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Emily does not like Barnardine’s proposal of meeting him alone on the terrace at midnight. Since she is eager to see her aunt, she decides to go, but with Annette hiding nearby. Barnardine takes Emily to the east turret through a long, winding way. He asks her to wait in a dark chamber at the landing while he tells Madame Montoni of her niece’s arrival. Emily is suspicious of this turn of events and looks around the chamber for an escape route. She discovers a rotting corpse and faints. When she recovers, she finds herself surrounded by ruffians attempting to take her away from the castle. Barnardine, who is involved in the kidnapping attempt, exhorts the men to move quickly. Montoni arrives on the scene and chases away the men. Emily asks Montoni for an audience, and he says he will talk to her later. An anxious Emily is taken to her room and begs Annette never to forsake her.
Emily recovers from the previous night’s trauma. Annette tells Emily it was she who called Montoni’s men, having overheard Barnardine summon strangers to kidnap Emily. Annette and Emily believe Count Morano may be behind the abduction attempt. The suspicions are true. Morano orchestrated the poisoning attempt on Montoni as well. Though Morano has begged forgiveness before Emily previously, he continues to remain obsessed with her.
Meanwhile, Montoni avoids the promised conversation with Emily, making Emily fear greatly for her aunt’s well-being. In her fearful state, Emily sees a mysterious, otherworldly figure on the rampart. She decides to watch out for it the next night as well.
Emily overhears some men in the castle bragging about the loot they have accumulated. She begins to believe the rumor that Montoni is a captain of a band of bandits. Through an aside, the narrator says Emily is partly correct. In the 16th century, Italian city-states did not pay their armies well. Disbanded soldiers often turned robbers and outlaws to make money, with some, called the Condittieri, even hoarding their loot in fortresses.
Emily is finally able to meet Montoni, though in the presence of his band of men. She asks him to send her back to France since her aunt is dead. Montoni forbids Emily to leave and tells her Madame Montoni is alive. She can go visit her in the east turret. After Emily leaves to see Madame Montoni, Verezzi and Orsino argue. Verezzi wants Orsino gone since he is an assassin. The men squabble for a long time.
Emily and Annette find Madame Montoni in the east turret. She is alive but extremely sick. Though she has had a fever for many days, Montoni refused to get her treatment, believing his wife had planned his poisoning. The blood tracks Emily had seen were from a soldier wounded in the battle on the night of the attempted poisoning, as was the corpse Emily found in the chamber. Emily persuades Montoni to shift Madame Montoni out of the tower so she can care for her aunt. Montoni agrees. That night, Emily spies the supernatural human form again. The castle guards can see the form as well; a sentinel follows the figure and is seized by a fit of fright.
Montoni begins to pressure his wife once again to sign over her fortune. Madame Montoni faints from exhaustion. When she recovers, she tells Emily where her property deeds are hidden, saying Emily must not let Montoni discover the papers.
Emily watches out for the ghostly figure once more. This time, she sees Anthonio, one of Montoni’s soldiers, walk by bearing a lance with a flame on its tip. Anthonio tells her the flame suddenly landed on his lance and that it is an omen. Emily wonders if Anthonio was the strange figure she saw earlier, but Anthonio denies the charge. Meanwhile, Annette tells Emily that Madame Montoni is dying. Emily tries to revive her aunt, but she dies. Emily prays over her aunt’s body.
Montoni is irate that his wife died without signing over her estates. Emily avoids her step-uncle, choosing to watch over her aunt’s corpse while it is prepared for burial. Montoni does not attend his wife’s funeral. After the internment, Emily requests again to be sent back to France. Montoni is aware that Emily is his wife’s heir and tries to trick her into signing over her rights to him. Emily sees through the ploy and refuses. Montoni taunts Emily for “behaving like a heroine” (580) and promises to make her suffer like one. Emily returns to her room where Annette tells her the castle has visitors from Venice, including a Signora Livona. A strange man tries to kiss Emily on the way to her room. She recognizes him as one of the officers she had earlier seen with Montoni. She fears her step-uncle has sent the man to make good on his promise and flees.
Emily hears the mysterious music again, which now sounds French in origin, perhaps from her home region of Gascony. She wonders if the song is coming from the dungeon, where she imagines Valancourt is being held prisoner.
