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In this chapter, the quotations focus on the historical record that exposes the rationale and justifications for other massacres. For example, O’Brien uses historical quotations from other time periods in American history, including passages justifying the massacre of Native American tribes, such as the Sioux and Apache, or exposing British reprisals against civilians when they became frustrated with the Continental army guerilla tactics during the American Revolution. These historical examples contain scenes similar to the ones in Thuan Yen: civilian women, children, and old men are all summarily slaughtered. The narrator also uses more quotations from the Thuan Yen/My Lai court martial cases.
Later, O’Brien presents examples of American politicians’ reactions to severe defeat. As a group, they are not gracious losers; typically, the politician experiences severe depression, rage, and a loss of their sense of self.
In John’s second tour of duty, nothing seems to come of the rumors about what happened at Thuan Yen. During his last two months in Vietnam, he works in the battalion adjutant’s office, where he painstakingly erases himself from Charlie Company, or Company C, and remakes all of his orders and records to look as if he has always been a member of Company A. He literally makes himself disappear.
In this theory of Kathy’s disappearance, John Wade boils her to death with water from the teakettle. A mixture of rage, humiliation, evil, and madness overwhelms him as he thinks of his life, his defeat, and his desire to never lose Kathy. He wraps her in a sheet and carries her outside to the boat dock. He gets the boat out and attaches the engine. He goes back inside for her sneakers, her white sweater, and her blue jeans. He takes the boat out to deep water, not far from the cabin, and he sinks Kathy with rocks from the slope near the cabin; he also sinks her clothes. Then he tips the boat and sinks it too.
John Wade heads north in Claude Rasmussen’s boat. Crossing over into Canadian waters, he deliberately gets lost. He allows himself to go mad, choosing to let the Sorcerer control his last behaviors. He reads Claude’s letter, in which he tells John that he knows John was in for a “lynching” (279) no matter what happened and that John shouldn’t blame himself for anything. Claude knows that John is taking the boat out to disappear. One way or another, John Wade won’t be back. There is a radio on board pre-set to a frequency that Claude plans to listen to, just in case John wants to talk.
For two days and nights, John hallucinates and calls out for Kathy. He revisits Thuan Yen; he revisits his father’s suicide. In a more lucid moment, he talks to Claude on the radio, and Claude tells him that the police have torn apart the cabin and found nothing. Claude tells him to run for Canada, but John doesn’t answer; he plans to end things here. It’s cold, and it’s starting to snow.
On the third day, after broadcasting his love for Kathy, he drops the radio over the side of the boat. He guns the boat, heading north into Canada.
The narrator describes Kathy Wade looking up from the bottom of Lake of the Woods at the natural beauty above her.
Lake of the Woods lies against the Great Northwest Angle of Minnesota, the northernmost point in the lower 48 states, surrounded on three sides by Canada. The narrator recounts the history of the Angle, which remains largely unsettled wilderness.
John too imagines Kathy looking up at him from the water.
The quotations in this section are all from people who knew John and Kathy Wade or who were involved in the investigation. Taken together, these quotations suggest that Kathy planned to disappear, with or without John. Other quotations indicate that John and Kathy may have run away together. Pat, Kathy’s sister, once again says that she doesn’t want to discuss it, because when Kathy found out about the war crimes and John didn’t come home all night, Kathy was more worried about John not coming home than what the news reports said he had done. Pat knew then that Kathy would never leave John.
In the narrator’s final hypothesis, John and Kathy run away from their broken lives and create new ones in another place. Sorcerer could certainly create passports for them. Though the narrator says that it’s more likely that they both drowned, in the face of uncertainty, he suggests that we focus on happiness and love winning out over death and destruction.
The chapter ends with John’s broadcasts rambling about Kathy and his love for her. At no time does he admit that he knows where she is. The snow comes down heavily that day, October 26th. John was never heard from again. Perhaps the simplest answer is the truth: John Wade was a man who was “innocent of everything except his life” (303). He was both monster and lover, mad and innocent; his heart forever unknowable.
The details of Kathy’s death by boiling correspond to many of the memories John reported in earlier chapters, making this hypothesis seem quite probable. For example, John’s greatest fear has always been that Kathy would leave him. Now that she knows about the war crimes, and all the years she sacrificed her dreams of a home and family have come to nothing, he must believe that she would think about leaving him. Grisly though it is, the description of her death is the most meticulous writing in the novel. The reader sees it happening as John reimagines it.
In addition, nothing in John Wade’s ramblings about Kathy being lost or calling out to her eliminate the possibility that he killed her. He is more than half out of his mind during this period, moving in and out of his Sorcerer alter-ego. He can grieve Kathy even if he killed her.
As the narrator points out, none of the evidence provides a cohesive or certain narrative of what happened to either Kathy or John Wade. Readers are left to put the story together for themselves. Perhaps the narrator wrote the story for himself, to help himself get his life back: as a Vietnam vet he experienced many of the same things John Wade did. Perhaps John Wade’s story can provide emotional catharsis and understanding for the readers as well as the narrator. Perhaps the best anyone can do is to share each other’s stories and try to understand them.
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By Tim O'Brien