73 pages • 2 hours read
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The book is set “Somewhere in the Americás, many years after once-upon a time” (3) in the fictional village of Santa Maria. School is out for the summer and Max, an 11-year-old budding fútbol player accompanies his father, Papá, across a bridge that Papá has built which overlooks Santa Maria. While Max dribbles his ball across the bridge, he makes up stories and contemplates his life’s big topics like growing up and why his mother left when he was younger.
A large tower rises above Santa Maria’s landscape. People call the tower La Reina Gigante (Giant Queen) since it resembles a queen chess-piece. Abandoned palace ruins surround the tower. Legend says the ruins are haunted by spirits of hidden ones, who took cover in the tower while escaping a dictator in the nearby country of Abismo. Papá is a stonemason and the only villager who has permission to access the ruins, since he uses the rocks for building bridges. Max hopes his father will start letting him come along to visit the ruins now he is older.
A peregrine falcon passes Max and Papá as they walk home, filling them with awe. Spirits of the hidden ones are said to return every year carried by the peregrine falcon, though Max does not mention this to Papá, who prefers reality to daydreams and superstition.
Max practices fútbol with his friends Chuy, Ortiz, and Guillermo. They are all finally old enough to try out for Santa Maria’s local team. Tryouts are in five weeks. Ortiz and Max are both trying out for goalie. Ortiz, who has a wealthy father and is older than the other boys, likes to brag that he is the best.
The peregrine falcon appears. The boys talk about “Los Guardianes de los Escondidos, the Guardians of the Hidden Ones” (17) who bravely helped hidden ones escape Abismo. Ortiz chastises the other boys for believing the legend. Ortiz heard from his parents that the hidden ones and guardians were criminals.
The team will be getting a new coach. It’s all anyone can talk about. The coach will strictly enforce league rules, such as proof of age and residence. Ortiz’s cousin manages a prestigious fútbol clinic in nearby Santa Inés and has invited Ortiz and his friends to attend for free. The boys need permission from their parents, since they must ride the bus to Santa Inés. Ortiz brags about meeting the new coach that evening at dinner with his family. The boys talk about Max’s father and grandfather, who both played for the national team. Ortiz makes fun of Max’s family since Papá quit the national team to be with Max’s mother—and then she left.
Walking home, Max has a flashback to the first time he had to explain his mother’s absence to peers. A boy at school asks where his mother is and laughs when Max doesn’t know. A teacher reprimands the boy, telling him not to ask Max about his mother because “it might make [Max] feel sad and unworthy” (26). Later that day, Max presses Papá and Buelo for answers, since Max knows nothing about his mother. It’s painful for Papá to talk about, and he promises to tell Max more when he’s older. When Max asks Buelo if Max will ever meet his mother, Buelo comforts him with the words “Solo mañana, sabe. Only the place we know as tomorrow holds the answers” (28).
Later, Papá tells Max goodnight and gives Max a compass that was important to Max’s mother he found behind a dresser drawer. Max hopes the compass will help him find his mother.
Papá comes home with a basket gifted to them by Max’s old teacher, Miss Dominguez. Papá has been helping fix her garden wall. Papá repeats a popular family phrase: “Favor con favor se paga” or “A favor for a favor” (34). Papá and Max tell Buelo about their day, including seeing the falcon. Buelo shares that the falcon is also called the pilgrim bird because “it journeys far away to promised lands but always returns to the same area, bringing good fortune and magic” (34). Papá dismisses the myth, though Max sides with Buelo.
Max mentions the fútbol clinic, but Papá denies Max permission to join his friends. Santa Inés is forty-five minutes away and too far for Max to travel to on his own. To make it up to Max, Papá offers Max and his friend Chuy the opportunity to be Papá’s apprentices building a new bridge. This excites Max. Papá goes out for the evening, leaving Max with Buelo.
The book begins: “Somewhere in the Americás, many years after once-upon-a-time and long before happily-ever-after, a boy climbed the cobbled steps of an arched bridge in the tiny village of Santa Maria, in the country of the same name.” (3) Fairytale language and ambiguous details create a sense of timelessness and fantasy. Spanish language and cultural references locate the fictional Santa Maria within Latin America; the story could be from years past or could be happening right now. This lends a universal quality that transcends time and location.
The book’s fairytale quality also invites suspension of disbelief for the reader. Santa Maria is steeped in stories. Max makes up stories about his landscape—like a story about a giant serpent who created the river—that mimic the legends told in the community. Fairytale narration makes these magical stories seem plausible in the world of the book.
Max’s relationships with his environment and other characters emphasizes main themes of coming of age and human resilience. Max is almost twelve and longs to take certain rights of passage, like crossing the “haunted gates” (7) of the ruins before any of his friends or taking the bus to Santa Inés for the fútbol clinic. Growing tension between Max and his friends—highlighted by the character Ortiz—shows Max’s fears about fitting in with his peers as they all transform into adults. Ortiz is older and wealthier than Max. He lives in the “biggest house in all of Santa Maria” and has already started to develop into a young man: “His voice had recently changed […] And there were wisps of hair already growing above his lip” (14-15). These physical differences also illuminate societal differences in Santa Maria. While Ortiz’s family shows off their wealth and even entertain the new fútbol coach at dinner, Max’s family is modest and careful about purchases, like fancy fútbol shoes. The mystery behind Max’s mother’s disappearance also makes Max stand out from his peers, who sometimes pick on him.
While Max and his father are close, their personalities come into conflict. Max is youthful, optimistic, and likes to make up stories. Papá is somber and prefers reality. Max yearns for greater responsibility and knowledge about his mother. However, Papá is overprotective and wants to wait until Max is older. Papá struggled to adjust when Max’s mother left and now worries about Max getting hurt from dreaming too big. However, for Max, storytelling and dreams are a source of hope. This is how Max processes the world and stays resilient against hardships as the book progresses.
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