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Essun recovers enough to walk on her own but lags behind the main group. Tonkee, Hjarka, Lerna, and Hoa keep pace with her while she gets back up to speed. One night, Essun discusses her plan to go after Nassun with Tonkee. Tonkee suggests she needs to wait and patch things up with Ykka first, but Essun worries that the longer she waits, the further Nassun will be from where she last sensed her. Tonkee asks what she plans to do once she saves Nassun, and if she wants to help Nassun or just be with her again. She points out that Nassun has survived on her own for more than 20 months, and since Essun sensed her near the eastern coast of the Antarctics, the Season would not be as bad there as it is where they are going. This causes Essun to reconsider her plans for the time being.
Before the caravan enters a stone forest that appears to have been created by an orogene, Essun decides it is time to talk to Ykka to patch things up. Ykka is debating whether they should go through or around the forest, but Essun confirms there are traps all around and that through is the only option. They know they will likely be ambushed while inside and prepare accordingly.
Ykka then takes Essun to see a group of Rennanis soldiers they are keeping as prisoners. Ykka kills one of them before releasing the rest of them to join the comm to help them fight. Essun disagrees with the choice, but Ykka explains this demonstrates why she is upset with Essun: She is not angry because Essun destroyed the geode while defending it, but because she did not think of anyone else while she was using the Obelisk Gate. She thought about destroying her enemies, rather than protecting the comm. To Ykka, the world is more than friends and enemies, and she is always playing the long game. She is angry with Essun for still not feeling like she belongs to Castrima.
After hiding the bodies of Nida and Umber in the Guardian dorm, Schaffa, Nassun, and the remaining orogene children leave Found Moon. Once they reach the Imperial Road, Schaffa informs the children that they cannot follow him and Nassun any longer because it will not be safe. Most of the group are scared and reluctant to leave Schaffa, so he permits them to kill to protect themselves or find safety. Nassun feels responsible for the children losing their home and feels devastated, and most of them are resentful toward her.
Once the other children have left, Nassun informs Schaffa that she needs to travel to a city on the other side of the world to control the Obelisk Gate. To her surprise, Schaffa not only knows about the Obelisk Gate but also knows of a city on the other side of the world called Corepoint. Schaffa reveals that the reason he, Nida, and Umber created Found Moon was to find an orogene capable of using the Obelisk Gate. He claims this was before he started to resist Father Earth’s will, but he now suspects Father Earth had them do this because he has his own plans for what to do with humanity.
Nassun then tells Schaffa about the moon, which he confirms is real. When he asks what she intends to do, she explains all the trauma she has experienced in her young life: the injustice of being hated simply for what she is; the fact that she cannot live a normal life; the impossibility of teaching non-orogenes to be less scared of her. As she talks, she remembers finding Uche beaten to death by her father, and in a blind rage, she tells Schaffa she wants to destroy the world and put an end to all the hatred, suffering, and killing. Schaffa comforts her and promises to help her make the end she needs.
The next day, they ask Steel how to get to Corepoint. He tells them about a station that contains a vehicle that can take them. He also offers to take them himself, but Nassun refuses because she does not trust he will bring Schaffa safely.
Hoa explains that the Sylanagistines built the Plutonic Engine in an attempt to create Geoarcanity, a source of unlimited and self-perpetuating energy that they believe will rid the world of want and strife. The tuners were specifically created to run this machine, and their abilities and awareness are finely attuned with each other and the obelisk fragments to do this.
The onyx is the most important obelisk because of its role in starting the Plutonic Engine, but none of the tuners can control its power. Kelenli is more efficient and powerful and meshes with the onyx seamlessly. However, she will only be used as a last resort on Launch Day; the conductors prefer that she teach the others how to do it instead. She reasons that she is more adept at using the obelisks because she has more experience and context of the world than the tuners, who have spent their entire lives inside a complex of buildings that surround the obelisk with which they practice.
The next day, Conductor Gallat shows up to inform them they are going to be taking a trip outside with Kelenli with the hope that the experience will improve their performance before launch. Gallat has icewhite eyes, like the tuners, which they have never seen in humans before, and they all fear him because he has the power to send them to the briar patch. Before they head out, the tuners are all dressed in clothes intended to make them fit in and their faces are painted brown. While a conductor does Houwha’s hair, he implies that they will need a security detail in case people think they are something else, but he hesitates to elaborate, claiming it is complicated. Kelenli sees their makeup and demands it be removed because there’s no hiding what they are, and it only makes them more conspicuous.
While Kelenli wipes Houwha’s face, he asks why she laughs at everyone’s fear of them when she could just fit in. She replies that she does not want to fit in and that they did nothing to be feared. They are feared simply because they exist. Houwha remembers that there were once 16 tuners, but only six remain because the others were killed for questioning, disobeying, helping, despairing, or any other reason the conductors decided. He realizes this is the point Kelenli was trying to make.
