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Sarah and Christine help Abbie manage her work amid her days of grief. Meanwhile, Abbie watches as more families leave Cedartown. She worries about the future and is pulled between resentment toward her husband of 10 years and her deep love and devotion to him. Abbie shares her pearl necklace with Margaret, inspiring her daughter to have big dreams about the future. A new schoolhouse is built in town, so Abbie stops giving lessons to her children at home. In 1877, the community is still struggling with farming and bad weather, but they find ways to come together to read and socialize. Cedartown builds a new church. In 1879, a stranger passes through town, a violinist who plays an accompaniment to Abbie’s singing. He’s been offered a fortune of $600 for his violin, but he refuses to give it up. Abbie notes that everybody who endures hardship holds on to one material belonging that keeps them happy during otherwise bleak times.
Another year of intense snowstorms holds Cedartown back from making progress and profit with their crops. Abbie is determined that her children maintain their education and makes sure that they read Shakespeare with her. Mack finds a passion for playing the brass horn. Thus, the Deals continue moving forward despite their hardship: “By 1880 the Deal land was all fenced. The fence was a symbol,—man’s challenge to the raw west” (132). Abbie designs plans for a new house. Around the time that the new and large house is completed, new settler families start moving into and around Cedartown.
Abbie still misses her family in Iowa. It’s been years since she’s seen them. Margaret develops a talent for painting and wishes to pursue art classes. Mack turns 18 and rejects his father’s dream for Mack to take over the farm; Mack moves to Omaha and gets a job in a bank. In 1885, a new college preparatory academy is built in the nearby town of Weeping Water. Abbie wants Margaret’s life to be better than hers and for Margaret to have the choices Abbie never had. She convinces Will to take the money they’ve been saving for Abbie’s trip back to Iowa and use it to send Margaret to the school. Margaret will board with a minister’s family, and while it makes Abbie sad that her two eldest children will no longer live with her, she’s adamant about helping Margaret’s dreams come true.
In 1886, the railroad system is completed, and Cedartown is no longer located in the middle of nowhere. In 1887, Cedartown finally starts its own newspaper, Headlight. The crops have been doing well, and Cedartown is more prosperous and stable than ever before. At 41 years old, Abbie becomes pregnant again. Despite the need for hands on the farm and Abbie’s pregnancy, she sends John away to school in Weeping Water. Abbie receives news that her mother has died; it’s been 20 years since Abbie has seen her mother and now she’ll never have the chance to see her again. Margaret starts seeing a young man named Fred Baker, who is studying to become a doctor. Abbie wants her fourth surviving child, a daughter named Isabelle, to have the music lessons that Will offers to Abbie.
Abbie goes to Christine’s house for a visit, but as she leaves, a brutal snowstorm hits. Christine insists on walking Abbie back. Abbie collapses in the snow, just as she is ready to give birth.
Christine helps get Abbie into her house. Abbie’s labor is the worst it’s ever been throughout her pregnancies. She holds on to the metaphorical light of her family to see her through her pain. Abbie gives birth to a girl, whom they name Grace.
Margaret graduates from school and returns to Abbie for a year while she waits to marry Fred. Will adds an extension to the house, giving Abbie the parlor she always dreamed of. As Abbie helps Margaret plan her wedding, Margaret tells her mother that she will not give up on her dreams of being a painter. Abbie offers Margaret the pearl necklace on her wedding day. Margaret assures Abbie that she has all that she desires and doesn’t need the necklace. Abbie is happy for her daughter and proud that Margaret intends to fulfill all her dreams that Abbie could not accomplish for herself.
By 1889, Abbie is pleased with the stability in her and her children’s lives. This stability is momentarily threatened when John gets injured falling into the fence while farming with the horses. Abbie is able to get him to the doctor just in time to save his life. The summer is dry and the crops don’t do well. Abbie worries that there’s a curse in the air. One day, Will collapses at work and dies.
