named Anna O. The treatment took on the name of “talking cure,” in which a doctor helped a patient sort out their own mental associations. Effectively, this is the precursor to psychological therapy. Salome learned all this about Breuer from her brother, Jenia, who had attended Breuer’s clinic earlier in the year. Anna O. had been suffering from a range of psychological and physical symptoms that Breuer diagnosed as “hysteria,” and the talking therapy helped alleviate these symptoms. Breuer claims that no similar treatment exists for despair. Salome once again asks Breuer to reconsider, adding that Nietzsche will not consent to seek help for his despair, so the whole endeavor will have to be done with some careful manipulation. Finally, as the chapter closes, Salome invites Breuer to breakfast, which he declines. The two then agree to meet back in Vienna in four weeks.

Chapter 2 Summary

Four weeks later, Lou visits Breuer in his office in Vienna. Before she arrives, Breuer thinks back on his appointments from earlier in the workday, listing the simple treatments for their straightforward physical ailments. Despite the innovative and philosophical nature of his work with Anna O., he is at heart an ordinary doctor, and his days are spent applying mustard plasters to ease coughs and snipping out infected tonsils with scissors. Lou finally arrives, and the two engage in slightly flirtatious banter, as Breuer jokes that Lou’s independent character will come as a surprise to her future husband, to which Lou says that marriage is not for her, unless it is a “part-time marriage” (16). Breuer admires her beauty and the strength of her personality and has to remind himself that she is half his age. Salome discusses the treatment Breuer provided to Anna O., specifically the use of mesmerism to help probe the source of her hysteria. Salome then tells Breuer not to use mesmerism on Nietzsche as he would see it as a relinquishing of power. She tells Breuer not to align himself with her because Nietzsche holds her responsible for his despair. Salome details the history of how she and Nietzsche met, that she was introduced to him by a mutual friend, the philosopher Paul Ree, who had intended for Nietzsche to become Salome’s mentor. After their first meeting, Salome and Nietzsche became fast friends, and the three of them considered living together. They gave this idea the name of “The Unholy Trinity.” It never came to pass because of Nietzsche’s concern that it would spoil Salome’s public reputation. In order to make it appear less scandalous, Nietzsche proposed that he and Salome should marry; soon thereafter, he retracted the proposal. Salome then tells Breuer about Nietzsche’s sister, Elizabeth, an antisemite and a very overprotective sister. Elizabeth convinced Nietzsche that Salome was a salacious and lascivious woman and that he should stay away. Tension between Salome and Nietzsche increased, as it did between Paul and Nietzsche. Eventually, the whole circumstance greatly increased Nietzsche’s despair. He wrote letters to Lou in which he detailed his despair and his suicidal ideation, and Lou quotes these letters to Breuer. The letters convince Breuer of the seriousness of Nietzsche’s affliction but also increase his doubts as to whether he can help. As she prepares to leave Breuer’s office, Lou mentions that she wishes to stay friends with him and again insists that Breuer cannot mention that she set up the meeting between him and Nietzsche.

Chapter 3 Summary

After Lou Salome leaves, Dr. Breuer sees a patient who has an enlarged prostate. He then makes a few house calls, and upon returning home, he sees his friend, Sigmund Freud, and asks him to join him in his fiacre, a kind of horse drawn carriage. Freud discusses with Breuer his discontent with the practice of medicine, saying he would have preferred to stay in the university, teaching and researching. Freud looks up to Breuer, a man 16 years his senior, and holds a very close relationship with him. Breuer reminds Freud that he also experienced disappointment. Like Freud, he wanted to remain at the university but was ultimately passed over because, like Freud, he is Jewish. Breuer and Freud arrive at Breuer’s residence, where Breuer’s wife, Mathilde, greets them. The narrator reveals that the Breuers have five children. There is also apparent marital tension, which puts Freud in the awkward position of mediating between them. Mathilde prepares some soup for Breuer and Freud, and the two converse after dinner. Breuer tells Freud of a recurring nightmare he has. The two men discuss the symbolism of dreams, and Freud suggests that there are unknown layers of consciousness that are not understood, from which dreams take shape. The conversation between Freud and Breuer turns to Breuer’s treatment of Bertha, first beginning with hypnosis and then evolving into talk therapy. Breuer tells Freud that the talk therapy significantly reduced Bertha’s agitated emotional state. Eventually, because of the strain that his preoccupation with Bertha placed on his marriage, Breuer abandoned the case, and Bertha was admitted to an institution where she wrestled with morphine addiction. The conversation then turns to Breuer’s meetings with Lou. Breuer tells Freud why Salome visited him and, without identifying him by name, describes Nietzsche’s symptoms and health conditions and outlines his planned treatment.

