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Chaos does not impact only the fields of meteorology or physics; it also resonates among ecologists, especially in predicting populations. The traditional Malthusian model—named for 18th-century economist Thomas Malthus—allows for only exponential growth. This does not match what actually happens in nature, however, so ecologists began looking to other equations to explain the varying rates of growth and decline. Into mid-20th century, scientists continued to look for stable patterns rather than acknowledge the instability or unpredictability within complex natural systems.
James Yorke, a mathematician introduced to Lorenz’s ideas, began to see that many scientists, especially physicists, had been trained to ignore what he would consider “chaos.” They studied differential equations which, for the most part, “cannot be solved at all” (67). That is, these equations have no relationship to actual, natural systems, and they cannot be applied to real-world problems, like fluctuations in population numbers. Yorke observed that the mathematical aberrations within a given experiment were often dismissed as mere “noise” or as flaws within the methodology. Instead, he suggested that the disorder expressed by a given experiment is part of what is necessary to understand the system being observed. He inadvertently bestowed a name upon this new way of examining systems in his paper “Period Three Implies Chaos” (69).
Enter Robert May, a physicist turned biologist, who became interested in how to understand fluctuations within animal populations holistically. That is, he wanted to understand the underlying principles within nature that dictate how populations expand, contract, and become extinct—not just within one particular species. In his experiments, with the assistance of computer modeling, May found “windows of order inside chaos” (74). As he increased the value of a parameter—in this instance, the cycle of boom and bust that occurs in many wildlife populations—the system grew more unpredictable. The higher the parameter, the faster the system changed, and with that increase in value/speed, the rate of population growth began to bifurcate and then turn chaotic. However, within that seeming disorder were discernible patterns that repeated. That is, within population fluctuations, randomness coexisted with a pattern suggesting stability and structure. Pure, abstract math did not quite reveal the complexity of reality.
May began to see resonances in other fields, lending credence to his observations, as well as potentially revolutionary insight about nature itself. Before, ecologists were split between seeing population growth as essentially orderly “with exceptions,” or as essentially erratic “with exceptions” (78). What May endeavored to reveal is that both visions are accurate and simultaneous. In addition, he slowly realized that the models he was using, mathematically simple as they were, underpinned much of the nature of how the universe itself works. These revelations were not limited to ecology, biology, or understandings of population growth. The idea of chaos—that order can be found within disorder, and vice versa—could be applied across the scientific spectrum.
Benoit Mandelbrot began to question the standard scientific method of using the bell curve to track averages within systems, particularly economic systems. His research and intuition led him to believe that the geometric patterns of dynamic systems were far more complex. Economists habitually dismissed small fluctuations in prices or demand in favor of looking for larger patterns; the first were random, and thus insignificant, in comparison to long-term trends. However, as Mandelbrot and others showed, both short-term inconsistencies and long-term trends are crucial to understanding how a system works as a whole. Mandelbrot’s breakthrough, using IBM’s early computers, was discovering that measurements looked different at different scales. What appeared to be random when viewed at large scales actually showed a clear pattern when viewed at smaller scales. Additionally, Mandelbrot believed that this phenomenon did not just appear in economics but was a “signature” of nature, of natural systems (86).
Mandelbrot was something of an iconoclast throughout his career, defying specialization. After analyzing economic data, he tackled another problem of specific concern to communications (and thus to IBM, his employer): the noise that inevitably occurred during transmissions. Mandelbrot argued that tracking this supposedly random noise would reveal a consistent pattern: Within the bursts of noise, periods of noise-free transmission would always occur. This can be explained mathematically using an abstraction called the Cantor set, named for 19th-century scholar Georg Cantor. Essentially, the Cantor set exemplifies fractal time, showing that within every localized time frame (hours, minutes, seconds), the amount of noise to the amount of clean transmission remains constant. Thus, as in May’s experiments with population numbers, Mandelbrot’s theories suggest both discontinuity and constancy within dynamic systems.
Mandelbrot then turned his attention to geometry. Traditional Euclidean geometry represents shapes as ideal, consistent and mathematically stable. This kind of geometry, Mandelbrot claims, bears no resemblance to the geometry of nature, of natural systems, which is “rough, not rounded, scabrous, not smooth” (94). Mandelbrot extrapolates from this notion to propose the question about the length of coastlines: Any coastline, he argues, is infinite; the smaller the scale of measurement, the more twists and turns one can find in the irregular geometry of the border. The land mass it contains, however, is finite. Thus, Mandelbrot’s geometry is fractal, containing a finite area within an infinite boundary (See: Index of Terms). Another demonstration of this natural geometry is the Koch snowflake, wherein each arm of the snowflake can branch into an infinite number of smaller branches while remaining basically consistent in area. Fractals are “self-similar,” reproducing patterns within patterns in a “recursive” manner (103). Mandelbrot derived his intuitions from common-sense observations, as in the “infinitely deep reflection of a person standing between two mirrors” (103).
