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44 pages 1 hour read

The Miser

Fiction | Play | Adult | Published in 1668

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Act 4Act Summaries & Analyses

Act 4 Summary

Once they are certain the coast is clear, Frosine, Marianne, Cleante, Elise, and Valere re-enter from the garden. They must decide their next steps. Marianne feels trapped, telling the group that her mother’s “dying wish [is] that [she] marry a wealthy, older man. Thanks to you, Frosine, that wish has been realized, contract and all” (43). Frosine, who never would have insisted on the match if she had known Marianne’s feelings for Cleante, begins to scheme a way out of their situation. She concludes that it should not be too difficult to sway Marianne’s mother. The trouble, then, will lie with Harpagon: He will object to the marriage being called off, so it must be his idea instead. They plan to invent a wealthier, older woman that he will want to meet, someone he would leave Marianne for so he could make more money. In the meantime, Marianne must win over her mother’s blessing. Cleante leans over to kiss her on the cheek just as Harpagon returns.

He remarks at the odd sight before him: his son kissing the cheek of his stepmother. All but Cleante leave, and Harpagon begins to interrogate Cleante about Marianne. Cleante insists that there are no feelings there, and any chemistry Harpagon has seen between them is purely coincidental. Harpagon tells him it is too bad, for he had planned on allowing Cleante to marry Marianne, since they were closer in age, but since there are no feelings there, Harpagon rescinds his offer. He sarcastically tells Cleante, “Son, there’s nothing worse than a loveless marriage. I wouldn’t do that to you” (46). Cleante realizes he has lost his chance, and the two of them get into a boisterous fight.

Master Jacques enters, and the father and son use their servant to mediate the argument. The following scene plays up the comedy of misunderstandings. Master Jacques goes back and forth between Harpagon and Cleante, listening to their complaints, agreeing with them, and assuring each man that their message will be relayed to the other. However, whenever he arrives at the other party, he changes the message so that it will be flattering. This leads to a comedic misunderstanding that first makes father and son reconcile, since each of them (thanks to Master Jacques) believes they have gotten their way. When they discover this is not the case, they chase each other around the room. Harpagon shouts that he disinherits Cleante and flees from the room.

Suddenly, thunder roars and lightning flashes, and “a muddy suit of armor totters in carrying a muddy strongbox” (50). Cleante drops to his knees in fear, but the suit of armor tells him to get up. The suit of armor lifts his visor and reveals a person inside: La Fleche. He figured out where the treasure was hidden, waited until the right time, then dug it up. Now, the two of them have the money they need and must get out of there. They leave the room, past the howling dogs and into the stormy night.

Harpagon races back in, crying after the thieves. He shouts, “[T]hey’ve cut my throat, they’ve murdered me, they’ve stolen my money!” (50), then starts searching the room for them. After a moment of this, he turns towards the audience, asking them if they saw where Cleante went. He keeps talking to the audience, eventually growing angry over them laughing at him. He rings the bell and summons the police, intent on arresting the “guilty” (51) audience. He shouts, “I want the whole world hanged […]! And if I don’t get my money, I’ll hang myself!” (51). The Act ends with Harpagon wrapping the bell cord around his neck and pulling it with his body.

Act 4 Analysis

Act 4 is the Act most riddled with deception, all of which leads to the climax of the play: the stealing of the strongbox containing Harpagon’s stash of money. The first is the plot of the lovers to invent a wealthy baroness that will lure Harpagon away from marrying Marianne. This trick finds Frosine now siding with the lovers instead of Harpagon, though she still expects payment for her services. She tells them, “Leave the Baroness to me. You, Cleante, figure out some way to pay me for all this” (44, emphasis added). Frosine has realized that it is fruitless to try to get money from Harpagon, and thus decides to stop flattering him. However, since she still remains entirely selfish and money-oriented in her motivations, she still embodies The Dangers of Greed as she will now trade one deceptive scheme (the lie that Marianne wanted an older man) for another (the invention of the imaginary baroness).   

The second trick initiates the largest, most physical fight between Cleante and Harpagon, when Harpagon pretends that he has changed his mind about marrying Marianne and would allow Cleante to marry her instead. When he goes back on his word, the two of them begin to argue, leaving Master Jacques to mediate. He sees this as an opportunity to test out his new commitment to lying, provoking them even more by tricking each man into thinking the other party has consented to his wishes. Master Jacques has changed from an empathetic servant to a more vengeful troublemaker, though his final act of revenge on Valere will not come until Act 5. Since honesty has proven to be of such little avail for Master Jacques, he decides to run the risk of facing The Consequences of Flattery instead, hoping to thereby avenge himself for his humiliations.

Finally, the climax of the play is a theatrical entrance by La Fleche in a suit of armor. He appears from the garden with the strongbox, sending Harpagon into a fit of rage. It is during this monologue that Molière has Harpagon completely break the “fourth wall” and start accusing the audience of stealing from him. Though there have been asides throughout the play, this is the most interactive speech of the entire play. He ends his speech by pretending to hang himself, further proving that he feels he will die without his money, as he has placed his entire worth in his wealth. The Dangers of Greed are once more highlighted by the play’s action, as Harpagon’s vulnerability to theft and rapid descent into anger and despair reveal the emptiness of centering one’s life around a fortune.

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