Chapter 4 Summary

Breuer reads a letter from Lou stating that Nietzsche will be paying him a visit. As Breuer prepares for the appointment, he thinks about his own inner turmoil. He is restless, is dissatisfied with his life in spite of his success, and has at least had passing thoughts of suicide. Finally, Breuer’s nurse, Frau Becker, ushers Nietzsche into Breuer’s office. Breuer begins with small talk, but Nietzsche cuts straight to the chase and directs the conversation toward his illness. Breuer tries to steer the conversation toward topics that might reveal Nietzsche’s psychological state, but Nietzsche is quick to steer it back to his physical illness.

Chapters 1-4 Analysis

This first section introduces the themes of Despair and Obsession and shows how they depend on and reinforce one another. As soon as Josef Breuer appears, he is characterized as a man defined by internal conflict. His thoughts are intrusive, and he struggles to redirect them. He tells himself, “For God’s sake, stop! Stop thinking! Open your eyes! Look! Let the world in!” (1). He also thinks to himself, “How much of life have I missed, he wondered, simply by failing to look? Or by looking and not seeing?” (2). He is preoccupied, and he is frustrated with himself for being so. Soon, we learn the apparent source of these intrusive thoughts: his patient Bertha. His sexual desire for her, coupled with his recognition that this desire is inappropriate since she is his patient, creates the tension that he experiences. As a man of intellect and science, he is doubly frustrated with himself, and the language in these passages shows how disappointed he is that the obsession has such a hold on him. Breuer thinks to himself, “Am I destined to be merely a stage on which memories of Bertha eternally play out their drama?” (2). His obsession raises questions about the existence of free will, as evident in his use of the word “destined” and his description of himself as a stage, rather than an actor. He is not in control of his thoughts, and the feeling of powerlessness tilts toward despair. As the novel unfolds, the narrative reveals the depths of these struggles in more detail, and it suggests that perhaps his obsession with Bertha is not all that ails him.

Implicitly, Breuer recognizes that he is in a state of despair and that the cause is his inability to control his obsession with Bertha. However, the narrative suggests that this obsession is only a proximate cause and that the deeper source of his despair is his inability to accept aging and mortality. For example, when Breuer looks at himself in the mirror, he is uneasy about the signs of aging that he sees. The narrator says, “These gray bristles were, he knew, the advance scouts of a relentless, wintry invasion. And there would be no stopping the march of the hours, the days, the years” (48). Dread and the fear of death are evident in Breuer’s thoughts. However, it is not just death that scares him; it is the prospect of growing old and dying alone. The narrator reveals, “The joy of being observed ran so deep that Breuer believed the real pain of old age, bereavement, outliving one’s friends, was the absence of scrutiny—the horror of living an unobserved life” (55). This idea of dying alone will crop up later in the novel as well, when Breuer finally induces Nietzsche to disclose his inner fears. It is also worth remembering that Breuer is 40 years old. His youth is behind him, and he is in middle age. Looking back on his life, he feels like the great achievements are behind him. He is unable to provide himself with an outlook of his future that gives him purpose and hope. Instead, as he considers his future, he sees old age and death. This is the source of his despair. His obsession with Bertha, as much as it is a real problem for Breuer, is really a mask for what truly plagues him.

In addition to the themes of Despair and Obsession, the opening section also delves into the origins of psychoanalysis. Chapter 3 introduces the character of Sigmund Freud—like Breuer, a fictionalization of a real historical figure. Considered by many to be the founder of psychoanalysis, Freud is Breuer’s close friend and, in some ways, his protégé. Freud and Breuer often discuss their ideas on psychology with each other. When discussing Breuer’s treatment of Bertha and his discovery of the talking cure, Freud says, “Once the excess cerebral electrical charge responsible for symptoms is discharged through emotional catharsis, then the symptoms behave properly and promptly vanish!” (42). Freud is excited about the implications of this discovery—that treating a patient by examining deeper emotional wounds may benefit their mental health. Freud draws from Breuer’s experiences to formulate a theory of The Subconscious, a region of the psyche normally inaccessible to conscious thought, where memories of past trauma reside. Breuer has an intimation of this himself while interrogating his own mildly indignant reaction to Lou’s letter in Chapter 2:

These were definite, identifiable emotions, Breuer thought, but they were also modest emotions. What about more powerful emotions and the states of mind that brew them? Might there be a way to control those stronger emotions? Might that not lead to an effective psychological therapy? (15).

Essentially, the symptoms a person like Bertha experiences on the surface are actually driven by deep emotional trauma. Therefore, in order to sufficiently treat the patient, the objective is to access that emotional trauma and help the patient experience catharsis. This is a basic tenet of psychological therapy examined by Breuer and Freud in the novel.

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