52 pages • 1 hour read
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The Prologue introduces readers to the town of Manhasset, Long Island, identifying its demographics in the 1970s as predominantly Irish and Italian, with upper-class and working-class residents living in close proximity. Moehringer describes the bar Dickens (later renamed Publicans) as a popular meeting hub for the community, and the most beloved establishment out of the many bars in Manhasset. The author explains that Manhasset had a historical reputation for heavy drinking, noting that it was even featured as such in the novel The Great Gatsby. He introduces readers to the bar owner, Steve, who Moehringer claims had a “fanatic following” in Manhasset (8).
Moehringer explains that because he had an absentee father, the bar was where he formed crucial relationships with male role models who significantly influenced him in his formative years. Moehringer recounts his first memory of seeing the men from the bar; at seven years old, he watched Steve and his Uncle Charlie playing community baseball with other Dickens men. Seeing their close friendship, the author longed to join them and understand their connection and inside jokes. He immediately revered them and, by extension, their meeting place, Dickens.
Moehringer explains that at this age he lived in his grandparents’ Cape Cod home, which, unlike the wealthier neighbors’ homes, was dilapidated. The household was chaotic and overwhelming as it also housed his mother, uncle, aunt, grandparents, and six cousins. The patriarch of the family, Moehringer’s grandfather, was a “misanthrope” and curmudgeon who resented his adult children’s dependence on him (16). However, Moehringer notes, he never turned anyone away.
Moehringer explains that he and his single mother were dependent on his grandparents after his father disappeared and offered no assistance in raising him. The author had no contact with his father but listened to his radio show, which his grandmother referred to as “The Voice,” since she could not bring herself to say his father’s name. Moehringer relates how he anxiously sought out The Voice as a refuge from the chaos and discord of his household and to maintain a connection with a masculine figure.
Moehringer’s first passages give insight into Manhasset’s social context and the bar’s significance in the community. He observes that at the bar, people of different backgrounds, social classes, and politics always interacted freely with each other in what he refers to as the “plurality of alcohol” (5). Manhasset had both upper-class and working-class residents, and the bar was where they mingled freely.
Moehringer introduces a recurring theme of idealizing the bar and its patrons by comparing the bar to a holy place where his most important rites of passage took place. The author compares the bar to both an adventure and sanctuary in his life, and he calls his love for the bar his first romance. He explains that the bar introduced him to individual men who acted as male role models, and over time these different characters amalgamated in his mind, turning the bar itself into a kind of father figure. The bar became a second family and a home, and its patrons were Moehringer’s “mentors, heroes, and role models” (3). Spending time at the bar allowed him to listen to stories from men of all walks of life, and he mimicked their actions, opinions, and mannerisms while forming his own identity.
As a fatherless child, Moehringer was deeply impressed by Uncle Charlie and his friends from the bar. He uses hyperbole to help the reader envision scenes from his perspective as an awed child. For example, when describing the men playing baseball, he writes that they “had this surreal, cartoonish quality [...] Steve wielded a wooden bat the size of a telephone pole, and every home run he clouted hovered in the sky like a second moon” (13).
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