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Dublin is more than just the setting of Finnegans Wake. The city functions on a symbolic level, encapsulating an idea of Ireland and Irishness explored throughout the novel. The city is a symbol of Irish cultural identity, becoming a repository for the ideals, characters, myths, and languages that come together to form the public conception of “Ireland.” The novel refers to the streets of Dublin, exploring their colonial and folkloric routes and turning this physical geography into a part of Ireland’s mythology. HCE is also woven into this symbolic deployment of geography, living in “Howth Castle and Environs” (3). An important part of this symbology is its vivacity. Dublin is a living city, and Ireland is a living idea; the ancient folk stories are still relevant in that Finn MacCool and Tim Finnegans are—at the same time—HCE. Simultaneously, HCE is elevated to their level when his exploits become a part of Dublin folklore; his story is turned into a folk song, and the people of Dublin sing it so much that it becomes a court case.
In this sense, Dublin is more than just a city. The city is a character, and, like many of the novel’s characters, Dublin is also HCE. The protagonist and the setting become echoes of one another in that HCE becomes an embodiment of the symbolic nature of the city. He sleeps for a long time, snoring under the heart of Ireland and becoming a part of the island’s physical geography. HCE incorporates the smaller symbols in the novel, illustrating the totalizing effect of mythology in his search for identity. He is a Dublin resident and a product of Dublin, but the city itself is a product of so many Dubliners’ actions and beliefs. The relationship is bilateral, as the myths and cultural identities created by individuals such as HCE become the idea of Dublin itself. This relationship allows the symbolic meaning of Dublin to grow and evolve, just like the characters.
Similarly, the symbolic meaning of Dublin contains within it the symbolic meaning of the River Liffey. The Liffey runs through Dublin; the river’s course shapes the city’s infrastructure and physical space, helping move people and money through the capital of Ireland. The city is inseparable from the river in this sense. Just as Dublin is a symbol of HCE, the Liffey is a symbol of ALP. The codependent nature of the river and the city is a symbolic extension of the codependent relationship between ALP and HCE. They define one another and allow each other to function. They are integral parts of each other’s identity and impossible to imagine alone. A key part of the symbolic meaning of Dublin is its relationship with the Liffey, as this represents the similar dynamic between HCE and his wife.
Rumors spread quickly through the city of Dublin. HCE is the victim of such rumors, as the townspeople quickly gossip about a potential incident in the park, in which he may or may not have exposed himself to two young women. These rumors play an important symbolic role in the novel. They are a representation of the impossible nature of objective truth. HCE insists that he is not guilty, for example, but the rumors become so overpowering that the case is dragged in front of the magistrates, and HCE can no longer trust his own experience of reality. The rumor is all-consuming, altering the nature of existence and turning untruth into truth. The fact that the rumor is never proven true or false symbolizes how subjective reality overpowers attempts to form any kind of objective truth: there is no actual truth, only what feels like truth.
The rumors are symbolic extensions of mythology. In Finnegans Wake, HCE is various figures from Ireland’s mythological past. He is historical kings and legendary figures such as Finn MacCool. In the modern day, however, the rumors spread so quickly that they take on a legendary dimension. The rumors become reality. Then they become a folk song. Soon, the rumors and the songs are essential myths of modern Dublin. HCE becomes a part of the cultural folklore of Dublin based on a rumor. Rumors and gossip are modern myths spoken into being and shared by the residents of Dublin as though they were ancient legends. Like legends, the gossip may not be the truth, but that does not stop the story from being repeated endlessly.
Ultimately, the rumors symbolize the social desire of humans to understand one another. The scene with the washerwomen swapping stories across the Liffey is more than just two women exchanging salacious stories. Instead, they are codifying their existence and reinforcing social bonds by delineating the world around them. They construct a shared understanding of the universe they inhabit based on their subjective interpretation of the truth. In essence, this act is a metaphor for how most people experience reality. The world itself is little more than a collection of stories and rumors, shared with each other to delight or warn or bring everybody together.
As well as the novel’s title, “Finnegan’s Wake” is the title of a real folk song based on the story of an Irish construction worker. In the song, a man named Tim Finnegan is drunk at his job. He slips and falls from a ladder, and everyone presumes he is dead. His wife organizes a funeral, and, at Tim Finnegan’s wake, the guests accidentally spill whiskey on his body, which is enough to revive him. Throughout Finnegans Wake, HCE becomes the character from the folk song. Not only does his fall and his rebirth occur in a similar manner during the novel, but his role as the subject of a folk song is also similar to that of Tim Finnegan. Like Tim, HCE has a controversial moment in his life turned into a local legend through gossip, rumor, and music. He becomes a part of the local cultural knowledge, a legend, and a part of the mythology of Dublin and Ireland. The song of Tim Finnegan symbolizes how identities and realities are woven into mythology, becoming immortal cultural echoes that endure over centuries.
The wake itself is also a symbol. The wake is the funeral arrangement at which Tim Finnegan is brought back to life. The novel explores the space between dreams and waking life as a key theme. The act of waking is a moment when these two worlds are close together, part of the same cycle of sleeping and waking repeated throughout life. For Tim Finnegan, this moment also crosses the divide between life and death. As such, the wake is a pun, a double meaning that shows the audience how different ideas and realities can coexist within the same language, stories, and characters. Finnegan’s wake is just like HCE waking up from his slumber, transposing between two worlds and exploring the complicated spaces between them.
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By James Joyce