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71 pages 2 hours read

All The Bright Places

Fiction | Novel | YA | Published in 2015

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Themes

The Hidden Suffering of Mental Illness

Characters throughout the book take strides to hide their mental illnesses. After being labeled a “freak” by a classmate when attempting to share disordered thoughts, Theodore Finch learns to keep his feelings and moods to himself. Amanda Monk, a popular cheerleader, attends a suicide support group but swears Finch to secrecy. Violet hides the extent of her grief. The book shows the ultimately disastrous consequences of silence surrounding mental health.

Finch is the primary vehicle through which this theme is explored. On the surface, he is extremely intelligent, has achieved early acceptance to NYU, and is a gifted musician and lyricist, but in reality he struggles with symptoms of agitation and depression. His narratives indicate that he has experienced atypical thoughts and feelings since childhood but has refused to disclose them because of the way he might be perceived. Specifically, he mentions having the ability to “see” headaches to a friend, Gabe Romero, when the two are in eighth grade. “Roamer” subsequently tags Finch as a “freak,” leading the young man to experience marginalization by his peers. Finch writes about his long periods of being “Asleep” (clinically depressed) and “Awake” (manic). He makes heroic strides to remain “Awake” by running for miles every night and composing lists of methods to keep himself from falling asleep. Despite his efforts, and the incentive of a continued relationship with Violet Markey, he eventually succumbs to depression. He has had a lifelong fascination with the subject and has an encyclopedic knowledge of related trivia; nonetheless, he somehow slips between the cracks of a dysfunctional system that allows him to suffer an untreated psychiatric disorder. 

This theme continues in the author’s description of the Finch family’s reaction to his months-long bouts of sleeping and frequent disappearances from the home for several days. The running rejoinder is that these behaviors are, essentially, part of Finch’s persona. His older sister, Kate, to whom he is close, attributes many of his foibles to lifelong physical abuse by their father. His mother, overwhelmed by circumstance, does not think he is in need of psychiatric help. The result is that Finch suffers alone, terrified that further revelation of his symptoms will yield increased stigmatization, and reliant upon techniques such as slow breathing and counting to overcome agitation and anxiety. When his mood deteriorates for the final time, Finch’s only comfort lies in taking up residence in his bedroom closet, where he feels less vulnerable and able to control his fears. While his intellect allows him to make wry comments about his symptoms and compose music, it works to his disadvantage when his mental agility assists him in disguising his suffering and, consequently, being deprived of therapeutic care.

The Role of Conformity in Adolescent Culture

Finch and many other characters are driven by a desire to fit in with their peers. The book shows how this desire can have negative impacts. As an eighth grader, Theodore Finch makes the mistake of confiding some of his symptoms to Gabe Romero, who was his close friend. “Roamer” shares this information with his parents, and this results in school officials, the Finch family, and Theodore’s classmates being apprised of his situation. He is given the nickname, “Freak,” and this follows him throughout high school. After this, Finch determines to hide his symptoms and not speak about his troubles, even with his guidance counselor, Mr. Embry. Finch fears divulging this information would further ostracize him. In this case, desire for conformity has disastrous effects. 

Finch’s family also tries to hide any troubles. In a more functional family system, this information would have resulted in psychiatric intervention; however, the Finches are embarrassed by the revelation and fear being stigmatized. Theodore is left to his own devices, and the techniques that he develops in order to deal with his symptoms render him aberrational in his adolescent peer group. Specifically, he disappears from school for weeks at a time and claims to have suffered from the flu; in fact, he is suffering from intermittent, crippling depression. He runs for miles every evening when he is in a manic cycle. He counts and breathes slowly when he fears losing his temper or succumbing to anxiety. All the while, he is taunted and provoked by Romero and, with notable exceptions such as his true friends, most of his classmates. He realizes that he is brighter than most of them, but he still suffers the pain of being named “most suicidal” student in the school gossip rag and being considered a social untouchable. Ironically, Amanda Monk, the apparent soul of teenage conformity and one of Finch’s harshest critics, is a member of a suicide support group for teenagers. Finch sees her there, and she reveals that she hates herself, much as Finch hates himself, and is subject to the same negative, punitive self-perception. 

