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59 pages 1 hour read

Mystic River

Fiction | Novel | Adult | Published in 2001

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Part 2, Chapters 3-5 Chapter Summaries & Analyses

Part 2: “Sad-Eyed Sinatras: (2000)”

Chapter 3 Summary: “Tears in Her Hair”

The novel picks up 25 years after Dave’s abduction.

Katie Marcus, Jimmy’s 19-year-old daughter, plans to elope in Vegas with Brendan Harris. Jimmy, 13 years after leaving prison, now owns a corner store and has a wife and three daughters; Jimmy’s first wife (Katie’s mother) died when Katie was five years old. Dave is also married and has a young son. On this particular Saturday night, he decides to go out. Driving through the flats, he considers how the neighborhood is changing; that younger, hipper “yups” have moved in, turning the bars and pizza shops into cafes. Soon, Dave and his wife Celeste won’t be able to afford to live there. Ever since someone tried to carjack Dave while his son was in the car, he’s kept a gun under the seat. Staring at two young people eating frozen yogurt, he fantasizes about holding the gun up before them.

That night, Katie goes out with her friends for one last celebration. They end up at a “dump in the worst section of the Flats” (45). There, Katie sees Roman, a friend of her ex-boyfriend, Bobby O’Donnell. Roman approaches Katie, reprimanding her for being so drunk. He threatens to tell Bobby, and Katie and her friends leave in a hurry. Katie drives them home, though still drunk. She drops her friends, Diane and Eve, off together and gives them a quick, painful goodbye. Katie drives off, eager to be home, but crashes into the curb to avoid a body in the street. When she gets out to check on them, she sees them advance on her, holding a gun. 

Chapter 4 Summary: “Don’t Get Around Much Anymore”

Dave goes to the last bar that Katie and her friends went to. He watches them dance on the bar, suddenly bristling with desire as he observes Katie. Something about her reminds Dave of the woman he’d “loved and lost” from high school, and he has the urge to allow himself to “dream just one more time” (53).

Dave’s wife, Celeste, is at home thinking about how miserable she is, suffocated by bills, stuck in a town she hates, and with a man she’d settled for. She’s sitting in the bathroom, trying not to cry, when Dave comes in covered in blood. He claims that a “crackhead” tried to mug him and he’d foolishly punched him, so the mugger stabbed him (56). Celeste is confused; the wound isn’t very deep, but he is covered in blood, and she sees something in her husband’s eyes, “something turned on and self-congratulatory” (56). As Dave tells the rest of the story, Celeste finds more of it strange but pushes her doubts away. She offers to wash his clothes and get rid of them as Dave showers. Celeste washes his clothes in the sink, making a mental note to remove the drainpipe and clean that tomorrow. She realizes she’s always hoped to be involved in something this exciting, something “bigger than real life” (61). Dave returns, telling her that hurting someone makes you feel alone, “alien” (62).

Chapter 5 Summary: “Orange Curtains”

On the morning of his daughter Nadine’s First Communion, Jimmy wakes to a call from Pete, his employee, telling him that Katie didn’t show up to work and that the store was in desperate need of help. Jimmy hurries to check Katie’s room and, seeing the bed made, begins to worry. He assumes she’s just slept over at a friend’s house and tells Pete he’ll be in to help soon.

Jimmy arrives to his store and realizes the Sunday rush has dwindled their supplies. When he gets a break, Jimmy calls a father of one of Katie’s friends to learn that Katie had dropped Diane and Eve off around 1 o’clock in the morning but didn’t stay the night. Jimmy forces calm, but the “flutter in [his] chest stopped hard, as if it had been pinched between tweezers” (69). After another big rush, Brendan and his younger, mute brother, Ray, come into the store. Brendan acts so bizarrely that Jimmy wonders if the kid is going to steal anything. When they finally come up to the register, Brendan asks after Katie. Jimmy tells him that Katie’s sister has her First Communion later. Jimmy is unsettled when Brendan immediately says Nadine’s name, but he is more unsettled by Ray: “[H]e’d always been an eerie kid […] a blankness living in his face like an act of defiance” (73). After they leave, Pete asks Jimmy why he hates Brendan. Jimmy can’t place why something tugs at him when Brendan smiles. 

