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47 pages 1 hour read

Angle of Repose

Fiction | Novel | Adult | Published in 1971

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Parts 1-2Chapter Summaries & Analyses

Part 1: “Grass Valley”-Part 2: "New Almaden"

Part 1, Chapters 1-4 Summary

On April 12th, 1970, a disabled historian named Lyman has moved into the small Zodiac Cottage and is determined to preserve his independence despite being confined to a wheelchair. Rodman, his son, would rather sell Zodiac Cottage, which has been in the family for generations. Lyman anticipates “regular visits of inspection and solicitude while they wait for me to get a belly full of independence” (32). Despite the “slow petrification” (32) that is Lyman’s disease, he has chosen to use his time to study his family history. He feels closer to his grandparents than he does to modern society, which is strange to him.

That morning, Rodman tried unsuccessfully to convince Lyman to live with him and abandon his independence. Lyman’s own father suffered from dementia, and Lyman eventually had to “get the support of the law” (37) to take him away. Rodman worries that his father is wasting his “major talents” (38) on Lyman’s grandmother, who was “the best-known woman illustrator of her time” (39). Lyman notes her ability to see typical mining phrases as “descriptive of human as well as detrital rest” (39). Lyman knows her life story well and thinks back on her time in the old frontier West; he knew her mainly as an old woman, and “it is harder to imagine her as Susan Burling, a girl, before the West and all the West implied had happened to her” (41). Lyman grows tired and hungry, hoping that Ada (who works as his caregiver) will come and help him soon.

In the morning, Lyman pours over his papers, examining Susan's life. Susan’s writings reveal a time she met a friend named Augusta in New York. Lyman raises an eyebrow at “the suggestion of lesbianism” (48) between the two. Susan studied art for four years in New York before moving West. In New York, Augusta introduced Susan to many members of the high society. Lyman pictures one party, charting the lives of the various celebrity attendees. There, escaping from the hustle and bustle in a quiet room, she meets Oliver, an engineer whom she finds “boyishly engaging” (55). After the evening, Oliver is “already half in love” (57) with Susan but is due to move out West to become an engineer. He leaves for California the next week, and “for nearly five years they did not see each other again” (57).

Lyman regrets hiring a woman who “couldn’t bag oranges without making bonehead errors” (58). His research has been impacted. Ada’s daughter Shelly begins to help him instead, at least while she has “her problem with the husband who doesn’t want to be unwanted” (59). The interview with Shelly did not go entirely well; he needs her to be discrete, as sometimes he is not, revealing, “I sit up there sometimes and let my mouth go into that tape recorder and it gets all mixed up with Grandmother’s biography” (61). Sometimes, Lyman admits, he says things that will offend his relatives (and Shelly’s relatives). Lyman has little choice but to hire Shelly. However, he does like the idea that “a fourth-generation Trevithick should help me organize the lives of the first-generation Wards” (64).

To cover the five years his grandparents spent apart, Lyman has only his grandmother’s recollections, and he does not “believe in them” (65). She was determined to paint herself as being busy and entertained while Oliver is away. She was close to a man named Thomas Hudson, who had come from a similarly poor background and, along with Augusta, completed Susan’s “intimate threesome” (66). Thomas was perhaps “the greatest editor the country ever had” (68), whose perfection was used by Susan as an impossible ideal against which her grandchildren were judged. The relationships break down; Lyman, reading them, feels like “a Peeping Tom” (71). Augusta and Thomas became engaged. Oliver writes to Susan and tells her that he is “coming home from the West” (72). Susan meets him at the ferry landing, having been made aware of his intentions. Susan has agreed to marry Oliver.

Part 1, Chapters 5-7 Summary

Susan is intrigued by her fiancé, who holds her ankles while she peeks over the edge of a waterfall. When she edges back from the precipice, she knows that she is “in love” (75). They agree to move out West so that Oliver can find work. When Susan tells Augusta, Augusta is “incredulous, aghast, and accusatory” (76). She has never heard of Oliver and does not understand how such a man can “come in and overturn [their lives]” (78). Oliver’s search for work takes more than a year, delaying the marriage. Susan waits “not unhappily, diligent in her work” (79). They eventually marry in her father’s house in February 1876.

