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Ray delves into Daddy’s personality, portraying him as possessing a mind both brimming with talent and damaged by mental illness. Ray opens by describing what she sees as Daddy’s “native genius”—his craftiness and ability to fix machines with unusual and unique methods. For instance, Daddy invents a tool for cutting corn off the cob from a metal pipe. He also welds a variety of truck parts together into a structure for supporting grapevines. Such inventiveness with machines, and willingness to recycle from old parts, makes Daddy a “bricoleur” (89), which is a person who sculpts or creates with whatever’s around.
At the same time that Daddy’s mind displays intelligence with machinery, it is also plagued by severe mental illness. The most severe form of Daddy’s mental illness comes on one day when Daddy is at a gun show with his friend, Mr. Paschol. While there, Daddy begins to lose control of his body, as well as hallucinate. Ray and the family later suspect that Mr. Paschol drugged Daddy with LSD, though they are never able to prove it as Mr. Paschol is “never seen or heard from again” (92).
Though Mama hopes that Daddy will recover with time and rest, he remains in a delusional state. At his lowest point, he locks the entire family up in a bedroom, leaving them there for hours and refusing to feed them. After much pleading, Daddy allows Mama to retrieve food from the freezer. However, he demands that Mama only remove one package of food with her eyes closed, as “that’s the way God says to feed the children” (93). Despite these conditions, Mama retrieves a package of frozen peaches for the children. Ray’s grandmother eventually calls the sheriff to check on the family, who then brings Daddy to the state hospital at Milledgeville. Though the doctors believe Daddy will never recover, Daddy slowly returns to his former self after Mama and the children’s repeated visits.
This chapter describes the causes of the logging and destruction of much of Georgia’s longleaf pine forests. In the period after the Civil War, the U.S. begins a number of new construction projects as the country expands westward. Among these is the construction of new railroads, which rely on great amounts of lumber to operate. As “wood-burning locomotives” (99) spring up across the United States, lumber mills begin chopping down any available forests—including Georgia’s longleaf forests—to supply the trains with fuel. Ray’s paternal great-grandfather, nicknamed Pun, first arrives in Georgia in the early 1900s to work in one of the new lumber mills. Afterwards, Pun works as a land surveyor, dividing the land up so that more of it can be logged. Ray describes her sense of shame and guilt over how her great-grandfather played a part in the destruction of the Georgia longleaf pine forests.
Ray describes her father as a Christian fundamentalist who believes that one’s entire purpose in life is to “use the Bible as a field guide” (105) and follow God’s divine will. Growing up, Ray’s entire life is focused around religion, and she and her siblings are forced to live a devout lifestyle—forbidden from having friends, competing in sports, or reading the news. Daddy belongs to the Apostolic Church, which follows the teachings of a preacher based in Philadelphia called Bishop Johnson. Apostolics such as Daddy believe that Bishop Johnson is God’s 13th apostle. Daddy forces the family to travel each week to the closest Apostolic Church, located two hours away in the “dirty port town” (108) of Brunswick. Ray and her family are some of the only white worshippers in Brunswick’s largely black congregation, which she feels makes them stick “out like sore thumbs” (108).
During church services, Ray entertains herself with daydreams of caring for a baby. At 12, Ray is baptized in the church, an act she willingly chooses as she hopes that being baptized will allow her to “start over and never sin again” (113). Ray and her family are so devout that they fast two days out of a week, abstaining from food and drink during the day to show their commitment to God. During summers, Ray’s family fasts for a period of 40 days to “honor those [fasts] of Jesus” (117). Ray’s family often gathers at night and chants Jesus’s name together, hoping to be “filled with the Holy Ghost” and begin “speaking in tongues” (118). However, Ray is fearful of the Holy Ghost, as the sight of people speaking in tongues reminds her of how her father behaved when in the throes of his mental illness. Despite this, Ray believes religion teaches her to value the spiritual world over the material and natural world that surrounded her: “For me, the chance to be simply a young mammal roaming the woods did not exist” (121).
Ray discusses clearcuts, whereby people chop down every tree in a section of a forest. To Ray, such clearcuts go against God’s will and cause Him to wonder what went “wrong with his creation” (123). Ray then discusses the attempts to replant trees and forests in areas that have been clearcut. Such replanting attempts fail to recreate the previous diversity of the forest, as all the trees are planted in a systematic fashion, and are of the same age and type. Further, the trees on these “pine plantations” are planted too closely together, creating a forest that is too dark for woodland creatures to inhabit.
Ray relates several anecdotes about herself and her father that relate to “how the heart opens” (127)—or how an individual learns to feel care and empathy for the world around him or her. Ray describes how she first becomes interested in plants and ecology through a 4-H competition in which she has to research carnivorous plants. She grows several carnivorous pitcher plants in a patch of the junkyard for the competition, and in the process becomes deeply enamored and fascinated by all plant life.
Ray contrasts her own interest in plants with her father’s ambivalence towards nature, which he regards as gratuitous. In spite of this, Daddy often evinces a secret desire to care for animal life. Ray relates several instances where her father attempts to heal injured animals. After accidentally stomping on a toad, Daddy uses a thread and needle to stitch the toad’s stomach, but the toad nonetheless dies. In another instance, Daddy takes in a heron with a broken leg and wing, naming the heron Clyde Scoggins. Daddy cares for Clyde over several months as its injuries heal, and then builds a small home for Clyde by the pond. Ray sees Daddy’s drive to heal animals as originating from his same “desire to fix things” (139) that motivates his junkyard business. On one occasion, Ray and her siblings watch as a neighborhood kid cruelly stomps a toad to death. Afterwards, Daddy beats Ray and her brothers, telling them of the importance of caring for all forms of life. Though Ray recognizes that the punishment comes from good intentions, she “vow[s] never to hit a child, not even my own” (136).