Part 2, Chapters 3-5 Analysis

Chapter 3 constructs the tense tone, darkly alluding to Katie’s tragic fate as the chapter looks at the different dangers wandering about the same night as her. First, the chapter conveys her dreams of escaping the Flats through her plan to elope with Brendan. Brendan’s overwhelming love for Katie borders upon obsession but also reveals how much he treasures her. Though, like everyone else, he speaks mostly on her beauty; that her beauty made her unapproachable, even lonely. This observation paints Katie as vulnerable—isolated from others because of how often men gaze upon her. The sense that Katie is in danger escalates throughout the night as her friends become increasingly more intoxicated. The danger is intensified when she is confronted by Roman, the encounter highlighting the looming presence of Katie’s ex-boyfriend, Bobby, who exercises control over Katie through terror. This revelation suggests the possibility that Katie’s imminent threat is directly related to the men in her life.

The chapter also contrasts the trajectory of Jimmy and Dave’s lives; while Dave enjoyed his prime in high school, Jimmy had a child at 17 and went to prison. The greatest difference, though, is the sense that a darkness surrounds Dave. He doesn’t mention what happened to him as a child, but he is hostile and has violent fantasies. When it comes to his wife, he is cynical and condescending; when it comes to the young crowd that’s moved into the neighborhood, he is explicitly violent, “wondering what those two matching yups would look like at the other end of the barrel” (43). This sudden fantasy as well as the sheer presence of Dave’s gun is significant: When Katie gets out of her car after swerving around a body, she is met by a person with a gun.

The sense that Dave has done something terrible only develops in Chapter 4. When he sees Katie, he immediately sexualizes her, describing her as “looking all grown up, every inch of her firm and fresh and defying gravity” (52). There’s a greater insinuation that Dave has become predatory as he thinks of all the dreams—particularly that of a girlfriend who looked just like Katie—he’d given up on. In thinking that he’ll allow himself one more dream, the chapter insinuates Dave’s desire for Katie has turned dangerous. The chapter further destabilizes Dave’s character when he comes home covered in blood; as Celeste perceives a darkness within him and notices the oddities in his story, the text traces red flags throughout the chapter. Celeste thinks that the recounting of what the mugger said is suspicious: “[I]t just sounded funny for some reason, too clever maybe, like in the movies” (57), and the inconsistencies cause Dave’s story to feel false—like he’s covering up for something else. Therefore, the chapter subtly explores guilt and complicity—whether Celeste, by helping her husband hide the evidence, is implicated in Dave’s crime.

Chapter 5 heightens the awareness that something has happened to Katie, a feeling represented through Jimmy’s bodily response to her disappearance: “The flutter in [his] chest stopped hard” (69). Despite the increasing sense that something is wrong, Jimmy never acts on it, resolving to chalk it up to her youth. Though this is perhaps a rational response—considering that Katie has before not come home at night—the sensations Jimmy feels must be from a bone-deep understanding of what it can mean when a person isn’t where they’re supposed to be; the trauma of watching his friend’s abduction never vanishes, so Jimmy’s anxiety is likely stemming from the memory of that event.

Most of all, the chapter explores the motif of silence through Brendan’s younger brother, Ray, whose muteness unnerves Jimmy for a reason he doesn’t understand. He realizes that no one else feels the same way about Ray, which makes Jimmy trust Ray less. This unsuspected—even, unwarranted—response to Ray represents the danger of silence to Jimmy. Though he does not recognize it, Ray upsets him so because Jimmy is the personification of silence; he can hear but cannot speak. Silence is significant to the text because it was Jimmy and Sean’s silence that enabled Dave’s abduction; Ray’s silent but overwhelming presence stirs Jimmy’s deeply buried guilt. Furthermore, Jimmy’s sense of distrust—or even hatred—toward Brendan paints the young man as another potential danger to Katie. However, it is not clear whether Jimmy’s intuition simply recognizes Brendan as the man who will take his daughter away through marriage, or by some other means.  

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