Chapters 16 through 21 trace the next steps in Abbie’s life, including finally reaching success in Cedartown and encouraging her children to live out dreams she couldn’t.
Cedartown succeeds because it is built by pioneers like Abbie who work together, are resilient, and rely on themselves and others. This success is a celebration of The Pioneer Spirit. Aldrich emphasizes the importance of a community that has not yet experienced class divisions. The settlers of Cedartown help one another physically and emotionally, without considering anyone’s status below or above them. They provide aid through labor and shared resources, and they help one another endure difficult times. In the novel, Cedartown is a testament to the power of community and the importance of doing one’s part to make a community function. The signs of Cedartown’s success are in its development. Not only do more families come to settle the town, but once a church, a few businesses, and a schoolhouse are built, Cedartown becomes an establishment. While Abbie misses Iowa and wishes she could have visited her mother, the two decades Abbie spends helping to build Cedartown are rewarded by her bearing witness to its success against the odds.
As the decades go on, Abbie’s character development is marked by her complexity. Love, family, strife, and happiness are all intertwined in her life. Abbie and Will go through dark times, and they spend years struggling in poverty. Aldrich’s celebration of family is emphasized by these years of struggle because it is through sticking with Will and believing in his dream that Abbie keeps her family together: “Ten years! Small wonder that love would break under circumstances like these. [...] [M]arriage was the fulfillment of love. And love was sometimes pleasure and sometimes duty” (124). These two aspects of marriage that Abbie experiences add depth to her characterization. She is a multidimensional character whose ability to remain faithful to her family values helps to build an entire community. In this way, her struggles highlight the theme of The Importance of Family.
Abbie sacrifices her own happiness repeatedly for the greater good of her family, and this is symbolic of pioneers’ sacrifices for the country they are nurturing from childhood into maturity. In this way, Abbie’s family and the success of Cedartown represent the American Dream. On a personal level, Abbie supports her children in their dreams because she doesn’t want them to succumb to her duties and responsibilities. Abbie was forced to give up her dream to become a singer, but she doesn’t want her children to make the same sacrifices. She forgoes her music lessons and does not visit her beloved mother so that her children can move away for school and commit themselves to a happier future. The novel honors Abbie’s complexity as a character by highlighting that sacrificing herself for others is not idyllic or easy: “Why should life on the prairie have demanded so much of her? Why should twenty years have been so hard, so barren? By her condition, both her grief and her bitterness were accentuated” (149). Abbie mourns the life she didn’t have with her mother, the life she didn’t have in pursuing her musical dreams. However, in mourning this other version of what could have been, Abbie also consistently recommits herself to the dream she did choose: family life with Will.
These chapters use symbols to emphasize messages about sacrifice and resilience. When Abbie gives birth to Grace, “She did not care especially, except for one thing. The light! […] Some tiny spark of memory kept reminding her that she must never take her eyes away from the far-off glow of the lantern” (155). The lantern is a motif of Abbie’s resilience. The light of the lantern helps guide Abbie, and it is also a light that Abbie shines for others to guide them on their way. Abbie’s new house is also a symbol. The completion of her dream home is a symbol of the Deals’ growing prosperity, stability, and happiness. As a younger version of her mother, Margaret is a foil for Abbie. She represents the new generation of women who can both pursue their own interests and fulfill normative female gender roles. Margaret fulfills what Abbie couldn’t, which is why Abbie sacrifices her desires.
These chapters end with Will’s unexpected death, which demands new character development from Abbie: “Suddenly, Abbie Deal seemed greater than herself, larger than humanity. A sense of deep wisdom was within her, a flood of infinite strength enveloped her” (170). Abbie comes into a new layer of her characterization: It is up to her to lead the family now that Will is dead. In a way, Abbie is free to accomplish her dreams, but on the other hand, Abbie is now alone, with more responsibilities than ever. Nevertheless, Abbie’s characteristic strength keeps her motivated to think of the future.
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