Ray details the wide array of animal species that live in longleaf pine forests, which includes pocket gophers, blue-tailed mole sink, and eastern diamond back rattlesnakes, “the largest venomous snake native to North America” (141). As these animals have slowly evolved to live together in the longleaf pine forest environment, the rampant logging occurring in the forests threatens their survival.
Though Ray’s paternal grandmother, Clyo, is initially deeply in love with Charlie, she only harbors feelings of anger towards him after he leaves the family. Clyo then sets about raising their eight children by herself. The lingering effects of the Great Depression leave many families in the South, including Clyo’s, “mired in poverty” (143), and Clyo’s father grows up with “nothing.” Clyo seeks to earn money to support her family through a myriad of ways. She applies for welfare, but Charlie refuses to sign the papers, saying that he can raise the children in Florida. As a result, the welfare office chooses not to give Clyo money. Clyo then works at several jobs, including working in a cotton farm and cooking in Baxley’s Greasy Spoon Café. Clyo also continues to operate a moonshine business that she and Charlie had begun during the Prohibition era. Clyo manages to stay out of trouble with the law as the Baxley sheriff warns Clyo when federal officers are coming to inspect her. However, on one instance, the federal officers do not alert the sheriff of their visit. They capture Clyo, who is arraigned in court, and Clyo ceases selling moonshine.
Though Clyo holds lingering feelings for Charlie, she never speaks to him after he leaves her. However, she will cook food for Charlie whenever he comes to town, though she has the children deliver the food to him. As Clyo grows older, she suffers from health problems—in particular, from being overweight. Though the doctors prescribe a variety of pills to help Clyo lose weight, she is unable to as she lost her willpower from years of raising a family by herself. In her old age, Clyo begins to zealously watch television evangelists, in hopes that their preaching might help her “be whole again” (148). Daddy brings Clyo to live with him and attempts to force her to exercise and lose weight, but his attempts prove futile. Granny passes away soon after. Daddy does not attend the funeral, as funerals are forbidden by his Apostolic church.
Ray visits a virgin longleaf pine forest, which is kept intact because the wealthy use it as quail-hunting grounds. As such, the forest is a valuable resource to ecological researchers who hope to study the ecology of the longleaf pine forest and preserve similar forests in other areas. Ray describes the forest as both a blessing and a miracle. On her visit to the virgin forest, Ray sees for the first time a red-cockaded woodpecker, an endangered species that is uniquely adapted to the longleaf pine forests. The continual logging of these forests has threatened the livelihood of the red-cockaded woodpecker, and its numbers have fallen from several 100,000 to “some four thousand five hundred” (152), despite its status as an endangered animal. The red-cockaded woodpecker creates holes in longleaf pine trees known as cavities, living for their entire life in a single cavity. Groups of two to seven woodpeckers form intimate social structures, working together to forage for food from the surrounding landscape and raise young. The red-cockaded woodpecker requires a large landscape to live within, so that “an individual from a nearby group [of woodpeckers] can fill the gap” (154) when one woodpecker dies. Researchers believe it is crucial to protect the red-cockaded woodpeckers and their habitats over a large expanse of land.
In this section, Ray explores causes of conflict with her family, such as her father’s mental illness and his strict religious fundamentalism. Ray often speaks of her father with loving, admiring descriptions, emphasizing his deep empathy for others and his inquisitive nature. However, Ray’s father is also a disciplinarian, forcing Ray into a religious upbringing that profoundly shapes her worldview.
In Chapter 11, Ray discusses the spiritual hierarchy she learned through Apostolic teachings. For Christian fundamentalists like Daddy, humans exist to follow God’s will, with the hope that they will be welcomed into heaven. As such, actions on Earth only matter insomuch as they will affect one’s life after death. Ray notes that such a worldview places humans in a hierarchy above the natural world: “in this ideology, humans are spiritual in a way that plants and animals can never be, and they hold dominion over the earth as long as they bow to God’s will” (120). For Ray, such a religious belief ultimately treats Earth and the natural world as unimportant and disposable, encouraging humans to use and exploit the land as they see fit. As a result, Ray spent her childhood so consumed by the need to enter heaven that she never had “the chance to be simply a young mammal roaming the woods” (121).
In spite of her criticism of Christian fundamentalism, Ray also uses religion to argue for preserving the Earth’s natural ecosystems. In Chapter 12, Ray describes the act of making a clearcut, in which a forest is completely logged and destroyed. In Ray’s writing, clearcuts become religious sins against God: “God doesn’t like a clearcut. It makes his heart turn cold, makes him wince and wonder what went wrong with his creation, and sets him to thinking about what spoils the child” (123). In this passage, Ray refers to the Book of Genesis, which describes how God created the Earth and believed it to be good. Ray’s echoing of Biblical language argues that human intervention in the landscape contradicts God, as it suggests that God’s creation is less than perfect. By drawing upon religious themes, Ray proposes an alternate understanding of Christianity: one which treats the natural world as divine and worthy of respect, rather than as disposable and lesser than humans.
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