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49 pages 1 hour read

Antony and Cleopatra

Fiction | Play | Adult | Published in 1607

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Act IIIChapter Summaries & Analyses

Act III, Scenes 1-2 Summary

Ventidius, one of Antony’s soldiers, has won a great victory in Parthia. However, although he believes that he is capable of winning more, Ventidius decides not to because he recalls that ambitious soldiers who have won more glory than their commanders are not often rewarded.

Meanwhile, Enobarbus and Agrippa recount how Pompey has departed back to Sicily, while Lepidus is hung over after the banquet. The triumvirs prepare to part, and Octavia seems sad to leave her brother. She takes him aside to whisper into his ear and Enobarbus and Agrippa notice that Caesar’s expression changes to look upset. Antony, however, seems unaffected by emotion at their parting.

Act III, Scenes 3-4 Summary

Cleopatra summons back the messenger that she earlier struck and interrogates him about Octavia. After he reports that Octavia is shorter than her with a quiet voice and a humble bearing, Cleopatra is relieved and decides that Antony will not fall in love with her. She apologizes to the messenger and promises to reward him well.

Meanwhile, Antony learns that Caesar has declared war against Pompey again, despite the treaty, and has given speeches that glorify himself while neglecting to mention Antony. In response, Antony has decided to raise an army and oppose Caesar. Octavia laments that this puts her in an impossible position since she has a duty to love both her brother and husband, and she fears that a war between Caesar and Antony would be incredibly destructive for Rome. Antony tells her to follow her heart and return to her brother if she would prefer to do so.

Act III, Scenes 5-6 Summary

Enobarbus receives the news that after Lepidus helped Caesar to make war against Pompey, Caesar has imprisoned Lepidus, using letters that he previously wrote to Pompey as evidence to condemn him. Enobarbus predicts that now that Antony and Caesar have no one to stand between them, they will go to war against each other.

Later, Caesar and his servants discuss how Antony has returned to Egypt and has awarded lands that should rightfully belong to Rome as kingdoms for his illegitimate children with Cleopatra. Octavia arrives from Athens, hoping to reconcile her brother and Antony. Caesar disparages Antony for dishonoring his sister by having her arrive without fanfare or honor. He tells Octavia that Antony has deceived her, returning to Cleopatra in Egypt when she believed him to be remaining in Athens.

Act III, Scenes 7-8 Summary

Cleopatra declares that she will fight in the battle alongside Antony, although Enobarbus protests and claims that the presence of women in a fight will distract the men. Antony hears that Caesar has sent a fleet of ships to attack and decides to engage them in a naval battle, even though his sailors are inferior fighters. A Roman soldier begs him to wait and only fight Caesar on land where he will have the advantage, but Antony rashly proclaims that he will fight the naval battle first and then a battle on land after if necessary.

Meanwhile, Caesar tells his commander Taurus not to attack by land at all and to fight only at sea. He knows that his fate depends upon this gambit.

Act III, Scenes 9-11 Summary

Antony goes to command his forces at sea while Canidius remains to command his troops on land. During the battle, Cleopatra impulsively flees from the battle for no good reason, and Antony follows her. The soldiers lament that all is lost now because Antony sacrificed his good soldiership in favor of following his love. Canidius decides to surrender Antony’s land army to Caesar.

Antony distributes his treasure among his remaining army, telling his soldiers to flee and surrender to Caesar. He is deeply ashamed that he has lost his reputation and his honor as a commander because of his cowardly flight from the battle. Cleopatra tries to comfort him, telling him that she did not realize he would follow her if she left. He tells her that she is his conqueror and his sword is entirely at her command. They comfort themselves with wine and food.

Act III, Scenes 12-13 Summary

Antony’s ambassador, a lowly schoolmaster, comes to Caesar and asks him to allow Antony to remain in Egypt or else go live as a private citizen in Athens if he surrenders. He asks that Cleopatra’s Ptolemaic heirs be allowed to rule Egypt again. Caesar refuses Antony’s request, but is willing to allow Cleopatra to remain ruler of Egypt if she banishes or kills Antony. As the ambassador leaves, Caesar commands Thidias to go to Cleopatra and flatter her, offering her the opportunity to betray Antony in exchange for gentler treatment.