Annette tells Emily that Ludovico locked her up again the previous night to protect her from the drunken Venetians. Annette does not know if there are prisoners in the dungeons of Udolpho, but she has information that Signora Livona is Montoni’s mistress.
Montoni sends for Emily so she can reconsider her decision to sign over her rights to him. Emily politely holds her ground, buoyed by the fantasy that Valancourt is in Udolpho to help her. Montoni warns Emily that she will get neither Languedoc nor Gascony. A groaning voice interrupts Montoni repeatedly and he leaves.
Montoni’s servant, old Carlo, brings news that Emily is to be immediately taken to Tuscany. Emily fears this is Montoni’s vengeance but it turns out Udolpho is under attack and Montoni wants Emily to be removed for her safety. Ugo and Bertrand, Montoni’s soldiers, escort Emily through the woods to a peasant’s cottage in Tuscany. Ugo and Bertrand talk about murdering one of Orsino’s rivals. Emily fears for her life and is happy to be delivered to the cottage safely.
This section resolves the mystery of what happened to Madame Montoni. It contains several scenes of supernatural terror and jump-scares, especially when the porter Barnardine escorts Emily, supposedly to her aunt’s prison. The Gothic elements come into full play here, including dark chambers and passageways, whispers, trails of blood, and perilous situations. The increasing supernatural elements parallel Emily’s growing anxiety. Barnardine adds to the horror, ominously asking Emily to proceed to “the portal” (525) and leaving her to wait in an “obscure and terrible place” (526). Of course, Emily’s terror of the supernatural foreshadows the very real danger in which she actually happens to be: Barnardine is misleading her so she can be kidnapped by Morano’s men. This episode again highlights Radcliffe’s unique use of Gothic elements to embody realistic quandaries. Supernatural elements continue in other chapters as well, such as the repeated sightings of the mysterious figure on the castle’s ramparts. Again, the mystery is left open-ended, suggesting the supernatural will be explained by a real event eventually.
Emily’s character appears in an increasingly favorable light through her empathy for Madame Montoni, someone who has treated Emily unfairly. Though Madame Montoni has put her niece in danger, Emily imperils herself to ascertain her aunt’s wellbeing. When she finally meets her aunt, Emily persuades Montoni to shift her out of the tower, regardless of “the resentment her remonstrances might draw upon herself” (556). She watches over the dying Madame Montoni with tenderness, forgetting her unfairness and seeing in her only the “sister of her late beloved father” (557).
In stark contrast to Emily, Montoni refuses to evolve as a character. He continues to harass Madame Montoni for her estate even as she lies dying. After she passes away, he does not even attend her funeral. He then immediately turns his pressure onto Emily the moment she becomes the heir to Madame Montoni’s estates, actions which once more emphasize his strong need for control over the women in his power. The arrival of Signora Livona, Montoni’s mistress, right after Madame Montoni’s death further stresses Montoni’s lack of genuine sentiment toward others—unlike Emily, he conducts his relationships only with an eye to his own personal gain. Montoni’s abusive actions foreshadow that justice will eventually be served and he will meet an end befitting his life.
One of the features of the narrative is the unflattering portrayal of foreign locations and foreigners, especially Italians. Most Italian characters are shown as unsympathetic, with the country prone to violence and infighting. The portrayal of Venice is ambiguous, while that of Udolpho is strictly negative. In this section, Montoni’s Venetian friends behave with flagrant impropriety when they are shown making merry right after Madame Montoni’s funeral. The portrayal of Italians may be linked with the criticism of Catholicism common during Radcliffe’s times, as England was officially Protestant and Italy was (and remains) the seat of the Roman Catholic Church. The foreign locales also represent the strange and the uncanny, with the foreigners embodying the menace Emily feels far from the idyll of home.
The journey to Tuscany foreshadows Emily’s escape from Udolpho. It can also be seen as an example of the mind-games Montoni is playing with Emily to unsettle her. Montoni not only forces Emily to go to Tuscany without Annette, but his henchmen also talk about murder and robbery on the way, planting seeds of terror and doubt in Emily’s mind. Montoni is trying to deliberately unsettle Emily, so she signs over her rights to him readily when she returns to Udolpho.
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