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Tempest Snare lies between the Narrows and the Unnamed Sea. Saint built his fortune by mapping its treacherous waters and dredging wrecks there. West ignores Fable after they leave Ceros, so she follows him into his cabin. She reassures him about the difficult maneuvers they will need to execute in Tempest Snare, and he reveals that he and Willa haven’t told the rest of the crew that they’re siblings. West dives into the water to undertake the “disgusting, tedious job” of scraping barnacles off the ship’s hull (298). Fable assists him even though she knows that this will make it apparent that she cares about him.
At dawn the next morning, the labyrinthine reefs that make up Tempest Snare come into view. From her perch atop the mainmast, Fable uses her scar to call out directions to the crew so they can navigate between the reefs. Tempest Snare has sunk countless ships, and she’s keenly aware that West and his crew are trusting her with their lives. The ship must turn at a sharp right angle between two reefs, and the crew barely manages the difficult maneuver. Knowing that the ship’s hull could have breached and doomed them all, Fable tears up in relief. The Marigold approaches the Lark.
Although the Lark is only about 40 feet underwater, Fable will need most of the day to retrieve the treasure. She must work quickly, or they will be forced to spend the night in Tempest Snare and risk a storm sinking the ship. West reveals that he also knows how to dredge and will accompany her. When Fable voices her surprise, he grins and says, “There are a lot of things I haven’t told you” (310). She’s never seen him smile before, and she blushes. Together, Fable and West dive down to the Lark’s cargo hold. He kisses her, and she kisses him back, feeling as though she has been transformed and filled with light where she used to carry darkness. Her desire for West triumphs even though it was “hidden beneath everything [her] father taught” her (314).
The Marigold sails out of Tempest Snare around sunset. In keeping with the bargain West and Fable made before she joined his crew, they continue to act as though they have no romantic feelings for one another when they resurface. Still, Fable is distracted by his proximity as the crew counts up the treasure the two dredgers retrieved, which includes peacock pearls, black opals, serpentine, gold, and palladium. Hamish calculates that a quarter of the treasure will suffice to buy the Marigold from Saint and to settle their accounts with the merchants they trade with. The coin master urges them all to be cautious and strategic when trading the riches so that they don’t attract attention from their many rivals and enemies. When Willa and Fable are alone, Willa reveals that she plans to leave the Marigold and move back to Ceros after West gains his independence from Saint. Willa knows that Fable is in love with her brother, and she warns her that she might not “be able to keep [her]self from cutting [Fable’s] throat” if he dies because of her (321).
The Marigold sails to Dern. Fable feels a mixture of hope and nerves as she prepares to make her first trade as part of West’s crew. West, Fable, and Paj split up in the merchant’s house. Fable exchanges a few gems at a time for coins. Last of all, she trades an extremely rare black opal for 250 coins. The gem merchant advises her, “Don’t know what you’re up to, but you’d better be careful” (328). Filled with relief, she rejoins West and Paj and rejoices in the knowledge that the Marigold and its crew will soon be free from Saint.
The crew purchases porcelain plates, cutlery, and a lavish feast. Willa proposes a toast to Fable, and everyone drinks heartily. Fable asks West why the ship is named the Marigold, but he evades the question. He excuses himself from the feast, and Fable follows him to his quarters. West admits that he’s worried about the changes taking place in the Narrows and that he isn’t certain that gaining his freedom is worth losing his alliance with Saint. He admits, “I think I’ll always feel like I owe him. Even if I pay the debt” (333). West explains that he named the ship after his younger sister, who died when she was only four. He once stole from a dying man to feed Willa, and he snuck her onto the vessel where he was working to try to protect her from the illness that killed Marigold. He also tells Fable that he burned down a merchant’s warehouse in Sowan because Saint ordered him to. The golden ring that he gave Fable to trade for Willa’s dagger once belonged to his mother. West offers to tell Fable anything she wants to know, and she becomes concerned that he’ll be afraid of her if he gives too much away. In reply, he says that he’s loved her since they first met on Jeval and that losing her is the only thing that frightens him. She promises, “Don’t lie to me and I won’t lie to you. Ever” (337). Fable and West sleep together.
