84 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The magical events of A Midsummer Night’s Dream take place in the forest—a place English folklore (e.g., the Robin Hood legend) strongly associates with the suspension of human law and hierarchy. The woods outside Athens thus symbolize the chaotic power of nature as it exists beyond the boundaries and the rules of the city.
At the beginning of the play, the forest is in disarray; even the fairies, who appreciate disorder and chaos, are beginning to worry that the forest is even more disorderly and chaotic than normal. The disagreement between Titania and Oberon filters down through the ranks of the other fairies and disrupts the balance of the natural world. According to Titania, Oberon’s “jealousy” and moodiness have “disturbed [the fairies’] sport” (2.1.87) and caused a cascade of strange weather events:
Therefore the winds, piping to us in vain,
As in revenge have sucked up from the sea
Contagious fogs which, falling in the land,
Hath every pelting river made so proud
That they have overborne the continents (2.1.88-92).
Puck talks to other fairies who are worried about the implications of the disagreement, knowing that the woods are home to a powerful form of magic that could deeply affect their lives. When the Athenians arrive in the woods, this untamed power affects and changes them. For example, Puck’s magic and the wildness of the forest itself combine to drive Bottom’s companions to panic when they see their transfigured friend: “Their sense thus weak, lost with their fears thus strong, / Made senseless things begin to do them wrong. / For briers and thorns at their apparel snatch” (3.2.27-29).
The symbolic meaning of the forest extends to the plants and animals within the woods. Flowers especially appear alongside fairies and magic, to the point where the fairies use a flower to make a love potion. These flowers are part of the forest, representing the closeness between the fairies and the magical world. The fairies know how to use magic and how to use the flowers; their knowledge makes them more at home in the forest than the Athenians, who barely acknowledge the nature that surrounds and affects them. Titania weaving flowers into Bottom’s hair is a metaphor for the fairies’ relationship to the forest: they know how to use the world around them, applying the forest and its magic to the Athenians for their own enjoyment.
The laborers’ performance of Pyramus and Thisbe contains a condensed echo of many of the themes and ideas in A Midsummer Night’s Dream as a whole—the thwarted lovers, the escape to the forest, etc. However, due to the actors’ lack of skill, the seriousness of the laborers’ play is undermined. The tragedy becomes farce as the men put on an absurd performance that includes people pretending to be a wall and the moonlight. This ridiculous play—performed with complete and deluded sincerity by Bottom and the others—mocks the earlier scenes. The seriousness and potential tragedy of the relationship between Hermia, Lysander, Demetrius, and Helena receives a comic coda. Just as the fairies intervened and prevented a catastrophe using magic and pranks, the laborers’ play shows the audience (both the actual audience and the audience of Athenian nobles) that love and tragedy can be farcical. As the laborers constantly remind their audiences, the performance is only ever a performance, and it should not be taken seriously, just as the young Athenians should not take themselves so seriously. The play becomes a symbol of the absurd farce of A Midsummer Night’s Dream. The powerful emotions seem real and important to all those involved but, as the performance of Pyramus and Thisbe illustrates, these same emotions seem ridiculous and comedic to everyone else.
Oberon instructs Puck to make a love potion using a specific flower. The flower, Oberon explains, was struck by an arrow shot by Cupid, the Roman god of love. Puck fetches the flower, makes the potion, and then uses the magic potion to create chaos. The love potion is a powerful tool, symbolizing the fairies’ depth of knowledge regarding all things magical. They can create very powerful potions, but they use these powerful potions for their own amusement. They do not care about the consequences of their actions or the potential consequences of their magical abilities.
The effects of the potion are significant as well. Applied to a sleeper’s eyes, the potion produces immediate and intense but also arbitrary infatuation; the sleeper falls in love with the first person they see after waking. The potion therefore symbolizes the fickleness of love as well as its irrationality. Titania, for example, knows perfectly well that the man she has fallen in love with has a donkey’s head—she references his “fair large ears” (4.1.4)—but her love transforms his objectively ridiculous appearance into what seems to her incredible beauty. This echoes Helena’s claim that “Love looks not with the eyes, but with the mind” (1.1.234), underscoring that the potion simply exaggerates the already volatile, intense, and often fleeting experience of falling in love.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By William Shakespeare
Animals in Literature
View Collection
Appearance Versus Reality
View Collection
Books About Art
View Collection
British Literature
View Collection
Comedies & Satirical Plays
View Collection
Order & Chaos
View Collection
Required Reading Lists
View Collection
Shakespeare
View Collection
Valentine's Day Reads: The Theme of Love
View Collection