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40 pages 1 hour read

Today Will Be Different

Fiction | Novel | Adult | Published in 2016

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Chapter 4Chapter Summaries & Analyses

Chapter 4 Summary: “Troubled Troubadour”

In an extended flashback, a third-person narrator describes how Ivy met her husband. In 2003, Eleanor, working on Looper Wash, hears about Barnaby “Bucky” Fanning, a sugar and cotton heir from New Orleans who is friends with her coworker Lester. Eleanor and the others at Looper Wash find him fascinating, and Bucky, upon learning that Eleanor is a direct descendant of former US president John Tyler, goes to New York for a party that Lester is throwing. There, he meets Eleanor’s sister, Ivy, who has grown into a tall, beautiful woman. She started modeling in high school before attempting to transition to acting and accidentally joining a cult, from which Eleanor and Joe had to rescue her. She has been in a Dior campaign, lost money in a Ponzi scheme, been in a relationship with a shaman, and been treated for bulimia. At the time she meets Bucky, she is working at the Looper Wash offices. She soon moves in with him, and they get married a year later.

Before the wedding, Eleanor and Joe visit the couple in New Orleans for their engagement party. Eleanor feels confident that Bucky will make Ivy happy and finally feels relaxed, knowing that her sister will be okay. She wishes their mother could be there, but Ivy, who was much younger when their mother died, doesn’t have the same regrets. Bucky’s cousin Lorraine explains to Eleanor and Ivy that he will irritate them, but he just needs to “know where he stands” (124). The following morning, however, Ivy calls Eleanor to tell her that Bucky is upset about a gaffe Eleanor made the night before when she was trying to help with the party. Eleanor says that she will apologize to him. Ivy says that she can write an apology letter to him, and she does.

Eleanor describes the presidency of John Tyler, who was the vice president for William Henry Harrison until he died of pneumonia a month after his inauguration. John Tyler’s presidency was unremarkable, and he did not seek reelection, instead returning to his plantation in Sherwood Forest. He had 15 children, the most of any president. Because he was in the Confederate Congress, he was the only president for whom the Capitol did not fly the flag at half-mast upon his death. Sherwood Forest later became public property and a tourist attraction. Bucky wanted to have his and Ivy’s wedding at Sherwood Forest, but the Tylers refused until he went there and appealed to them in person.

When Ivy and Bucky get married, Eleanor gives Ivy two presents: a scrapbook and The Flood Girls.

A year later, Eleanor and Joe attend the christening of Ivy and Bucky’s son, John-Tyler. During the ceremony, Joe waits outside and Eleanor sits next to Bucky, where she mocks his son’s namesake. Afterward, Ivy makes an excuse to go home early with Bucky and John-Tyler. While Joe goes in search of jazz music, Eleanor sees Bucky’s family going into a restaurant. She follows them inside and finds Ivy and Bucky presiding over a large dinner. Eleanor confronts Ivy, who says that they decided the dinner should be family only. Later, Eleanor asks Ivy about the wedding gifts she gave her. Ivy says that she and Bucky were insulted by The Flood Girls. She chastises Eleanor for mocking her son’s namesake and speaking negatively of her husband. Eleanor disowns Ivy and finds Joe at Preservation Hall, asking him to promise to never fight again.

Some time later, Lester calls Eleanor and drunkenly tells her that Bucky intended to turn Ivy against her. Eleanor then calls Ivy, who says that she started medication that has helped regulate her emotions.

Eleanor’s father, Matthew “Matty” Flood, dies of liver failure after 10 years in recovery, and Eleanor, Joe, Ivy, and Matty’s friends spread his ashes over the Aspen Highlands. After the memorial, when Matty’s friends are telling stories, Ivy says that Matty was a bad father who did not take care of them and blames him for allowing her to marry a controlling man. She reveals that Bucky is jealous and believes that she was too friendly with Joe on the day of the wedding; he makes her dress more modestly now. She has an emotional breakdown, and Joe tries to calm her down. This appears to work, but Ivy steals his Jeep and disappears. Joe decides that he cannot deal with her anymore. He and Eleanor then find out that Ivy left the Jeep at the airport.

Eleanor went off her birth control shortly before her father’s death and finds out that she is pregnant after the trip. During this time, Ivy calls her and tells her that she is leaving Bucky, and they arrange a plan to get her and John-Tyler to Seattle. Though Eleanor dreads the possible arguments between Ivy and Joe, she is optimistic and happy when she sees Ivy dressed like her usual self at the airport. However, she then sees John-Tyler with Bucky, and Bucky reveals that Ivy is cutting her out of her life for good. He then gives Eleanor The Flood Girls. Enraged, Eleanor acts out and gets arrested. She finally decides to cut Ivy out of her life and focus on Joe and the pregnancy, removing everything that reminds her of Ivy.

During a trip to Lummi Island, she reads the obituaries in The New York Times and learns that Armanito Trumbo Charbonneau has died, leaving her fortune to her grandson, Bucky, and his children, John-Tyler and Delphine.

Chapter 4 Analysis

Chapter 4 halts the present narrative in the novel and returns to Eleanor’s past. The narrative uses third-person narration, removing the stream of consciousness and humor characteristic of Eleanor’s perspective.

The Tension Between the Self and Family plays a central role in this chapter, which details the dissolution of Eleanor and Ivy’s strong sisterly relationship. As Ivy’s desire to be loved and her fear of losing her son, John-Tyler, cause her to become more dependent on Bucky, she becomes more resentful of Eleanor for refusing to appease and accommodate Bucky. The Flood Girls continues to develop this theme as a symbol representing the relationship between Eleanor and Ivy. Eleanor gives the graphic novel to Ivy as a wedding present, which represents her desire to stay close to her sister amid her marriage to Bucky. However, Ivy reveals that she and Bucky were offended by the unfiltered candor of the graphic novel, and Ivy feels that Eleanor retraumatized her. This puts a strain on their relationship that increases throughout the chapter. When Ivy and Bucky distance themselves from Eleanor, Bucky gives her back The Flood Girls, symbolically rejecting Eleanor’s desire to stay close to her sister and causing Eleanor to cut Ivy off in anger. Like her relationship with Ivy, Eleanor puts a stop to her work on The Flood Girls. Though the “Delphine” lanyard does not appear in the chapter, the end of the chapter reveals that Ivy and Bucky had a daughter named Delphine, which explains why Eleanor was compelled to steal the keys and why seeing the name blocks affected her so strongly.

Throughout the chapter, Semple uses flashbacks to explore how such close sisters became estranged. The exploration also shows how deep Eleanor’s trauma and grief is and how traumatic experiences remain vivid within her memory. Semple also uses the metaphor of “the monstrance” to depict Ivy, showing Joe’s former connection to the Catholic church and Ivy’s desire to be wanted and admired by others:

Joe had a nickname for Ivy: ‘the Monstrance.’ On certain Catholic holy days, the Eucharist was displayed in a golden-sunburst monstrance where worshipful eyes gazed at it around the clock. Joe, an altar boy, had often been tasked with the graveyard shift. In Bucky, this living monstrance, Ivy, found her perpetual adoration (123-24).

This metaphor explains part of why Ivy stays with Bucky and becomes offended when Eleanor is unable to impress Bucky. Ivy tosses aside her old family in order to be adored by her husband. The metaphor of “the monstrance” adds a religious fervor to Ivy’s adoration of her husband and need to belong, suggesting that to question her husband would lead to a crisis of identity, adding another layer to the Tension Between the Self and Family.

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