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Many characters in All American Boys play basketball, and basketball games and practices become a way for characters to work through the conflicts that have been simmering off the court. For Quinn, basketball is not only a passion, but a means for him to get to college and live up to his father’s legacy. Through basketball, Quinn is also able to see Paul as a role model and father figure. After Quinn witnesses Paul beating Rashad, Paul and Quinn engage in a tense basketball game that ends with Quinn walking away, symbolizing the fact that he’s rejecting the support Paul once offered him.
As the novel continues, basketball team practices become the place where Caucasian characters like Quinn and Guzzo interact with African-American characters like English and Shannon. Despite their coach’s admonition to stay focused on that game, the boys find that they can’t leave issues of racism off the court—it affects everything. During practice, English forces Quinn to confront his white privilege, saying, “White boy like you can just walk away…” (176), and Quinn regains English’s respect by wearing an “I’M MARCHING” shirt to practice. Quinn and Guzzo also exchange tense moments while playing basketball, culminating in a fight just after practice that ends their friendship.
While the game of basketball itself represents teamwork, it also signifies in the novel that racism permeates all aspects of the boys’ lives. Quinn articulates, “[W]e couldn’t just separate basketball from the rest of our life […] just like we couldn’t have racism in America without racists” (256). The disharmony of the basketball practices and the gradual breakdown of the boys’ teamwork reflects how overarching social issues, such as racism, cannot just be ignored.
Uniforms play a significant role in All American Boys, from Rashad’s JROTC uniform to Paul’s police uniform to Spoony’s UPS uniform. At the beginning of the novel, we learn how much Rashad’s father respects American institutions like the Army and the police force yet disapproves of Spoony’s UPS job “as if only green and blue uniforms were okay, but brown ones meant failure” (9). However, the surface meaning of certain uniforms is soon upended in the novel. Rashad’s ROTC uniform, which should identify him as an upstanding citizen, doesn’t prevent him from being labeled a “thug” (23), while Paul’s police uniform, which should represent protection and safety, becomes a vehicle of senseless violence. Uniforms are a symbol used to reveal the deception of preset labels, and All American Boys suggests that in looking beyond uniforms to see the person underneath, people can take steps toward achieving true equality and mutual respect.
The motif of the ROTC recurs throughout the novel to highlight the theme that even those who represent American values, such as justice and freedom, need to be accountable for prejudicial actions. At the beginning of All American Boys, Rashad’s father places a huge value on the Junior Reserve Officer Training Corps as a gateway to future success. However, Rashad’s status as an ROTC member fails to protect him from being the victim of a hate crime. Similarly, Rashad’s father, despite his upstanding military background, killed an unarmed black kid in the field of duty. Later in the novel, Quinn notices an uncomfortable parallel between Rashad and his own father, who was also in ROTC, and this is Quinn’s first step toward seeing Rashad as an individual, rather than evaluating him based on his race. Rashad’s rejection of the ROTC creed indicates that in a racist and divided America, the tenets may need to be viewed and evaluated in a new light. In the hospital, Rashad reads: “I am the future of the United States of America. I do not lie, cheat, or steal and will always be accountable for my actions and deeds” (227). This sentiment bothers Rashad, as he questions if people like Officer Galluzzo are considered as upholding America values.
Carlos first creates “RASHAD IS ABSENT AGAIN TODAY” as a graffiti tag, and it’s copied throughout Springfield and gains even broader currency as a social media hashtag. This slogan is a symbol of how youth can take back power, spread awareness of their message, and garner support using Digital Age activism. The hashtag underscores the fact that Rashad has been ripped from the normal life he deserves through no fault of his own. It becomes an important part of the protest movement against Rashad’s beating and police brutality in general. The novel ends with a subversion of this hashtag, as Rashad’s final statement reads: “Rashad Butler. Present” (310).
The Family Circus is a symbol of Rashad’s personal growth. Rashad’s love for the comic begins in childhood as a connection to his father, as his dad has given him the comics to read every Sunday. Rashad is “fascinated” by the “simple, easy lives” (143) the white family in this comic lead, perhaps wishing for some of this ease in his own family relationships. However, Rashad goes on to subvert the innocence of these comics in his artwork, using a Family Circus-style border to frame a drawing of himself being beaten. By the end of the novel, Rashad looks back at his collection of comics to find “the innocence of it all seemed almost silly now” (301), as he has been forced to confront the darker realities of American lives throughout the book. Rashad essentially uses the comic to take control over his narrative—what happened to him at Jerry’s Corner Mart—and to fuel his new identity. Rashad gives his drawing to a nurse at the hospital, in a sense leaving behind the image of Rashad as a victim to solidify his burgeoning identity as a protester against police brutality and racial profiling.
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