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43 pages 1 hour read

Gallant

Fiction | Novel | YA | Published in 2022

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Interlude 6-Part 5Chapter Summaries & Analyses

Part 5: “Blood and Iron”

Interlude 6 Summary

The master of the house, enraged at the shadows for letting Olivia escape, paces the garden path near the door in the wall. He notices that among all of the dead roses there is a single living rose where Olivia passed through.

Part 5, Chapter 22 Summary

Olivia wakes from a dream of her mother to find that she’s in the piano room with Matthew. Matthew apologizes for not having told her about the wall sooner; he thought ignorance would keep her safe. He goes on to explain that “everything in the world casts a shadow” (249), but the shadow that Gallant casts is more alive—and more dangerous—than most. Gallant existed before the Priors, but the Priors have always been attracted to the house. The Priors, recognizing that the wall was a threshold keeping their Gallant separate from its shadow-counterpart. They built the iron door and sealed it with their own blood in order to keep the master at bay. Matthew has realized that because Prior blood is the key to opening/sealing the door, the master needs Priors to be kept alive until he’s able to convince or trick a Prior into using their blood to willingly free him. Matthew believes that the master, years ago, tricked his brother, Thomas, into crossing the wall and killed Thomas when he realized that he needed Thomas to willingly give blood. Olivia explains that she saw a boy on the other side of the wall and, from looking at family portraits, she confirms that it was Thomas.

Part 5, Chapter 23 Summary

Olivia agrees to cross the wall to try to save Thomas. In preparation, Matthew shows her all of Gallant’s secret passages, which should be present in the shadow-Gallant since the houses are mirrors of one another. At dusk, she heads out to the wall.

Part 5, Chapter 24 Summary

Matthew’s plan is for Olivia to cross the wall and save Thomas. When she returns, she’ll knock at the door three times, he’ll let her through, and then he’ll seal it with his blood. Edgar and Hannah will stay in Gallant to defend the house—and themselves—if the master manages to escape. At dusk, Olivia crosses the wall with a knife Matthew has given her. She goes to the fountain first and finds that Thomas isn’t there. Steeling herself, she enters the shadow-Gallant.

Part 5, Chapter 25 Summary

Olivia sneaks through the house, eventually entering the study. She looks to see if her mother’s journal is where she dropped it, but the only evidence that it was there is a single, torn-out page in the corner of the room. Hearing footsteps overhead, Olivia heads to the piano room and uses a secret passage Matthew showed her to go upstairs. She enters Matthew’s bedroom and sees that there is a body under a sheet in the bed. Before she can decide whether or not to see if it’s Thomas, one of the master’s shadows emerges from beneath the sheet and Olivia turns to find that the master has followed her through the passage, blocking her exit. Olivia tries to fight them and tries to summon ghouls to help her, but the master and his shadow overpower Olivia and render her unconscious.

Part 5, Chapter 26 Summary

Olivia wakes to find herself on a couch with her hands tied. The master reads to her from her mother’s journal, mocking her mother’s assertion that the shadows can’t hurt her. The master is taken with Olivia’s ability to bring life back to dead things in this realm; he gives her a bone which she resuscitates into a crow. Olivia wills the crow to attack the master, which gives her an opening to try to escape. She stops when she gets to the door, though, because the master begins to recite the letter that Arthur sent. The master explains that he sent the letter by manipulating Matthew while Matthew slept to write the letter and send it to the addresses Hannah had written out on the note Olivia found in the study. He has been trying to get Olivia to return to him because, since she is born of a shadow and the master created the shadows, she is also a part of him. At this point, Olivia tries to run and makes it as far as the room with the dancers. The master finds her easily and, as she watches, he uses bits of bone to create the likenesses of her two parents. The master says he’s going to tell her a story.

Part 5, Chapter 27 Summary

The master explains that her father was the first of the shadows he created; as shadows grow older, they become more self-aware, and her father made the choice to leave the master’s realm for Grace. He was unable to survive outside of the master’s realm, though, and eventually perished. The master explains that because Olivia is born of a being from this realm, and because she has the ability to give life to things that are dead, she could stay in this realm forever and resuscitate her parents—the master will allow this in exchange for her helping him to escape. Olivia is tempted, but decides to find Thomas instead. She uses her power to give life to one of the master’s shadows; she wills the shadow to attack the master and makes her escape during the ensuing scuffle. Olivia finds Thomas in the cellar.

Interlude 6-Part 5 Analysis

This section of the novel builds on Olivia’s realization in the previous section that she may need to consider the boundaries and the importance of what she categorizes as “real.” Olivia makes a crucial decision at the end of this section in rejecting the master’s offer of allowing her to stay in the shadow-world and recreate her parents; she opts, instead, to return to Gallant where her mother is a ghoul and she will never have the chance to meet her father. Olivia’s choice suggests that “reality” for Olivia is no longer dependent on who is flesh-and-blood and who isn’t. Instead, what is “real” for Olivia is defined more by the relationships she’s created. Hannah and Edgar, having supported Olivia throughout her turbulent time at Gallant, are Olivia’s “real” family even though are not related to her by blood. Similarly, Olivia’s ghoul-mother is more her “real” mother than any corporeal facsimile could be because this is the mother with whom Olivia has learned to communicate; this is the mother Olivia has learned from and experienced Gallant with. Olivia is able to withstand the master’s temptations here because she has reworked how she conceptualizes what is “real.”

Throughout Part 5, Schwab plays with and inverts some of the novel’s Gothic tropes, especially the trope of the double. For much of the opening of Gallant, Olivia is disturbed by the mirroring of her own features that she sees in the faces of the other Priors. In looking at the family portraits on the walls, she says that “It’s so strange, to see her face reflected, distorted, echoed in so many others” (82). She is similarly distressed by the eerie way in which Grace’s ghoul curls up in bed beside her “like a mirror, reflecting the angles of her daughter’s limbs” (114). It’s not surprising that Olivia would find it distressing to see herself so closely mirrored in the Priors’ features: The family is, after all, doomed, and the bloodline seems to want to claim Olivia, too. By this fifth part of the novel, though, Olivia’s attitude toward this uncanny doubling has shifted, illustrating both The Perils and Powers of Inheritance. When she looks at herself in the mirror before going to face the master, she puts her mother’s comb in her hair (267), inviting the visual comparison with Grace Prior. This acceptance of the doubling, which was previously a source of horror for Olivia, suggests that she has accepted her fate as a Prior in part because she gains strength from her history: Her ghoul-mother has passed knowledge both through her journals and through her actions. This rejection of doubling as a source of fear is also seen in this section through Matthew’s realization that the perfect mirroring of Gallant in the shadow-world can be used to their advantage. In teaching Olivia where Gallant’s secret passages are, he gives her an advantage as she goes to face the master. In this way, Schwab plays with the idea that doubling is an inherently fear-generating aspect of the Gothic mode. For her characters, it can become a source of power.

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