56 pages • 1 hour read
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One Thousand and One Nights—or 1,001 Nights, as Daniel stylizes it—is a real collection of Middle Eastern folk tales as told by Scheherazade to the king to preserve her life. Daniel sees himself as Scheherazade, telling the stories of his family and his life to his reader, the king, who we later surmise to be Mrs. Miller, his teacher, though readers of Everything Sad is Untrue, also take on an important role as king in this text as well. Daniel wishes to impress readers, to immerse them in his stories so that they better understand him and where he came from. He wishes so much for readers to see him as human.
The stories are important throughout the novel. Daniel thinks about stories as a way of his remembering the past, but it becomes clear as the novel goes on that Daniel wishes to pull his readers in close to show his humanity and to erase the feeling of difference between himself and his readers. He loses confidence at different points, and yet, after seeing his father weaving stories of the dastan, the story land, for his class, his belief in stories as points of connection is renewed. This renewal inspires him to continue like Scheherazade, bringing readers to the end in which he, his sister, and his mother sit in a motel room, once again ready to start anew.
Daniel mentions the videogame series Final Fantasy throughout the novel. It provides a bridge between his stories of Persian myths and legends and the present of his life in the United States and the contemporary games that he plays, like Final Fantasy. He likens his mom to “[t]he power beam you get when you hit level-99 in Final Fantasy and learn the Ultima spell that goes through the crust of the planet like it’s a crust of pie” as a way of understanding how she is an “unstoppable force” (311). It is another lens of connection between him and those he is in class with, and it shows a link between his past and present and the remaining manifestation of fantasy in that present.
Final Fantasy is also subtly referenced in the quotation from the novel that gives it its title. Daniel describes it as part of how his mom has been able to persist, despite the hardship. There is a feeling of anticipation, a “hope that some final fantasy will come to pass that will make everything sad untrue” (346). The fantasy, for him, is a dream of better future.
Religion enters at key points in the novel, and it is the main reason that Sima fled Iran with Daniel and Dina. It begins with Sima’s mother, who is also an exile and who lives in England. She becomes a Christian after her exile and is the one who suggests that the person that Dina imagined after having her hand slammed in a door was Jesus. Sima attends the wedding of her sister at a church, and this inspires her conversion. However, because it is illegal to be a Christian in Iran, and she continues to practice in an underground church, she is hunted by the secret police. This is what makes Massoud, Daniel’s father, posit that “it was religion that ruined everything” (200).
Additionally, the church in the United States also wields a strong influence over the family’s life. When Sima discloses to their pastor that Ray has been beating her, the pastor tells her to divorce him. However, once Ray repents, the pastor suggests that they remarry, especially since Ray can provide another income. This influence continues to place Sima at risk for Ray, something that her children eventually stand up against and inspire Sima to flee, as she does at the end of the novel.
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