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76 pages 2 hours read

Inside Out And Back Again

Fiction | Novel/Book in Verse | Middle Grade | Published in 2011

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Themes

Growth and Change Marked by Endings and Beginnings

Clear endings and beginnings mark Hà’s literal and figurative journey from Tết 1975 to Tết 1976. Leaving Saigon with her family, Hà says goodbye to her childhood home much the way her friend TiTi did a month before. Hà’s family must leave behind photographs, clothing, and other possessions. The step-by-step journey on ships is marked by images that denote both endings (the lowering of the flag of South Vietnam; the burial of Brother Khôi’s chick and Hà’s doll) and beginnings (the American sailor with golden hair, a “savior” from the rescue ship). In the refugee camp on Guam, time seems to stop and all the days of June are rolled into a blur of cowboy movies and English lessons, but pungent food items mark the beginning (fruit cocktail) and ending (fish sauce) of Hà’s time there.

The beginning and ending of the Florida refugee camp is marked by the decisions of others: Mother chooses America as their destination, which brings the family to Florida; the cowboy chooses to sponsor them, which brings the family to Alabama.

Once her physical journey is over, however, it is Hà’s own decisions that set the beginnings and endings of her figurative journey toward contentment. After a terrible first day at school, she chooses to hide during lunchtime and avoid the eyes of others. Confiding in Miss Washington ends her solitude at school, and trusting in the kindness of Pam and Steven allows Hà to begin a slow build toward friendship. Hà must end the conflict Pink Boy started when she began at the Alabama school so that she can begin to enjoy acquaintances and learning activities. She also must end the guilt she puts upon herself for sneaking snacks at the market and wrecking the family’s luck last Tết by touching the floor. Only then can she begin to effectively regain her identity as a smart student and a good friend, and change her behaviors (pouting, fear, resistance to compromise) that prevent her happiness.

Experiences in Part 3 show Hà that endings and beginnings intertwine. The family must end their hope that Father might return so that he can begin his journey to the spirit world. Giving away TiTi’s seeds to Pam will allow flowers to grow that can spread new seeds. The ending of one year must occur so that the beginning of a new one and the good luck that comes with it can dawn each Tết.

Acceptance Despite Differences

The hurt and awkwardness of unacceptance do not hit Hà until her first day at school. Until then she knew only her home and school in Saigon, then the ship and camps where she was one of many refugees. Once in Alabama, the cowboy treats the family with kindness and generosity. At the school, however, Hà cannot see, hear, or feel any signs of acceptance. She sees skin tones of light and dark, but no one is “medium” like her. She hears only the unfamiliar sounds of a language that is not her own, and even the teacher cannot get her name right. The sight of the lunch food is an affront to the Vietnamese flag colors. Pink Boy’s taunts and jeers develop quickly into an invasion of her space and person as he pokes her several times—behavior that goes without reprimand. Unaccustomed to this kind of a battle zone, Hà makes a complete figurative retreat each school day for over a month: She avoids looking directly at anyone, brings crusts of dinner rolls to school for lunch, and escapes the cafeteria and playground by hiding in the bathroom.

Hà sees that her mother, Brother Quang, and Brother Khôi each have trouble with acceptance at work or school, but instead of commiserating or communicating with them, Hà keeps her problems to herself. Miss Washington finally helps to steer Hà onto a course of acceptance in mid-October when she alerts the school to Hà’s plight: “I’ll fix that” (181). Pam and Steven initiate friendship with Hà, but Hà must take risks herself, such as when she allows classmates to try their barrettes in her hair overnight, and fight her own battles, as when she defeats Pink Boy.

Hà’s conflict in the story is not only about others accepting her, but also her acceptance of others and of new situations. Hà’s retreat at school throughout September and early October demonstrates her weakness in accepting or working through change independently. Kindness from Pam and Steven, however, allow Hà’s capacity for change to spark and bloom. By Christmas and Tết, Hà works through and accepts change with much greater maturity, evidenced when she wakes early to rescue the dried papaya she discarded and when she thinks Mother’s slightly Americanized version of bánh chu̓ng is “Not the same / but not bad” (258).

Family Love and Support Promoting Resilience and Growth

The theme of family is strong throughout the story, especially the helpfulness of one’s family in growing stronger and bouncing back from challenges. Hà’s family is unified throughout their refugee journey, and each member of the family shows caretaking skills for the others.

Even before they leave Saigon, Mother calls a family meeting to hear the brothers’ and Hà’s opinions on taking the drastic step of abandoning their home. Mother decides to flee because it is in the best interests of the children; she chooses a location (America) considering her children’s education and future. She secures a sponsor who will allow them to remain together, takes a job to support them, comforts and advises Hà, inspires them to hope for Father’s return, and when the time comes, instructs them to let that hope go.

Brother Quang tends to his family members using his intelligence and interpersonal skills. He helpfully translates for Mother and Hà when communication barriers cause conflict. He carries Brother Khôi away from the eyes of other refugees as Khôi grieves over his dead chick. He takes a job as a mechanic—for which he is overeducated—for the sake of the family but soon proves his true skills and begins night school for his intended career as an engineer.

Brother Vũ uses his physical strength and size to protect his family in the chaotic shoving to board the refugee vessel, and he uses his charm and cooking talents in the refugee camp kitchen to secure a favorite food (fruit cocktail) for them. He teaches Hà defense moves with his martial arts skills and rescues her after she uses a defense move to defeat Pink Boy.

Brother Khôi seeks a partner in defying any plan to flee Saigon, and knowing how much Hà loves her papaya tree, convinces her the two of them should remain no matter what. Later, he quietly tells Hà that he understands the cruel comments of Hà’s classmates because he is experiencing the same at his school. He serves as a confidante and sympathetic ear for Hà.

Only 10, Hà does not have as many opportunities to take care of her family, but her actions show how much she cares for them. She loves Mother and plans to give her the first papaya from her tree. She sacrifices her only doll to the cold sea to soothe Khôi over the loss of his chick. She gives Mother solitude and space when Mother needs it.

Each family member shows resilience and the power of forward progress despite the challenges of losing Father, fleeing their homeland, and resettling in a foreign land. This ability to move forward and recover from challenges stems directly from family support.

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