Christopher Scholz began using Mandelbrot’s ideas to describe geophysical properties, such as the earth’s surface (which ultimately helped in understanding earthquakes). When viewed from a great distance, the earth’s surface appears smooth and uniform; however, the closer one gets to that surface, the more one observes the nooks and crannies, the crags and bumps. That uniform surface begins to appear randomly chaotic. Using fractal geometry, Scholz observed that “surfaces in contact do not touch everywhere” (106). The irregularity of surfaces prevents that kind of uniformity; thus, fluid can always flow in between miniscule crevices. Like Humpty-Dumpty, a broken cup can never be put back together again; there will always be gaps, even if the cup looks whole from a distance. To Scholz, fractal geometry “gives you the mathematical and geometrical tools to describe and make predictions” (107). It functions better than traditional Euclidean geometry in understanding the dynamic processes that make up the earth’s surface.
Fractal geometry shows up everywhere in nature: in blood vessels, which endlessly branch, and in forests, where trees produce fractal leaves. These fractals appear overly complex only in comparison to Euclidean geometry. While other scientists sometimes derided Mandelbrot, it became clearer over time that his geometric revelations were better suited to understanding natural systems than Euclidean geometry. The importance of scaling became key to the science of chaos. This trend in science echoed larger trends in the culture during the 1960s and 1970s, as art and architecture left strictly Euclidean shapes behind and a yearning for a return to the wilderness gained strength in the face of modernity.
In contrast to Mandelbrot’s approach to understanding nature through fractal geometry, physicists wanted to understand the underlying forces; not what structures look like or how systems behave but why. Turning to the problem of turbulence allows for another way of understanding how complex systems work. Turbulence is problematic because it “is a mess of disorder at all scales” (122), not to mention that the border between stability and turbulence appears highly unpredictable. Theoretical physicists had arrived at this understanding but could get no further.
Physicist Harry Swinney, however, wanted to experiment with actual materials. He wanted to understand more about phase transitions, as when a liquid turns to gas or when a smooth system becomes turbulent. He constructed an experiment to show the flow of water across cylinders; previous theories had suggested that as the rate of flow increased, so would the frequency, in tandem. However, Swinney’s experiment revealed that, after a certain point, the increased rate of flow produced chaotic frequency; “no gradual buildup of complexity” (131) occurred. The theory did not match the reality.
David Ruelle, a Belgian physicist, was also working on this problem. He and a colleague had published a paper in which they proposed the existence of something they called a strange attractor (See: Index of Terms). Within phase space—wherein a dynamic system is captured as a single point in one moment of time—the strange attractor pulls the system toward it. Phase space allows for motion to be explored more fully, illuminating dynamic systems with more clarity. Turbulence suggests that dynamic systems contain “infinite modes, infinite degrees of freedom, infinite dimensions” (137), and thus infinite possibilities for chaos. Thus, such a process remains unmeasurable unless one uses fractals. The strange attractor becomes the stable point around which the infinitely dynamic orbit coalesces within a finite amount of space. This is demonstrated by the Lorenz attractor, which shows the infinite looping of an orbit that would never intersect: It looks somewhat like a set of butterfly wings, which is why Lorenz called it the butterfly effect.
In attempting to look more closely at strange attractors, scientists began to use Poincare maps, which take a section of the orbit and turn it into a set of points. This begins to reveal the order in the seeming disorder within the loops, their fractal structures. In looking at the solar system using computer models, scientists discovered that the orbits of the planets were irregular; in fact, sometimes these orbits became so unstable that it looked as if the planets might fly off into space. However, they always seemed to reorient back to some point. The irregular system had “clear remnants of order” (147). Strange attractors explain this. When examined more closely, what at first appear to be single lines in the orbits are actually pairs, and within these pairs are more pairs. Like nesting Russian dolls, an infinite sequence of lines exists within the orbital shape. This shape is that of a strange attractor, “the trajectory toward which all other trajectories converge” (150). Order exists within apparent disorder; the infinite is constrained within the finite. Randomness is not so random after all.
