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49 pages 1 hour read

Confederates In The Attic: Dispatches From The Unfinished Civil War

Nonfiction | Book | Adult | Published in 1998

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Chapters 11-13Chapter Summaries & Analyses

Chapter 11 Summary: “Georgia Gone With the Window”

While for much of Confederates in the Attic Horwitz has alluded to the mythology surrounding the Civil War, Chapter 11 immerses the reader into the murky waters that have since helped to blur the image of Civil War reality and Civil War fiction. Journeying to Atlanta, Horwitz discovers a city that seems at odds with many of its Southern neighbors such that it is described as “what a quarter million Confederate soldiers died to prevent” (283). Unlike other Southern cities that had begun as port cities, “Atlanta began only twenty-four years before the Civil War as a railroad point…” (284), and never truly had much of that “moonlight-and-magnolia city” (285) flare.

According to some, the root discontent with Atlanta is that it is a city that is too Northern in style and scope: “People here still have a rural mentality. They want space […] no matter how many Northerners flocked to Atlanta, an essential Southernness would endure” (290). However, in Atlanta, unlike many other Southern cities, “there was not much demand for traditional Confederate history” (296); therefore, many of those who do make their way into the area spend most of their time on the hunt for anything that could be remotely related to Margaret Mitchell’s Lost Cause Epic Gone With the Wind, which “had done more to keep the Civil War alive, and to mold its memory, than any history book or event since Appomattox” (296).

After leaving Atlanta proper, Horwitz embarks on a pilgrimage to discover whatever he can pertaining to Gone with the Wind, whether it be a Scarlett O’Hara impersonator or the dusty back roads of Tara, where some claim to know the exact locations that Mitchell used in her book. However, on a rather somber and symbolic note, it turns out that Mitchell had gone to great lengths to make sure “that the scenery she described was indeed fictional” (311), thus once again highlighting another example where true history and public myth make the realities and fantasies of the Civil War difficult to separate. 

Chapter 12 Summary: “Georgia Still Prisoners of War”

Following his whimsical Gone with the Wind tour, Horwitz continues on with his theme of trying to separate the realities of the war from the fictions that have sprung up since. In this particular situation, he focuses on two notorious aspects of the war from the Georgia campaign, Sherman’s “March to the Sea” (312) and the prisoner-of-war camp in Andersonville. Both of these strike Horwitz as ripe for exploration: “since my arrival in Georgia I’d been doing some reading. Once again, I learned that much of what I’d absorbed of the Civil War was more mythic than factual” (312). However, while attending a reading by an author named Mauriel Joslyn, Horwitz goes on to see that old images die hard, as the woman spends part of the evening playing a game where she reads passages about war crimes and has the audience guess whether they were perpetrated by Union soldiers or by the Serbs in Bosnia (313-14). Despite this rather polarizing aspect of Joslyn, Horwitz later visits her at home, where he finds that she has curated a large amount of letters from prisoners and women—correspondences which she finds quite insightful on the psychological and human aspects of the war (216).

Furthermore, Horwitz tours Andersonville, a place that has been shaped in his memory by “the victors…who wrote the history of Andersonville” (326). And though he tries to get to the heart of it, Andersonville highlights yet another problem with trying to get to the facts regarding the history of the Civil War, since “if the traditional, Northern-slanted history of Andersonville was filled with exaggerations and omissions, so too was the version offered by Southern apologists” (327). In particular, Horwitz speaks about the commandant of the camp, Henry Wirz, who was hanged after the war for war crimes resulting from the fact that 13,000 Union soldiers died in the camp (325).

Still, one of the most unique moments of the book comes when Horwitz discovers the city of Fitzgerald, “Georgia’s Yank-Reb City” (331), where former Confederate and Union soldiers formed a town and lived side-by-side after the War’s end, one of the few examples offered in the book of people truly coming together after the Civil War to create a new and better society, where “[b]lood that mingled in bitter conflict was here united in brotherhood” (334).

Chapter 13 Summary: “Alabama Oldest Living Confederate Widow Tells Some”

Chapter 13 finds Horwitz in the Alabama town of Elba, where he meets with the oldest living Confederate widow, a charismatic and feisty woman named Alberta Martin. Martin’s story is quaint, but also highlights the massive hardships present for those living in the South in the years following the Civil War, such that when she was proposed to by William Jasper Martin, a man sixty years older than her, she readily accepted, telling Horwitz, “Better to be an old man’s darlin’ than a young man’s slave” (341).

Apart from interviewing Alberta, Horwitz speaks to her younger sister, Lera, who also is of the opinion that she would “have married him [Jasper] too... fifty dollars a month was a lot of money in them days…a woman didn’t have no choices” (347). In speaking the of “fifty dollars,” Lera refers to the pension drawn by Jasper as a Confederate Veteran. Chapter 13 seems to have its own, strange mood and feeling; devoid of the romance or nostalgia that seems to inform much of Horwitz’s encounters, these moments are the some of the closest to actual history that he seems to come to. 

Chapters 11-13 Analysis

Chapters 11-13 are each united in their theme of the idealized memory of the Civil War versus the actual reality of what occurred. Horwitz uses these chapters to explore the ways in which the popular consciousness of the Civil War seems to be presented in stark contrast to the actual events and locations that populate much of the mass consumption of the Civil War. When dealing with Gone with the Wind, possibly the most ubiquitous and well-known of all Civil War Lost Cause Romances, Horwitz takes great pains to show how most of what Margaret Mitchell described was a fantastical world of her own making that bore little to no resemblance to the actual Todd County on which it was based. In doing so, he highlights one of the possible reasons why the book and film are so widely beloved: because it allowed for the romantic image of a world gone by to be sanitized and to be presented in a simple form that offered an escapism from the difficulties of the time. This notion of escapism is something that has already been touched upon by Horwitz, but here he fully exploits the notion and shows how the memory of the Civil War has itself become an international industry fueling interest, study, and tourism that is often not based on the facts but on one woman’s romantic recreation of a time she never even personally experienced.

This is paralleled by Horwitz interviewing Alberta Martin, “the oldest Confederate widow,” whose story attests not to the great romance of the Lost Cause, but to the actual poverty and destitution that ravaged the South following the Civil War’s end. In doing so, he highlights the true, human cost of the War and removes all elements of fantasy from its remembrance. And while Alberta is a feisty and plucky character, she is also a tragic figure whose life was shaped by the time and place in which she lived, thus limiting her options and opportunities. Struggle and love become dominate themes as Horwitz discusses the lives of Alberta and her sister, Lera, as well as when he explores the archive of letters held by Mauriel Joslyn, which provide an insight into the human side of the war that no experience at a battlefield can ever hope to do. More than anything else, Chapters 11-13 humanize the war and bring home its excessive tragedy by stripping away the veneer of chivalry and gallantry that is too often the first image associated with the conflict. Instead, these chapters lay bare the misery, suffering, and poverty that were indeed the actual legacy that the Civil War left many citizens of the South. 

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