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85 pages 2 hours read

Potiki

Fiction | Novel | Adult | Published in 1986

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Chapters 13-15Chapter Summaries & Analyses

Part 2

Chapter 13 Summary: “Dollarman”

The chapter begins with a description of the chopped tree wood that awaits a new life at the meeting house at the hands of the carver, before giving a brief portrayal of the domestic activities and tree-falling work that the Maori community has carried out that day.

Once the daily work is finished, the Maori people gather in the wharenui to hold the latest of several meetings with a man called Mr. Dolman, whom they have privately nicknamed Dollarman. Dolman recaps his proposal to develop the Maori’s land into “first-class accommodation, top restaurants, night club, recreation centre [sic] with its own golf links,” as well as “water amenities” (89), hoping to convince his audience that the development would attract tourism, create jobs, and thus be to their benefit. However, the Maori people firmly restate their opposition to the plans, pointing out that the land already provides them with a livelihood that they are content with. They concede to Dolman that, since the hills at the rear of their land no longer belong to them, they cannot prevent the development of this area, but state their refusal to give up the frontal area facing the sea. Dolman highlights the importance of having quick and easy access to the land and by pointing out that having access only from the rear part would mean constructing “miles of new road” (91).

The point on which the Maori are most resolute is their refusal to have the “sacred site” (91) of their meeting house and cemetery moved, despite Dolman’s assurance of finding a new and well-kept site for them, as well as generous financial compensation. The meeting comes to an inconclusive ending: Dolman, who describes himself as a “man who gets what he wants” (94), urges the Maori to give serious thought to his proposal, while the Maori stand their ground, stating their refusal to continue to service others and put the needs of western society over those of their own community.

Chapter 14 Summary: “Toko”

Toko gives his perspective on the visits of the developers to the Maori land. During one meeting in particular, the Dollarman informs them that work on the land is due to begin, although the plans have been “minimised” due to the “lack of cooperation and foresight” (96) of the Maori people. Upon hearing this, Toko describes the feeling of a fire “deep inside” him, while Tangi objects angrily and Uncle Stan, the community’s spokesperson, explains that it is precisely because of the clear vision the Maori people have for the future of the land that they “will not ever, not ever, let the land go” (97). As a result of this meeting, the Maori write letters setting out their objections to the plans for excursions, watersports, the underwater zoo and animal circus and, to their anger, are told that they can be involved in the project by becoming part of the tourist attraction. Consequently, many more meetings are held where the Maori are joined by “fishermen, weekend boat people, and environmentalists” (98), as well as some of Tangi’s loud university friends. The Maori are anxious about the development plans for two main reasons: they want to protect the land, sea, and wildlife by keeping it “clean and free,” and they are intent on preserving the sanctity of the meeting house and burial ground, which the Dollarman insensitively suggests moving “nearer to town” (100), revealing his lack of understanding of the significance of this sacred Maori land. However, one day they hear sounds signaling that work has begun.

At one of the meetings, where the Maori decide against following the Western custom of setting up the room with tables and chairs, Toko observes “a very strange thing”: as Hemi and Uncle Stan are talking to the Dollarman, whose face is “red and furious” (101), Granny Tamihana starts to shake with laughter, causing Roimata, Mary and Toko to laugh, too. As the Dollarman leaves, he catches sight of Granny Tamihana, Mary and Toko, who are respectively “decrepit” “deranged” and “deformed,” and Toko sees that in addition to anger, Dollarman’s eyes show recognition of a “broken race.” At this moment, Toko also understands that Granny Tamihana’s laughter had signaled a release of “years of hurt, sorrow and enslavement” (102).

Chapter 15 Summary: “Roimata”

Roimata begins this chapter by describing the steady progress of her people’s endeavor to recreate their gardens, provide for themselves, and market their produce. Due to rising unemployment throughout the country, many Maori who had left the community have now returned, increasing the size of Maori households. Despite the progress of their gardens, the community has very little money for anything other than the bare essentials: electricity, “petrol for the machines,” and “tea, flour, soap and cigarettes” (105). Nevertheless, the Maori are content with their self-sufficient lifestyle.