The ceremony takes place in front of 44 witnesses. Augusta does not attend, using the birth of her child the month before as an excuse. Lyman is exasperated by the fawning descriptions of Oliver in his grandmother’s letters. One on occasion, Susan finally manages to invite Augusta and Thomas to dinner with Oliver. In a letter afterward, she assures Augusta that Oliver “was just as impressed by you and Thomas, the house and all belonging to you, as I wished him to be” (82). Out West, Oliver prepares a house. Susan finds a servant girl (who happens to be pregnant) and receives orders to travel. Oliver forgets to send them money. Susan panics, unsure what to do. Eventually, she buys the tickets from her own savings, “worried and ashamed” (84). The journey takes a long time, passing through “repetitive ugly barren little towns” (84).

Lyman visits the doctor in Nevada City and believes that his research leaves him better informed than “that overworked, unimaginative general practitioner” (85). During the trip, he meets Al Sutton, a man he has not seen in 40 years. Al has “been a freak all his life [so] he has a tenderness for other freaks” (86). They joke together and then Lyman reveals that he has bone disease and that he and his wife are divorced. They compare medical ailments.

Part 2, Chapters 1-4 Summary

Susan travels to the West, seeming unaware that “her lot at first would be hardship” (91). They ride a hot, dusty stagecoach to their home near New Almaden; Susan is still concerned that Oliver did not send her the money for the train tickets. They pass through the mining towns and camps and arrive at their house; it is not exactly as Susan had pictured it, but she likes it so much so that she worries Oliver will “spoil” (97) her. Oliver introduces Susan to a large dog named Stranger, who will become her companion. Oliver reveals the reason he did not send the money: He spent it all on the house after the mine company reneged on its offer to pay for the home. Susan settles into the home and feels a “sweet and resting content” (101). She is introduced to Mr. and Mrs. Kendall, the mine manager and his wife. Their affection for Susan, Oliver explains, is because her reputation as an artist makes “New Almaden look classy” (104). The locals are “nice enough to see once in a while but [Susan doesn’t think she will] care greatly for any of the people” (105).

Susan adjusts to life in her new home. She writes letters and unpacks her possessions. Though she is in a mining camp, she always dresses “as if for a garden party” (108). Augusta writes a short, scrawled letter: Her baby has died of diphtheria. The brief joy Susan had felt in her new home vanishes. She wants to go to Augusta but knows that doing so would be prohibitively expensive. Susan feels isolated: only Oliver interests her; the rest of the locals are “crude” (111). Though Susan pines for home and considers their West excursion temporary, Oliver seems to know otherwise yet never mentions it.

Susan watches Oliver descend into the mine. She feels “alone and in exile” (115). The summer seems unending and hot. Susan watches an old Mexican man lead a train of mules down a path, each animal heavily burdened with firewood for the house. Susan tells them where to place it and sketches them while they work. After paying the man, she gives him her drawing, and he seems to consider it “a masterpiece” (118). After, she draws Lizzie but finds herself uninspired and listless. As she considers Lizzie’s working-class stoicism, she thinks about the fact that she has “missed her last two periods” (120). Oliver brings home a new colleague—an Austrian engineer named Baron Starling—and allows the man to change in their bedroom, much to Susan’s annoyance. Later, as all three talk, the man praises Susan’s work and they discuss art. They talk politics and music late into the night. Oliver sits “nearly silent” (123); later, he reveals that he considers the baron “too soft” (124) for the mine. Earlier that day, Oliver had saved the man’s life as the baron had not been paying close enough attention to a falling slab. Susan tells Oliver that he is “going to have an heir” (126), and Lyman is unable to guess Oliver's reaction. Susan writes to Augusta about her experiences with pregnancy.