The Castrima camp is attacked as dawn nears. Anticipating an attack, none of the fighters, hunters, or orogenes are asleep. Essun senses the attackers have an orogene among them, and Ykka begins to shout that they need not fight and that orogenes are welcome in their comm. While this happens, a group of raiders attack from the opposite direction. They are filthy, emaciated, and poorly equipped, so they are easily defeated. Because using orogeny will turn more of her body to stone, Essun cannot help during the fight.
When the short battle is over, Essun realizes that the orogene did not participate in the fight and is still hiding in the stone forest. She heads out to find them in the dark, and recognizing that this person’s orogeny is Fulcrum-trained, she begins talking about the traumatic experiences all Fulcrum orogenes went through. The person attempts to attack her, and she reflexively uses orogeny to defend herself, causing her left breast to turn to stone.
The unknown orogene reveals himself as Maxixe, a boy Essun was at the Fulcrum with when she was younger. Maxixe has lost one eye and both of his legs below the thighs, and the left side of his head is a mess of scars. He recognizes Essun by her orogeny and explains that the group of commless that attacked them from the other side of the forest was a different group than his. Normally they rely on his abilities to weaken groups that pass through, but he did not attack after being surprised by Ykka’s offer.
Essun repeats the offer for Maxixe to join them, but he says he will only accept if they take his people in as well, which he does not expect they will since they are weak and sick. They leave together to go talk to Ykka.
Essun’s inability to perceive The Importance of Family and Community is emphasized throughout her chapter in this section. She is surprised that her friend Tonkee is willing to join her if she leaves to pursue Nassun; she does not understand why Lerna is romantically interested in her; and she completely misreads why Ykka is upset with her. These examples all demonstrate someone who is unaware—or not interested—in the thoughts and feelings of others around her, and someone whose low self-esteem makes it difficult for her to see why other people would even want to form connections with her. She is so focused on survival that she often does not think about the people around her as people with thoughts and feelings—the same mistake she made while raising Nassun, as well.
The chapter title, “You, Imbalanced,” describes Essun both literally and figuratively. Literally, it refers to the fact that she has lost an arm and must learn to balance her body without it. But it also refers to the fact that her extreme self-sufficiency has created an imbalance in her personality that she will be forced to reckon with. Essun’s biggest challenge throughout The Stone Sky is learning to trust and care about the people around her so that she can start to think long-term and not make decisions solely governed by the desire to survive another day. Ykka is Essun’s foil in this process. Essun still believes in the internalized prejudices that label her a pariah and a lesser being, and so she still believes that to survive she must defend herself first. By contrast, Ykka wants to build a society that breaks from the violence, hatred, and constraints that they have been forced to live with until now. While Essun still believes that being an orogene and a headwoman must be mutually exclusive, Ykka “choose[s] to be both, and more” (71). She demonstrates this to Essun by letting the Rennanis prisoners—who were their enemies only days earlier—and Maxixe’s weak people join Castrima. Under the old regime, that choice would be unthinkable, but it shows the compassion and forethought that may help Castrima survive in the long run. It also shows that undoing Systems of Oppression and Autonomy will require a complete dismantling of the values and structures that have come before; Ykka must break with the behavior of the past to make a new culture with new values.
Schaffa’s intentions were ambiguous in The Obelisk Gate, but Chapter 4 clarifies them. He not only sides with Nassun against Umber and Nida, but also allows the children of Found Moon to go free at Nassun’s request. Nassun realizes that this causes him significant physical pain because in doing so, he is going against the will of Father Earth. That Schaffa makes these choices, and that he does so at a great individual cost, legitimizes his Redemption and ties into the theme of Systems of Oppression and Autonomy. Untangling Schaffa’s history of violence and abuse is complex because becoming a Guardian was not his choice, and it traumatized him. He, like the orogenes he hurt, was also a cog in a much larger machine of oppression. Nonetheless, this does not undo the real harm he caused many people, including Essun. While choosing to stop being the person he was does not absolve him, it does mark a significant moment in his character arc and open the possibility of Redemption. It also provides another example of a person who chooses to reject the oppressive values they have learned. If Ykka illustrates The Importance of Family and Community in dismantling systems of oppression, then Schaffa demonstrates how the importance of individuals choosing to divest from those systems even when participating in them is beneficial. The family and community that comes from dismantling systems of oppression is positioned as a larger reward than the material gains of oppression.
The chapter also solidifies the bond between Nassun and Schaffa, as Nassun feels comfortable enough to unload her emotional baggage and frustrations with the world to him. Her conclusion that the world is so broken that it is beyond repair—or does not even deserve to be repaired—creates a dichotomy between her position (which is also held by Steel), and Ykka, Essun, and Hoa’s desire to create a better world. Despite Nassun eventually changing her mind, the novel still presents her desire to destroy the world as completely rational given everything that she has experienced. While it partly comes from a place of anger and hatred, those feelings are justified by the betrayal she has experienced at the hands of everyone who was supposed to love and protect her. However, for Nassun, ending the world is also an act of kindness, because, from her perspective, it is a place of oppression, violence, and suffering that simply needs to end.
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By N. K. Jemisin