Violet aims for conformity at the beginning of the book, going so far as to avoid Finch when an association might harm her reputation. It speaks well for Violet’s character when she overcomes the shallow standards of her former, socially acceptable group and branches out into relationships with Finch, Brenda, and Charlie. She makes a conscious decision to risk ostracism and ridicule when she commits to dating Finch; nonetheless, she defies the judgment of her parents and contemporaries when she finds qualities in Theodore that do not exist in other boys she has dated. Her growth emanates from the excruciating loss of her sister, Eleanor. Violet’s reaction to the tragedy causes her to renounce her former extracurricular activities, (e.g., cheerleading and orchestra) as she changes her appearance to be less attractive. While a hairstyle featuring bangs and large glasses may have suited Eleanor, they do not enhance Violet’s appearance; thus, a physical metamorphosis precedes her intellectual, philosophical, and spiritual evolution. Her decision to embrace Finch, both literally and metaphorically, foreshadows Violet’s transition from a conformist personality paralyzed by grief to a resilient, albeit wounded, autonomous individual who anticipates a wealth of life experiences. 

Reactions to Death

The author, Jennifer Niven, relates in an epilogue that her great-grandfather died of a self-inflicted gunshot wound long before her birth. It is unclear whether this act was intentional or accidental; Niven’s family never discussed it, yet the death has affected them for generations. Similarly, the author discovered the body of boy she “knew and loved” who had committed suicide (381). These experiences equipped her to create nuanced characters with complex emotional reactions to the deaths of loved ones, in particular the guilt that often follows death.

Violet Markey survives an auto accident on an icy bridge that she had urged her sister to drive over as they traveled home from a party. Her sister, Eleanor, died in the crash. Violet, who considered Eleanor her best friend, experiences reactions ranging from grief to rage over this loss. A prototypical all-American cheerleader prior to this event, Violet retreats from her previous activities, friends, and hobbies. She is unable to focus, and so her passion for writing and her ability to complete school assignments suffer. She expresses her grief by imitating Eleanor’s hairstyle and wearing her glasses, although neither flatter her. Violet is isolated and overwhelmed to such an extent that she considers suicide herself. Ironically, Finch, who ultimately does kill himself, saves her. Her paralysis is caused in part by her family’s inability to reminisce about Eleanor or to share their sadness at her departure. The hopes and dreams her parents held for her late sister fall on Violet. These couple with their already existing expectations for Violet’s future, and the weight wears on her. While Eleanor undergoes a physical demise, the life that Violet knew prior to this tragedy has died as well. The Markey parents, while mourning Eleanor’s loss, try to propel Violet back into the world by encouraging her to engage socially and drive a car again. The concept of their bravery is noteworthy: they deliberately encourage Violet to return to the activity that killed Eleanor.

There is a clear disparity in the reactions of others to the deaths of Eleanor and Finch. Violet is the recipient of condolences from teachers and classmates nearly a year after her sister’s death. Conversely, Finch’s death is acknowledged and mourned, in some cases quite falsely, by family members and classmates; however, others suspect the possibility of suicide, but this is never confirmed publicly by his parents. Their reasoning is that no suicide note was found; therefore, Finch’s demise was accidental. This theory is predicated upon the conventions of another era. Finch writes emails and texts to his mother, sisters, Violet, and closest friends that are the clear equivalent of the hard copy suicide notes of earlier generations. His parents fear the stigma associated with suicide that prevailed during their own youth, and the same holds true for their fear of admitting the boy was in need of psychiatric intervention. Magical thinking and denial are powerful coping devices and surely less painful than admitting that different approaches might have prevented this loss. 

Violet Markey is a survivor of an unexpected, tragic loss as well as that of a suicide. She is in love with Finch but angry with him. She wonders why their relationship was an inadequate incentive for him to live; she feels guilt about being unable to save him; and she sees him everywhere she goes. Mr. Embry, the school counselor who worked with both Finch and Violet, shares this sense of guilt at having been unsuccessful in saving him, but he reminds Violet that her emotional survival is contingent upon accepting the tragedy and the fact that her life is now changed forever.

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