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79 pages 2 hours read

Bleak House

Fiction | Novel | Adult | Published in 1853

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Character Analysis

Esther Summerson

Esther is the protagonist of Bleak House. She also narrates a large part of the novel from a first-person perspective. Esther’s narration reflects her character. At all times, she is modest, respectful, and self-deprecating. When remembering her childhood, she insists that she was not a clever youngster. She reiterates this throughout the novel, even as she demonstrates her superior emotional intelligence and common sense. Esther is keenly aware of her low status in society as a child born out of wedlock—a “disgrace” that her aunt, who raised her, impressed upon her—and she strives to ensure that no one could ever accuse her of having ideas above her station, assessing her own flaws and mistakes as objectively as she can.

In actuality, Esther tends to overestimate her failings, meaning that readers must look between the lines to get an accurate picture of her character. Furthermore, while Esther is a considerate narrator, she is not always forthcoming. Ironically, Esther is frank about this narrative sleight-of-hand: She tells the audience when she is withholding the identity of a character or the exact nature of an action. Doing so heightens the narrative tension around certain plot points, but it also indicates Esther’s modesty. Though she is the protagonist, she is almost an unwilling central figure in the story. She wishes to withdraw, to withhold herself from the spotlight in favor of her friends, her family, and those of a higher social standing than herself. Esther is riddled with doubts and cannot conceive of herself as an important or interesting person. Her hesitant narration is a product of her life, in which she has felt marginalized and unwanted; it also reflects the societal premium placed on feminine demureness. Nevertheless, Esther’s empathy and her emotional intelligence allow her to posit the motivations and desires of others with great accuracy, making her a reliable narrator where others are concerned.

Esther’s relationships are hugely complicated. Lady Dedlock is her unacknowledged mother; Jarndyce is her guardian, employer, and nearly her husband; she technically serves Ada while living at Bleak House but considers Ada her best friend. Esther’s sincerity and her good nature allow her to transcend rigid social boundaries. Even those who try to threaten her by revealing information—such as Guppy—fall in love with her. In a novel of self-interested characters, Esther’s kindness allows her to unwittingly re-write social expectations.

John Jarndyce

Jarndyce is a tired man. Of all the characters in the novel, he is the only living figure who shares his name with the lawsuit that dominates the narrative. His proximity to the case makes him the most cynical of all regarding its potential outcome. He has seen too many people become too obsessed with the case, and he knows better than to expect anything to come of the matter. His pained awareness of the lawsuit’s tempting nature unfolds to tragic effect in Jarndyce’s relationship with Richard. Jarndyce welcomes Richard into his home as a young man without parents, hoping that he can set Richard on a productive course in life. However, Richard develops the obsession that Jarndyce loathes; he gambles his present and his future on the outcome of a lawsuit that may never be decided. Jarndyce continues to care for Richard even after Richard breaks ties with him, but he ultimately saves Richard from what essentially functions as a family curse.

The other vital relationship in Jarndyce’s life is his bond with Esther, which is complex. At various times, Jarndyce is Esther’s benefactor, guardian, fiancé, employer, and mentor. Jarndyce brings Esther into his home with the promise that she can one day be his housekeeper. From there, he makes her his fiancée before finally arranging a marriage for her to Woodcourt. Jarndyce’s relationship with Esther is always mutually appreciative. They are genuinely devoted to one another, with Jarndyce appreciating Esther’s sincerity and goodness as an emotional counterpoint to the self-interest and the cynicism of the Jarndyce and Jarndyce case. Esther provides Jarndyce with a much-needed glimpse of a better world, and for this, he wants to help her in any way he can. However, where Esther sees Jarndyce as a father figure—she continues to refer to him as her “guardian” even after their engagement—Jarndyce’s interest in her is at least passingly romantic. That he ultimately sets aside his feelings to make her happy speaks to his kind and selfless nature.

Though Jarndyce is one of the most altruistic figures in the novel, he resents all forms of gratitude. Having grown up in the shadow of such a complicated and competitive legal case, Jarndyce has spent his life surrounded by desperate people only interested in money. In this crowd, every gesture is cynical and self-interested. Jarndyce resents gratitude and thanks because he feels that the implication is that he is performing good deeds for something in return. Even something as innocuous as a thankful comment reminds him of the transactional nature of society. He rejects gratitude because he desperately wants to believe in a better world.

Lady Dedlock

Lady Dedlock seems cold and distant, but her demeanor is a mask for the pain she feels. As a young woman, she fell in love with an army captain and conceived a child out of wedlock. She was told the child died as an infant and has been tortured by this private grief ever since. Though she has married well and finds herself living in comparative luxury, this merely compounds her struggle, as she must hide her secret not only for the sake of her own reputation but for her husband’s. The denial of emotional outlet or resolution turns Lady Dedlock into a stark and distant figure; to preserve her public persona, she suppresses all feelings.

Lady Dedlock’s position becomes even more tragic when she learns that her daughter did not die. Rather than reunite with her long-lost daughter, Lady Dedlock must once again prioritize her reputation. She cannot risk the truth becoming public, so her interactions with the daughter, whose loss has had such a totalizing effect on her life, are limited to a few tearful moments. Lady Dedlock essentially loses her daughter again, this time to the rigors of social expectation.

Lady Dedlock loses control of her life when she is accused of murder. Unable to reunite with her daughter and framed for a crime she did not commit, Lady Dedlock seeks out the grave of her deceased lover. She goes to Captain Hawdon’s grave not necessarily because she does not love Sir Leicester, but because she feels “unworthy” of continuing to live beside him. Instead, she seeks out a moment when she felt truly happy. Since her affair with Hawdon, all she has known is the pain of grief and the emotional constriction of wealth and status. Rather than an emotionless and distant person, Lady Dedlock proves herself to be a tragic figure whose life is defined by The Search for Love and the Dangers of Passion.

Richard Carstone

Richard is a tragic figure. His downfall illustrates the dangerous nature of the Jarndyce and Jarndyce case and the theme of Justice Versus Law. After being taken in by Jarndyce and given every opportunity in the world, Richard cannot “settle.” He flits between careers, unable to decide whether he wants to be a doctor, a soldier, or a lawyer. The only constants in his life are Ada, whose love is unwavering, and the Jarndyce and Jarndyce case that looms over him at all times. As a claimant in the case, he may stand to inherit a large sum of money, and this knowledge prevents him from focusing on a career. Richard’s growing obsession with the case contrasts with the restraint and sensible mindsets of people like Jarndyce and Ada, who do not allow the lure of potential riches to cloud their judgment.

At the end of the novel, Richard comes close to receiving everything he wants. His obsession has manifested itself physically, and he has become incredibly ill, but the case is finally resolved. As Richard hoped, the court rules in his favor. His wildest dreams come true, only to fall apart a moment later when he learns that all the money involved in the inheritance has gone toward legal costs. Richard’s moment of great triumph is immediately turned into a tragedy. He lives long enough to confess his regrets to Jarndyce and to receive his forgiveness. Richard dies before his son is born, leaving behind a loving wife and loving friends. The Jarndyce and Jarndyce case destroys Richard’s life, to the point where Richard’s entire existence becomes a morality play teaching readers not to hang their hopes on illusory fortunes.

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