Manu and Toko have grown to become independent learners, needing little schooling from Roimata, and have set up a section of the wharekai (dining hall) as a learning area for little children to come “to talk and sing and read and write each morning” (104). Despite her old age, Granny Tamihana is content to continue her daily work in the wharekai, preparing food and cleaning, and is assisted by Mary, who continues her job of dusting and polishing the wharenui (meeting house) in the afternoons. Meanwhile, James is away, learning to carve from his elders, and Tangi is studying law at college.

It has been over a year since they last heard from the developers. However, a letter finally arrives to inform them that work is to begin, “without the use of the land” on which the meeting house and burial ground stand, and to ask for permission for use of the Maori people’s private access road during construction. Supported by other locals, the Maori deny the developers’ request. Some weeks later, the Maori hear “detonations” and “road machines” (106), as the construction company begins work on the land behind that of the Maori community. One morning, a small group of people stage a protest, temporarily halting the work until the police arrive and make some arrests. The same thing happens the following day, when they are joined by a few younger members of the Maori community. James recognizes two of his family’s relations, Matiu and Timoti, among those operating the bulldozers. They are reluctant to give up their jobs, particularly as they both have a criminal record. Hemi instructs James to “bring them home” (108) the following day.

The Maori community soon receives letters from the developers offering them increasingly large amounts of money for the purchase of their sacred land and proposing to upgrade their access road. The Maori continue to reject these offers, but feel frightened by the desperation behind them and wonder if the power and money of the developers “could be used in a different way” (109).

Chapters 13-15 Analysis

The commencement of Part 2 of the novel coincides with the arrival of the threat that is increasingly foreshadowed throughout Part 1 by Toko’s ominous premonitions and his retelling of the struggle of the Te Ope people: the land developers who want to purchase the Maori land and convert it into a lavish holiday resort. The most salient feature of this section of the novel is the portrayal of the cultural and ideological opposition between the Maori people and their Western counterparts, who threaten their very existence. This is shown very clearly in the dialogue between Uncle Stan and the Dollarman in Chapter 13. The developer tries to convince the Maori people that the resort would create jobs and bring “progress” (90) to their community, and he is unable to understand and accept Stan’s point that, although the work that the Maori do and the “progress” (90) they are making may not fit the Western idea of these concepts, this does not make them any less valid or important. A similar misunderstanding occurs in Chapter 14, when the Dollarman proposes shifting the Maori meeting house to “a more central place” (100), the center being a hub of activity that is generally considered desirable to a Western way of thinking. His suggestion is met with laughter from the Maori, as he utterly fails to comprehend the building’s significance for the Maori community. As Toko points out here: “It was then that we all realized that the man had not, had never, understood anything we had ever said, and never would” (100).

Not only are the Westerners ignorant of and insensitive towards Maori culture and values, but they are also portrayed as repressors and enslavers. This idea is voiced by Stan in Chapter 13, when, in correcting the Dollarman’s misconception that the Maori “have come a long way” (93), he points out that historically, instead of pursuing their own dreams and way of life, they have spent their lives serving their colonial masters and helping them to build a country. The developers’ proposal that the Maori become part of the proposed tourist attraction by dressing up, singing, dancing and cooking food for the visitors to the resort is an extension of the lack of respect shown towards the Maori by New Zealand’s colonizers and a further example of their desire to use them to accomplish their own goals. At the end of Chapter 14, Granny Tamihana becomes the embodiment of the effects of the Maori’s history of repression when Toko recognizes in her frailty and her laughter over her people’s new predicament the “brokenness” (102) of a whole race, as well as years of “hurt, sorrow and enslavement” (102). Furthermore, these chapters portray the beginning of the Maori’s attempts to reclaim, revive and reassert their traditional lifestyle and heritage, which has risked becoming lost because of the influence of other more dominant cultures. As Roimata describes in Chapter 15, the community tries to ignore the building work, which has recently begun, and focus instead on “telling and retelling the stories and histories of a people and a place, and learning or relearning a language which was our own, so that we could truly call it our own again” (107).

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