34 pages • 1 hour read
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The novel is an allegory, with the protagonist’s relationship with Apex bandage as the dominant metaphor. The protagonist covers his wounded toe with an Apex that completely disguises the injury. This does nothing to heal the problem, and instead actually makes the toe so susceptible to further damage that it ends up amputated. When the protagonist explains this to his doctor, the doctor confirms that many people are papering over their trauma in a similar way: “‘Apex’ […] There’s a lot of that going around” (200).
The diverse skin colors of the bandages are important, too, because it implies that people have suffered wounds specific to their racial or ethnic background. The protagonist lauds Apex as erasing the “deep psychic wounds of history” (89)—a deeply ironic statement that makes it clear how little these bandages do to solve the problem of racism or the country’s history of slavery. Apex is closer to makeup than medicine—it hides flaws rather than helping heal them.
Whitehead cautions against denial as a means of dealing with psychological wounds. Attempting to bandage over a problem and act as if it does not exist makes the narrator develop a psychosomatic limp. Similarly, his work at the nomenclature consulting firm means mostly covering up flawed products to make them more appealing to consumers. However good he is at masking brands, his talent does little to actually benefit society—this is why even his decision to rename the town Struggle, which would seem to honor its wronged founder, does not resolve his limp or foot pain.
The protagonist’s Ivy League alma mater is a recurring motif that represents privilege and prestige. Affiliation with the school is one of the means through which the protagonist achieves success. The powerful white men who hire him are “Quincy men” with an old boys’ club mentality—an informal agreement whereby men with similar class and educational backgrounds give each other preference in attaining positions of influence. The Quincy name is “a key [that] opened doors” (70) for the protagonist, who was recruited to Quincy as a senior in high school because he had attended an African American Leaders of Tomorrow conference in Washington D.C. This effort to expand Quincy’s student body diversity echoes Lucky’s eventual recruitment of new families to gentrify Winthrop.
The concept of freedom is explored through the town’s history, the process of naming and renaming, and the benefits of financial success.
The settlers were technically no longer enslaved when they left the South, but they knew that their freedom was tenuous. They still feared reprisals from white people—the Lost White Boy journal entry shows that authorities would countenance white violence towards Black people. However, despite these challenges, the settlers elected to name their new town Freedom rather than Struggle, emphasizing hope for the future over historical accuracy. Eventually, when Goode sidelined Field to allow Winthrop to rename the town and build his factory there, he sold Freedom—and freedom—for economic gain.
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By Colson Whitehead
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