The “double pulse” (130) of Susan’s pregnancy coincides with a “blissful time” (130) in her life. The seasons change, Augusta has another child, and Susan discovers Oliver’s “unexpected capacities” (130). Her letters take on a serene tone. Susan entertains a string of visitors, many of whom are from back East and remind her of home. One of their guests, Mrs. Elliot, uses phrenology to “read their heads” (134) and makes them “collapse in laughter” (134). Oliver works hard and is commended; Susan works hard but is dissatisfied with her work. Thomas, at one point, asks to publish Susan’s “colorful and interesting” (135) letters as an article in his magazine; Susan writes a detailed article about life in New Almaden and then writes another for a different magazine, hoping to prove that she is being published for her skills, not just her connections. 

Part 2, Chapters 5-7 Summary

Oliver helps redesign essential mine machinery; he has received a $300 raise. He suggests hiring a person to help with the imminent baby’s arrival. One of his mother’s associates, Marian Prouse, will work “for her fare and servant’s wages” (140). Susan sells both her articles, as well as illustrations to match. She gives birth to a boy, who weighs “a humiliating eleven pounds” (141). Everyone in the mining camp celebrates. Susan works while caring for the baby.

Susan (with Miss Prouse and the baby) tours the mining camp and meets Conrad Prager as Oliver and Mr. Kendall talk. Conrad offers to take her down into the mine, though Mr. Kendall does not believe women should do so. Conrad overrules him and fits Susan with a mining hat. They descend in the elevator, and the sudden appearance of a miner surprises Susan, though she remains quiet. In the darkness, Susan listens to the “voices of the mine” (148) and learns about the Tommyknockers. She compares life in the “oppressive darkness” (149) to her existence in the cottage. She watches the miners work; Conrad passes around a bottle of alcohol to the miners, and each salutes Susan in turn. They return to the surface and, while explaining the sensibility of what she has seen, Susan offends Kendall and causes an awkward moment between the two.

On a foggy day, Susan and Oliver take a walk to the main town and enter the engineer’s office. Oliver smokes his pipe, and Susan reads a sign that forbids pipe-smoking in the office, recently erected by Mr. Kendall. Oliver reveals the growing enmity between himself and Mr. Kendall: Oliver was forced on Mr. Kendall “by Smith and Conrad” (157), and living apart from the town gives Mr. Kendall the impression that Oliver and Susan think themselves better than the other residents. The entire mine, Oliver says, is “wormy with fear and hate” (158), and Mr. Kendall fires anyone who complains. Susan realizes just how little she understands about what happens in the camp. She returns home. Lyman reflects on the lack of a miner’s union that might have allowed the men of the camp to fight back against Mr. Kendall’s cruel behavior. Oliver arrives home and announces that he has quit; Susan is glad. As Oliver explains what happened, Susan begins to realize how complicated their lives are about to become: They will need to move, and Oliver will need to find a new job. They will have to live apart while he does so. They begin to make plans.

Parts 1-2 Analysis

The opening parts of the novel establish the two stories that run parallel to one another. There is the story of Lyman, the wheelchair-bound historian who is fiercely independent, and the story of Lyman’s ancestors, Oliver and Susan. The novel's narrative mode is subtle: Lyman dictates the story into a tape recorder, and his assistant transcribes it. This allows the narrative to switch back and forth with ease, while Lyman offers running commentary on his ancestors’ story as he sees fit. There are moments when he realizes that he is still talking into the machine, mentioning that the person transcribing the tape might not wish to hear a particular thing he has had to say. In moments like this, the literary device is moved to the forefront; at other times, entire pages and chapters pass by without anything more than a subtle awareness of how this story is being told.

This dynamic helps build the relationship between Lyman and Susan because he only knew her in her old age. Even then, he was fascinated by her character. As a professional historian, he has chosen to investigate her past with the aim of writing a book and, in doing so, he forms a new relationship with the woman he discovers in the past. This younger Susan is different: She is naïve, still navigating the travails of the world and her marriage to Oliver. She is unsure of what she wants, though is no less a formidable woman. Lyman’s respect for her is clear, and he outlines the aspects of her character that he finds most interesting—her pretension and her stubbornness—as he can relate them to his own family. In looking back to the past, Lyman can construct a new relationship with his grandmother, one that is demonstrably different to the one he has known all his life. Through the narrative mode of perspectives, letters, interjections, and commentary, Lyman can provide continuous insight into how this relationship is evolving as he studies her life in greater detail.

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