The next morning, Fable wakes up before West. Auster sees her leaving the helmsman’s quarters, but she trusts him to keep her secret. Fable leaves the ship and heads into Dern. To her surprise, she finds Saint in a tavern. He urges her to leave seafaring behind before it claims her life the way it killed her mother. She argues that she’s proven herself by escaping Jeval and becoming part of a crew. Saint gives her some more context about why he abandoned her on the island: “I swore to your mother that I would keep you safe. There is nowhere more dangerous in this world for you than being with me” (343). In addition, he warns her that West isn’t who she thinks he is and laments, “You were made for a far better world than this one, Fable” (344). She gives her father a hug and a kiss before she leaves the tavern, sensing that she will never see him again. He sheds tears during their parting.
Fable goes to the gambit and buys back West’s golden ring. On her way back to the Marigold, Zola stops her. He knows that she’s Isolde’s daughter because of the resemblance between them. Fable tries to fight her way to the harbor, but Zola’s men catch her and beat her unconscious.
When Fable regains consciousness, she is bound to the mast of Zola’s ship, the Luna. To her horror, she sees Clove, whom she trusted like family and believed to be dead, among Zola’s crew.
In the novel’s final section, Fable achieves her goals by embracing her family’s legacy. Both Fable’s scar and the Lark serve as motifs of the theme of The Significance of Familial Legacy, and they intersect when she navigates Tempest Snare to reach the shipwreck. Using her scar to guide the Marigold empowers Fable to make meaning from her pain. In a similarly affirming way, claiming the fortune that sank with the Lark allows the protagonist to use pieces of her old life to start a new one for herself and her crew. Fable feels her mother’s presence when she returns to the place where her mother died: “There was something about the stillness that made it feel as if she were still down there” (309). She utilizes the dredging skills and gem sage abilities her mother taught her to claim her inheritance. Carrying on her mother’s legacy helps Fable face her painful past and build a brighter future for herself and her found family.
Fable’s inheritance allows the characters to progress on The Quest for Autonomy, but Young adds nuance to the theme by revealing the unexpected consequences of their newfound liberty. Hamish estimates that “a quarter” of the treasure is “more than [they] need to pay the debt to Saint and square up with the merchants at each port” (317). In the world of the Narrows, people’s freedom largely depends on their financial resources, and paying off the debt to Saint would allow the Marigold’s crew to set their own course both literally and figuratively. The lavish feast that the crew eats off of “hand-painted porcelain plates and real silver cutlery” expresses their great joy at their improved circumstances and affirms that their freedom is something to celebrate (330). The tongue-in-cheek toast that Willa makes to their “bad luck charm” highlights how Fable’s relationship with the crew has changed as greatly as their finances. The toast also recognizes how instrumental Fable is in their progress toward autonomy. However, the characters’ newfound wealth does not net them a simple happy ending. West’s anxious observation that it may be better to keep Saint on their side rather than gain independence from him builds up suspense for the next installment of the series and resumes the story’s examination of independence versus interdependence. Young presents autonomy as an important goal that comes with risks and challenges, which plays into the novel’s genre as a maritime adventure set in a treacherous world.
Fable and West’s relationship is a source of both healing and danger for the protagonist, which mirrors the tension between The Perils of Attachment Versus the Need for Belonging. By allowing Fable to guide the ship through Tempest Snare, West illustrates how their relationship has grown over the course of the novel: “I’d thought he didn’t trust me, but what he was doing now had required every bit of his faith. He was putting the fate of the crew and the Marigold into my hands” (303). The characters’ confidence in one another allows them to claim the treasure and lays the foundation for the physical and emotional intimacy they share near the end of the novel. Fable and West’s first kiss marks a key moment for the plot and the theme of belonging. In the cutthroat world of the Narrows, they find love despite the odds and discover a temporary sanctuary where there are “[n]o secrets or lies or half-truths” (313). The setting of their first kiss is significant because Fable describes the Lark as the “only world where [she’d] ever belonged” (313). The protagonist’s romance with West becomes a new source of belonging that helps her to heal from the traumatic loss of her first home.
Although Fable and West’s love defies the perils of attachment, they are still ensnared by secrecy and danger. For example, Fable resolves to keep their kiss a secret even from the crew that she trusts with her life: “I wouldn’t bring the moment up here, to this world, where it would be crushed beneath the weight of the Narrows” (316). This crushing weight is a fitting metaphor for the perils of attachment in a world where every genuine connection is treated as a weakness to exploit. The novel’s ending advances the theme because Fable is alone and vulnerable to Zola’s attack because she cares about West enough to retrieve his mother’s ring. The protagonist’s peril proves that there is some truth to her society’s warnings against attachments and provides a cliffhanger ending to generate suspense for the next installment in the series.
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By Adrienne Young