While the book does not use the word “ecosystem,” the underlying understanding of the interconnectedness of species is implicit: “The world makes a messy laboratory for ecologists, a cauldron of five million interacting species” (59). The more intersections one can map within a particular system, the more dynamic (and chaotic) the whole, highlighting the theme of Interconnectedness and Universality: Both the Part and the Whole. This messiness—a hallmark of complex dynamic systems—often stymies attempts to understand how a system works within the framework of traditional mathematics, physics, ecology, or economics, as Gleick emphasizes throughout these chapters. Indeed, as he notes in Chapter 3, it simply “did not occur to the ecologists that there might be no equilibrium” (64) within population fluctuations. Before the revelations of quantum mechanics in the early 20th century and then chaos theory in the latter part of the century, most scientists were invested in looking for order: “The whole point of oversimplifying was to model regularity. Why go to all that trouble just to see chaos?” (65). This desire for order, as “its own reward” (65), became destabilized by chaos theory’s increasingly complex understanding of dynamic systems.
As James Yorke, who inadvertently bestowed this revolutionary science with its name, understood, academic tradition emphasized the study of solvable equations and intelligible problems: “Nonlinear systems with real chaos were rarely taught and rarely learned” (68), but they are much more common in nature. In fact, “the solvable, orderly, linear systems were the aberrations” (68). Thus, chaos evolved to tackle nonlinear, complex, dynamic systems, revealing that, contrary to conventional belief, an underlying “deterministic disorder” governed how systems worked. That is, discernible patterns existed within apparent randomness, supporting the theme of Order in Disorder: The Preference of Nature.
In addition, the success of chaos science derives partly from its interdisciplinary makeup, as the theme of Interconnectedness and Universality: Both the Part and the Whole conveys. Instead of breaking fields (and systems) into their component parts, these innovative scientists collaborated and worked across disciplines in order to observe events from new perspectives. The interdisciplinary disposition of chaos science contributes to its investigations into the actual, rather than theoretical, nature of the world. As physicist-turned-biologist Robert May acknowledged, abstract mathematics could not capture the full reality of the complex world: “[T]he simple equations could not represent reality perfectly. He knew they were just metaphors” (77). As such, these metaphors could be extrapolated and manipulated for new applications. Even more astonishingly, May realized that his own explorations into chaos, with regard to population fluctuations, “had no intrinsic connection to biology” (80). This new science was uncovering some of the fundamental—and counterintuitive—principles of nature as a whole, ideas that often challenged or contradicted the “laws” of physics (entropy, for example) or the foundations of classical mathematics (like Euclidean geometry).
The order that was fundamental to “Platonic harmony” (94), therefore, has little connection to the complex dynamic systems that exist in reality. However, order exists within the seeming randomness of that messiness; while nature does not necessarily abhor a vacuum, as Aristotle held, it does often favor organization and pattern. That is, “trends in nature are real, but they can vanish as quickly as they come” (94). Thus, fractals reveal the patterns within the rough and irregular parts of an object or space, measuring those elements that defy regularity. When Mandelbrot claimed that “the degree of irregularity remains constant over different scales,” he was correct: “Over and over again, the world displays a regular irregularity” (98). Patterns crop up within initially chaotic observations, as the theme of Order in Disorder: The Preference of Nature explains. This opens the door for the concept of the strange attractor, a stable element within a finite space with an orbit that never intersects itself: “To produce every rhythm, the orbit would have to be an infinitely long line in a finite area. In other words […] it would have to be fractal” (139). Within this orbit, scientists would also find regular patterns within the irregular pathways. Nature was not essentially random; indeed, “[n]ature was constrained” (152). Anywhere that randomness in nature is detected, some kind of strange attractor may be at work.
Gleick’s analysis of the impact of fractal scaling anticipates the discovery of the concept of the “Wood Wide Web,” or the underground network that connects trees. Not only do patterns exist within the apparent chaos of dynamic systems, but an interconnectedness in nature is revealed when examining these patterns and echoes. Trees possess “fractal branches and fractal leaves” (110) similar to the fractal blood vessels within the human body. Not only can trees communicate with one another, and with other organisms living in the soil and the forest, but they also mimic the patterns found in other biological creatures (or, conversely, human physiology echoes the fractal patterns of trees): “Mandelbrot’s new geometry”—fractal geometry—“was nature’s own” (114).
In addition, Gleick notes that many chaos scientists felt connected to larger changes occurring within culture—for example, the tendency in art and architecture to move away from simplicity toward complexity. This observation coincides with “the peculiarly modern feeling for untamed, uncivilized, undomesticated nature” (117). While this may oversimplify cultural ideologies of the mid-to-late 20th century, parallels existed in political movements and events of the time. The Enlightenment desire to tame and control nature gave rise to the exploitation not only of nature and land but of people and policy. It does not seem coincidental that chaos science emerged at the same time that the processes of decolonization gave rise to the field of postcolonial studies. Both are repudiations of the conventional ways of exploring and understanding the world, supporting the theme of Chaos: The Science of Subversion.
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