Back at Antony’s camp, Antony plots to challenge Caesar to a one-on-one swordfight, hoping to goad him into accepting by mocking his youth. Thidias arrives with a private message for Cleopatra, telling her that Caesar is willing to believe that she only followed Antony out of fear for herself, rather than love. Cleopatra seems poised to agree, when Antony barges in and furiously commands Thidias to be whipped for this insolent message.

Antony decides that he will reform his army and navy and fight Caesar. Cleopatra is encouraged that Antony is acting more like himself again. They plan a final night of revelry and pleasure before the battle. Enobarbus, however, decides to betray Antony and go to Caesar’s side, believing that his lord has lost his rationality and will surely lose the war.

Act III Analysis

Act III is a major turning point in the play, where Antony’s fortunes experience a sudden reversal as he loses a naval battle with Caesar due to his love for Cleopatra. While Antony was previously an equal to Caesar and the greater military power in the Triumvirate, he loses his position in a single catastrophic act. While his soldiers lament that he is acting based upon a woman, seeing that as emasculating, Shakespeare also hints that Caesar is similarly led into conflict with Antony due to his love for his sister. Through this parallel, Shakespeare subtly suggests the power of women even in the seemingly masculine endeavor of warfare.

By allowing Cleopatra to accompany him into battle and then making a tactical decision based upon her actions, Antony is emasculated in the eyes of his followers. This connects back to the larger theme of The Subversion of Gender Roles, indicating the Roman discomfort with feminine authority. Enobarbus warns Antony against allowing Cleopatra to be present during the battle, using an animal metaphor to suggest that women hold incredible power over men: “If we should serve with horse and mares together / The horse were merely lost. The mares would bear / A soldier and his horse” (3.7.9-11). By saying that the mares are bearing the soldier and the horse, Enobarbus suggests that Cleopatra will not just compromise Antony’s judgement, but the entire army. This prediction is proven correct when Antony retreats from the battle after seeing Cleopatra’s ship flee. His commander, Scarius, also uses a comparison to the animal world to imply that Antony is acting on his base instincts rather than human reason:

Antony,
Claps on his sea-wing and, like a doting mallard,
Leaving the fight in height, flies after her.
I never saw an action of such shame.
Experience, manhood, honor ne’er before
Did violate so itself (3.10.23-28).

These Roman critiques of Cleopatra indicate the danger posed by her power over men, but suggest that it is an instinctive, irrational power. Enobarbus and Scarius blame Cleopatra for Antony’s reversal of fortune, implying that if Antony had followed his normal military tactics, he could have won the battle.

However, Shakespeare also suggests that Caesar is fighting against Antony in part due to his loyalty to a woman—his sister Octavia. Shakespeare establishes the great love that Caesar has for his sister, the only character that he seems to show genuine feeling for in the play. While Caesar is willing to betray his alliances with Lepidus, Pompey, and Antony, he is furious when he learns that Antony has left Octavia to return to his affair with Cleopatra.

When Caesar and Octavia are first parted, Antony notes that Octavia is crying when she leaves her brother, but he reads it as a sign that she will grow to love him as well, saying, “The April’s in her eyes. It is love’s spring / And these the showers to bring it on.—Be cheerful” (3.2.51-52). Agrippa, however, notices that Caesar has a similarly teary expression on his face when he speaks with her, using the metaphor of weather again when he states that Caesar “has a cloud in ’s face” (3.2.62). The use of this metaphor implies that Caesar is also prone to the turbulent reactions found in nature, reacting with emotion rather than behaving strictly rationally where his sister is concerned.

After Antony is defeated by Caesar and loses his reputation as a great commander, his followers are forced to reevaluate their loyalty. This is tied to the theme of The Complications of Public Identity, as Antony’s loss of reputation has a very real impact upon his ability to maintain an army. While Enobarbus attempts to argue for the nobility of fighting for a failing leader, he is clearly beginning to doubt Antony’s abilities: “[H]e that can endure / To follow with allegiance a fall’n lord / Does conquer him that did his master conquer / And earns a place i’ th’ story” (3.13.50-53). This line suggests that Enobarbus’s coming betrayal will also challenge his own identity, as he will lose his “place i’ th’ story” as he loses his honor. The destruction of identity and reputation becomes tantamount to the destruction of life, indicating why Antony, Cleopatra, and Enobarbus all eventually see death by suicide as their best option. 

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