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Clocks are a recurring motif throughout the novel. The postman’s father works as a clockmaker and repairman, the postman and his ex-girlfriend reunite under a clock tower, and clocks are one of the items that the devil makes disappear. The postman’s father prioritized mending his wife’s watch over attending her deathbed, which was his way of showing care in their relationship—something she, unlike their son, understood. In this way, the motif of clocks connects different characters, and contributes to the theme of Valuing Objects, Relationships, and the Everyday.
The Devil explains clocks and other timepieces as humanity’s attempt to quantify and control the unstoppable flow of time. This links to the postman’s process of Coming to Terms with Death. Traditionally, clocks are an aesthetic symbol of memento mori, a Latin phrase that heralds the inevitability of death. It is bad luck to give clocks as gifts in many East Asian countries because of this kind of symbolism. As the postman’s death draws close, the presence of clocks in the narrative is an omnipresent reminder of his mortality.
The penultimate chapter of the novel sees the postman rediscovering his treasured childhood collection of stamps. The stamps depict many seemingly random objects, through which the postman’s father communicated his emotions and experiences. This was the most meaningful way that the two men formed their relationship—the postman found his father’s gifts of stamps so important that he was inspired to become a postman because of them. Finding the collection represents the postman’s newfound sense of Valuing Objects, Relationships, and the Everyday. The stamps are indicative of the lingering influence of the postman’s father on his life even during the period they were estranged; an influence that is also underscored by the physical resemblance between the two men and their mutual difficulty communicating face to face.
The stamps thus symbolize the paternal love of the postman’s father, as well as the close familial bond that father and son once shared. Just as the postman put away his stamp collection, only to find it once more in the preparation for his death, so too did he neglect and discard his relationship with his father, only to seek reconciliation in the face of his own impending death.
Phones, the first item that the Devil makes disappear, are a significant motif, particularly through the first half of the novel. The postman’s reliance on phones, both in his daily life and in his relationship with his ex-girlfriend, highlights the importance of technology in modern life as well as its drawbacks. This illustrates the theme of Juxtaposing Gain and Loss, which is also explored through the role of the phone in the postman’s life and the consequences of its absence. The phone is both a way for the postman to connect with others, and a buffer preventing him from forming durable meaningful relationships in person. This paradox highlights the emotional walls of the postman as well as his efforts to reach out and connect with those around him.
When the postman was a small boy, he saw his pet cat Lettuce’s red collar as a part of the animal. However, after Lettuce’s death, the collar became a foreign and inert object, no longer imbued with the cat’s living essence. This symbolizes the connections between the animate and the inanimate in the novel, as well as the transition from life to death and the effect of loss on those left behind.
Later in life, the postman experiences the same transition of animate into inanimate when he considers his mother’s broken wristwatch during the period of her decline and death. Like Lettuce’s collar, the watch is both highly meaningful to his mother’s existence—so much so that his father decides to fix it before coming to his wife’s deathbed—and something that loses much of its value after her death.
Both objects center the grief felt by the postman as he works through Coming to Terms with Death by marking this part of life as an inevitable transition and thus illustrating Buddhist beliefs surrounding the liberation of the spirit from physical objects.
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