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45 pages 1 hour read

Nightcrawling

Fiction | Novel | Adult | Published in 2022

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Chapters 21-26Chapter Summaries & Analyses

Chapter 21 Summary

Kiara and Trevor are stuck in the apartment as reporters surround it, although they occasionally leave via the back exit. One night Marsha arrives to tell Kiara of recent developments: photos have surfaced of a police chief attending one of the parties at which Kiara was present. Subsequently, two additional chiefs have resigned just after being appointed. Marsha explains that the current acting chief of police has called a meeting and asked them to attend. Marsha believes they should. Kiara agrees when Marsha says doing so may help Marcus.

In the meeting, Acting Chief Talbot makes it clear that she is in favor of harsh punishment for Marcus. Marsha counters her threats by insisting she will make sure higher authorities hold Talbot accountable. Talbot responds by revealing that she is aware Kiara has been housing Trevor and that Child Protective Services can be notified.

Chapter 22 Summary

Kiara returns home to find that Trevor has been beaten up. She cleans the blood from him and rubs cream on his wounds. She asks Tony to bring over a first-aid kit, and he does. Kiara thinks about how, though she barely knows him, Tony would do anything for her.

Chapter 23 Summary

Over the next few days, Kiara cares for Trevor, and he tells her what happened. He snuck out while she was at the meeting with Marsha, and was beat up by a group of boys over a basketball-game bet gone wrong. Kiara vows revenge on the boys; meanwhile, she no longer answers Marsha’s phone calls, certain Marcus will end up in prison regardless.

Dee returns to her apartment, asking to see Trevor. Kiara chastises her for not paying the rent and for abandoning him.

Kiara rides the bus to see her mother, who has been released from the halfway house and is living with a friend. The two take a walk, and Mama speaks about both Kiara’s father’s and Soraya’s deaths. Kiara spots Camila and talks with her briefly; Camila tells her she was jailed for a few days after the raid on Desmond’s house and has returned to escorting.

Kiara returns to Mama, who leads her further and further into the dark streets. They end up near an overpass, and Mama begins to scream, letting out her frustration and pain. She instructs Kiara to do the same, and finally Kiara does.

Chapter 24 Summary

When Kiara returns home, Vernon and a woman are knocking on her door. She knows instantly that the woman is from Child Protective Services. The woman explains to Kiara why she must take Trevor and place him into foster care. Kiara does not protest and attempts to explain to Trevor what is happening.

After the woman leaves with Trevor, Kiara returns Marsha’s phone calls, telling her she is ready for the trial.

Chapter 25 Summary

A week passes, and the day Kiara is scheduled to testify before the grand jury arrives. Marsha reminds her of their preparations, explaining once more how the trial will work and that Kiara has the right to ask for a recess to speak with her legal counsel during the questioning, but that Marsha cannot be present otherwise. Reporters surround the courthouse, and Kiara rushes past them.

Two other young women are present, likely intending to discredit Kiara’s story, according to Sandra. Kiara takes the stand. The judge attempts to suggest that Kiara voluntarily engaged in sex with the police officers, that she made this choice of her own free will. Further, he insinuates that, because of a history of drug use in her family, Kiara, too, sought money to purchase drugs. He also asks leading questions, trying to cause Kiara to admit that she made false accusations against the police officers for financial gain.

Chapter 26 Summary

Marsha drives Kiara home, but neither of them speak. Soon, Alé arrives, and Kiara sees that she has gotten a new tattoo that honors Kiara. She and Kiara kiss and share a physically intimate moment. Kiara tells her everything that has transpired. A few hours later, Marsha calls Kiara to tell her that the jury voted not to indict the police officers. Further, though she will help Marcus find legal representation, she can do nothing more to help him.

The novel ends with Trevor appearing suddenly at the pool, having come back, he says, to retrieve his basketball. He and Kiara dive into the water together.

Chapters 21-26 Analysis

In the final section, the growth of the key characters is apparent. The physical injuries suffered by Trevor are the culmination of the pain he has endured during his short life. Kiara cares for him as a mother would, solidifying the importance of her presence in his life. She complies when he is taken into Child Protective Services custody, doing her best to minimize the trauma of the transition for Trevor. By this point in the novel, Trevor has grown to depend on Kiara not just for his physical needs but for emotional support, too. It is ironic that Kiara is young enough to be a sister to Trevor—this further demonstrates that Kiara was forced to take on an adult role at a young age.

Trevor’s mother, Dee, makes her first and only appearance at the end of the novel. Though Kiara understands that Dee’s substance dependency prevents her from being a true mother to Trevor, she finds her neglect inexcusable, and there is no indication that Dee will be willing or able to change anytime soon. A glimmer of hope, however, appears regarding Mama’s character. She has successfully—with the help of Kiara’s recommendation letter—been released from the halfway house and reentered society. Though she still cannot offer Kiara anything in the way of money or other resources, for the first time in the novel, Mama provides emotional support to Kiara. In encouraging Kiara to scream, Mama demonstrates empathy for Kiara’s circumstances. The scream, on one hand, is an opportunity for Kiara to release the emotional stress she has tried to suppress during the previous months. She has been so occupied with trying to survive—obtain money to pay the rent, care for Trevor, then avoid the threat of the police—that she has not been able to confront the true pain she faces daily. Screaming allows her to release a portion of this frustration, a frustration that no words could accurately convey. Mama’s advice is also an implicit reminder of the danger of remaining silent. Kiara has been forced to comply with the abuse and injustice that oppresses her. By screaming, Kiara is symbolically “speaking out” against the injustices and trauma in her life. In this way, the scream anticipates the “speaking out” that Kiara will do at the grand-jury trial.

The injustice of the trial is evident from the start, as Kiara recognizes that she is the only one seated on her side of the courtroom. She is alone in challenging the police department’s side of the story; not even Marsha is allowed to be present during Kiara’s testimony. Throughout her testimony, the judge attempts to divert the blame from the involved police officers, insinuating that Kiara was free to decline to participate in the “parties.” Likewise, the judge attempts to defame her character, suggesting that drug use was a motivation for Kiara’s need for money. That Kiara is a sex-trafficking survivor is sharply clear to her and others in her life, specifically Marsha and Sandra, but because the system of power in place has much to lose by admitting the police were at fault, it is easy for that system to regard Kiara as disposable. It comes as no surprise to Kiara, then, when the ruling not to indict comes down.

Though Alé has wavered in her support for Kiara, her visit to Kiara after the trial implies she has had a change of heart. Alé has had difficulty separating Kiara’s situation from that of her missing sister, regarding Kiara as willingly “choosing” the path that was likely inflicted on Clara. By the end, however, Alé understands that this is not the case for Kiara. It seems likely that the Alé’s love will nurture and sustain Kiara going forward. Though Kiara’s future is uncertain, the tone of the ending is optimistic, suggesting that she will endure whatever challenges she faces.

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