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Gilda begins suspecting that Barney murdered Grace. She follows him home and spies on him. His home is in disarray since his wife died, and he can barely make food to feed himself. Gilda is almost caught by Barney’s daughter, which leads Barney to believe a stranger almost robbed his house. She then makes fake social media accounts to stalk Barney and his family. When Gilda realizes that Barney can barely dress himself, let alone feed himself or kill an ant, she realizes he couldn’t have murdered Grace.
Gilda continues pretending to be Grace in her email exchanges with Rosemary. The police arrive at Gilda’s door one night while Eleanor is over, and take Gilda in for questioning. They found Gilda’s email exchanges with Rosemary and believe Gilda is a suspect. Gilda’s destroyed car and erratic behavior caused by her anxiety and depression are treated as evidence of guilt by the police, who exhibit ableism.
While Gilda is being interrogated, Eleanor learns about Giuseppe. Eleanor is convinced that Gilda has been dating a man behind her back and storms off. Gilda begins skipping work, and once again finds herself with no money. Later, the police bring a drunk Gilda back in for questioning and reveal that they’ve brought Rosemary as well. Gilda realizes Rosemary might learn the truth (about her impersonating Grace) and begs them not to tell her. The police put Gilda in jail temporarily as part of their investigation. While imprisoned, Gilda makes phone calls to every named character she’s interacted with to apologize and confess the reasons behind her behavior. Without warning, the police let her out one day. The police found Grace’s suicide letter (hidden in her romance novel) and have no reason to continue believing Gilda murdered Grace.
Gilda’s pondering of the Human Condition leads her toward a magical understanding of the world. She begins thinking of the world in terms of wonder, rather than clinical, detached terms, as a coping mechanism (and later, as a genuine change in perspective). Gilda views murder as a “dark magic” akin to monsters existing (179). Murder escapes the bounds of Barney’s statistics about which demographic is more or less likely to be a murderer. Instead, murder is framed as one of the few magical powers that people can access to alter the world—albeit in a gruesome way. Gilda’s transition toward viewing the world through the lens of magic helps her reconcile with the human condition. This lens makes mundane creatures like rhinos seem like dragons to Gilda; upon reflection, she is amazed that they exist at all (178-79). This perspective makes the world seem like a wonderful place instead of a dismal one lacking in meaning.
Gilda’s occupation with Grace’s murder takes a humorous and ironic turn when she herself becomes the prime suspect of the police’s investigation. Her time in prison (and prior fasting due to a lack of money) is an allegory for Jesus Christ’s 40-day period in a desert ignoring the temptations of Satan. This event serves as the basis for Lent, in which fasting and asceticism are seen as ways to resist sin—as well as a way to observe the grief of Jesus Christ before the celebration of his Resurrection (Easter). While imprisoned, Gilda sees an ant searching for food. The ant causes her to reflect on her neglect as a partner, friend, and pet owner, as she can’t feed the ant. She believes she has nothing to offer; she “can’t muster the energy required to be a positive part of anyone’s life” (218). Gilda feels she needs to demonstrate her own shortcomings to the ant, but when she empties her pockets, she’s “surprised when crumbs fall out” (218). When Jesus finished his fasting in the desert, he began his public ministry. Similarly, Gilda realizes she does have something to offer others: The crumbs are more than enough to feed the ant. Likewise, Gilda cares for her loved ones and with some effort, can express this love verbally and honor that of others. Gilda’s encounter with the ant helps her reevaluate her own existence, her own worth. Her dishonesty with herself and what she wants has fueled her belief that she’s worthless. For example, Gilda feels she has little to offer Eleanor because she’s spent so much time worrying about Giuseppe and her persona at church. Reduced to an ascetic life in a jail cell away from her inauthenticity, Gilda realizes there’s an authentic Gilda underneath to embody and give to the people in her life.
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